Czech

A poor but great violinist is invited to stay at an aristocrat’s house. It is based on a short story by Lev Nikolaevic Tolstoj.Read More »

Synopsis:
Transport from Paradise is set in an unusual World War II concentration camp. The lax Nazi guards permit their Jewish prisoners to roam freely about the camp and conduct their own business and social affairs, without the threat of instant extermination looming over their heads. The prisoners’ main fear is that they may at any moment be shipped off to one of the death camps. In the film’s incredibly heartbreaking climax, a group of prisoners willingly board a train to Auschwitz, laboring under the delusion that they are being sent to another “paradise” camp at the behest of the Council of Jewish Elders. Though it stretches credibility at times, Transport from Paradise is purportedly based on a true story.Read More »

Quote:
Mr. Laffler (Jiří Lábus) is strange. Everyone in the office he runs knows that. The clerk, Costain, (Lukáš Hlavica) also knows this, so he is very surprised when his otherwise impersonal boss does something as human as inviting Costain to dinner. But not at home. At home, he says, he does not accept guests. He leads him to an inconspicuous, secluded restaurant U Sbirra, where a very closed company of strange people meet.Read More »

Quote:
The time is the seventeenth century. The beggar Maryna Schuchová hides the Host in her scarf at the Communion. She admits to the parish priest Schmidt that she intended to give it to the midwife Groerová to heal her ailing cow. The young priest declares her a witch and convinces the Sumperk countess De Galle to summon the inquisitor Boblig from Edelstadt. This failed student of law sees the offer as a great opportunity. He uses torture and threats to force the women from the to testify to their meetings with the devil and learn by heart the lies he has made up for the inquisition tribunal. Boblig accuses the wealthy burghers of witchcraft as well, and so wants to seize their possessions.Read More »

Quote:
An old man is wandering round a badly signposted and as yet mostly under construction Prague housing estate looking for the high rise block into which he is supposed to be moving with his daughter’s family. The old granddad from the countryside likes chatting, nothing escapes his eyes and he wants to give everyone a helping hand.Read More »

Viktor is a prime example of passivity, he “lives as if he had everything already behind him”. Břéťa is a “charged solar battery, that keeps on charging energy”. Between these two men there enters a woman, Edita, who is uncompromisingly career oriented.Read More »

Quote:
A milestone of the Czech New Wave, Milos Forman’s first color film The Firemen’s Ball (Horí, má panenko) is both a dazzling comedy and a provocative political satire. A hilarious saga of good intentions confounded, the story chronicles a firemen’s ball where nothing goes right—from a beauty pageant whose reluctant participants embarrass the organizers to a lottery from which nearly all the prizes are pilfered. Presumed to be a commentary on the floundering Czech leadership, the film was “banned forever” in Czechoslovakia following the Russian invasion and prompted Forman’s move to America.Read More »

Czechoslovak New Wave iconoclast Juraj Herz’s terrifying, darkly comic vision of the horrors of totalitarian ideologies stars a supremely chilling Rudolf Hrušínský as the pathologically morbid Karel Kopfrkingl, a crematorium manager in 1930s Prague who believes fervently that death offers the only true relief from human suffering. When he is recruited by the Nazis, Kopfrkingl’s increasingly deranged worldview drives him to formulate his own shocking final solution. Blending the blackest of gallows humor with disorienting expressionistic flourishes—queasy point-of-view shots, distorting lenses, jarring quick cuts—the controversial, long-banned masterpiece The Cremator is one of cinema’s most trenchant and disturbing portraits of the banality of evil.Read More »

The childless family of the veterinarian and mayor of a small town, Robert Rýdl, and his much older wife, Klára, is joined by an orphaned girl, Jana. The girl is grateful for her new home but she slowly begins to feel a strange atmosphere that reigns in the house. Klára brought her property into the marriage and loves her husband with a possessive and stifling love. The emotionally suffering Robert falls in love with Jana. When he realizes that the girl returns his love, he uses the offer for a business trip to Opava to run away from the insoluble problem. Jana is unhappy, she is afraid of the two spiteful maids and discovers the bad side of Klára’s outwardly kind nature. The two women pay a visit to Robert in Opava. They are walking in the town and something unpleasant happens. Rýdl’s acquaintances think that Jana is his wife and Klára his mother-in-law. Robert Rýdl runs away again, this time to Prague. He leaves Jana alone with Klára who has fallen seriously ill and finally dies. Robert is free but his previous cowardly behaviour destroyed Jana’s love. The girl leaves Robert right after the funeral.Read More »