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This film is dedicated to Mas-Félipe Delavouët, the poet discovered by Lawrence Durrell, who wrote 14,000 verses in Provençal over a period of thirty years, and who died on November 18, 1990. “The sky, history and Mediterranean and Provençal myths are the inexhaustable wellspring of this man rooted down there, near Salon-de-Provence” (J.-D. Pollet).Read More »
A documentary on the Iranian revolution from the point of view of Lebanese filmmaker Jocelyne Saab with Rafic Boustani. Filmed in 1980 during the early stages of post-revolution transition also captured in Kianoush Ayari’s Taze Nafas-ha, the film contains rare footage of many interesting and pertinent subjects: public rallies of the Mojahedin (before the organization was banned and when Masoud Rajavi was alive); the beginnings of the IRGC forces (when women participated); Khamenei; Kurdish fighters; Baluchs in the borderlands, and the remnants of Shahr-e No in the immediate aftermath of its destruction.
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In a village outside Dakar, the gods – or the stars, or destiny, have spoken: Satché must die by the end of the day. Directed by Alain Gomis and starring multi-hyphenate, multidisciplinary artist Saul Williams, “Tey” is a beautiful, sensual, humane tale with beautiful scenes that seek to show the elements of friendship, desire, sadness, affection and anger that are usually left unsaid.Read More »
Louis decides to leave his wife and finds his happiness elsewhere. Along the way, he meets a man with whom he falls in love.Read More »
Documentary master Frederick Wiseman’s 38th film in a career that has spanned more than that number of years, turns his attention to one of the world’s greatest ballet companies, the Paris Opera Ballet. John Davey’s camera roams the vast Palais Garnier, an opulent 19th century pile of a building: from its crystal chandelier-laden corridors to its labyrinthine underground chambers, from its light-filled rehearsal studios to its luxurious theater replete with 2,200 scarlet velvet seats and Marc Chagall ceiling. LA DANSE devotes most of its time to watching impossibly beautiful young men and women — among them Nicolas Le Riche, Marie-Agnès Gillot, and Agnès Letestu — rehearsing the choreography of Mats Ek, Wayne McGregor, Rudolf Nureyev and Pina Bausch. For balletomanes and the curious alike, LA DANSE serves up a scrumptious meal of delectable moments, one more glorious than the next, made even more precious by their ephemeral nature.Read More »
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Judith leads a double life: two lovers, two sons in France and one daughter in Switzerland. Entangled in secrets and lies, her lives begin to shatter.Read More »
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Documentary filmmaker Frederick Wiseman makes his second fictional feature with La Dernière Lettre (The Last Letter). Anna Semyonova (Catherine Samie) is locked up in an occupied Ukrainian ghetto in 1941. Adapted from Vasily Grossman’s novel Life and Fate, the film consists of the woman reciting a monologue of the final letter she wrote to her son before the Nazis came for her. Shot in black-and-white, the only other characters in this film are the shadows on the wall.Read More »
A re-edited version of Joris Postema’s Stop Filming Us, Vivuya and Twahirwa’s film takes a closer look at the imbalance of power inherited from colonialism and its consequences on the representation of the DRC, cinematic and otherwise.Read More »
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When the mysterious woman in the room next door disappears, a debonair 70-year-old ex-spy living in a luxury hotel on the Côte d’Azur is confronted by the demons and darlings of a lurid past in which moviemaking, memories and madness collide.Read More »