Charles Boyer

A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.Read More »

Brief Synopsis:
An actor, Paul Orman, is accidentally told that his new, custom made tail coat has been cursed and it will bring misfortune to all who wear it. As the 4 succeeding wearers of the coat discover, misfortune can often lead to truth.Read More »

Wealthy shipowner Bruce Vail is insanely jealous of wife Irene, who divorces him for that reason. Vail schemes to get Irene in trouble with a hired gigolo; but passerby Paul Dumond rescues her, and Paul and Irene fall in love, much to Vail’s dismay.Read More »

Quote:
Leslie Caron gets top billing and the lion share of screen time in “Fanny” but Maurice Chevalier steals the show from the first frame. Making its DVD debut, this 1961 film is based on the Tony-Award musical of the same name. Despite getting its start way back in 1954, the story is surprisingly risqué and contemporary, dealing with issues such as illegitimate children, premarital sex, cleavage and adultery. Because of Chevalier and the cast, those issues are presented in a jovial, comedic way until the third act, when the humor and levity the production is built on is jettisoned in favor of mediocre melodrama.Read More »

Quote:
After the death of her famous opera-singing aunt, Paula (Ingrid Bergman) is sent to study in Italy to become a great opera singer as well. While there, she falls in love with the charming Gregory Anton (Charles Boyer). The two return to London, and Paula begins to notice strange goings-on: missing pictures, strange footsteps in the night and gaslights that dim without being touched. As she fights to retain her sanity, her new husband’s intentions come into question.Read More »

Quote:
Vincente Minnelli’s final film, A Matter of Time (1976), is both a love letter to the prodigious talents of his daughter Liza, and a fond farewell to the Golden Age of Hollywood–the era during which he did his best work, long gone by 1976. The film is based on the Maurice Druon novel, La volupté d’être (Film of Memory, 1954), which in turn was loosely based on the life of early 20th century art patroness and muse Marchesa Luisa Casati. The Contessa Sanziani (Ingrid Bergman) is a Belle Epoque courtesan who, like the real-life Casati, has fallen on hard times and is living in a shabby Roman hotel. Half-mad and enveloped in memories, the Contessa recounts her past triumphs to an impressionable hotel maid, Nina (Liza Minnelli), who imagines herself playing out the Contessa’s fabled life. As the Contessa fades, Nina blossoms….Read More »

Quote:
This superior melodrama with a darkly comic tinge came out at a time when Mitchell Leisen’s career was running hot after a series of successes including films like Easy Living, Midnight, and Remember the Night. It was also the last film Billy Wilder (in partnership with Charles Brackett) was content with just writing the screenplay for. He was supposedly so annoyed by the way Leisen took liberties with his script that he resolved never to cede directorial control again.Read More »

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The final film completed by Ernst Lubitsch, this zany, zippy comedy of manners, set in England on the cusp of World War II, is one of the worldly-wise director’s most effervescent creations. Jennifer Jones shines in a rare comedic turn as Cluny Brown, an irrepressible heroine with a zeal for plumbing. Sent to work as a parlormaid at a stuffy country manor, she proceeds to turn the household upside down—with plenty of help from Adam Belinski (Charles Boyer), an eccentric Continental exile who has fled the Nazis but is still worried about where his next meal is coming from. Sending up British class hierarchy with Lubitsch’s famously light touch, Cluny Brown is a topsy-turvy farce that says nuts to the squirrels and squirrels to the nuts.Read More »

Synopsis
After the death of her famous opera-singing aunt, Paula (Ingrid Bergman) is sent to study in Italy to become a great opera singer as well. While there, she falls in love with the charming Gregory Anton (Charles Boyer). The two return to London, and Paula begins to notice strange goings-on: missing pictures, strange footsteps in the night and gaslights that dim without being touched. As she fights to retain her sanity, her new husband’s intentions come into question.Read More »