Arabic

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A 14-year-old girl in 1948 Palestine watches from a locked pantry as catastrophe consumes her home, in this bold debut from Darin J. Sallam.Read More »

A Palestinian boy becomes entranced with a beautiful Gypsy girl and a fairy tale world she weaves amidst conflict in Gaza. The children explore nature, mysticism and what their future holds, while learning to live with the surrounding brutality c. 1990. Yusef’s family scrapes by in a seaside camp while his father’s in prison and his heavily-armed brother’s on the run, parrying with Israeli troops. Salah, Yusef’s schoolmate from a well-off Arab family strives faithfully to assist them, while Yusef helps an elderly, blind neighbor escape from his lonely abandonment into the North American dreamworld he’s waited so long for.Read More »

Life or Death (Arabic: Hayat ou maut‎) is a 1955 Egyptian film directed by Kamal El Sheikh. It was entered into the 1955 Cannes Film Festival.

IMDB:
A man with cardiac problems, had heart attack and sent his daughter to get the medicine from the drug store, however the pharmacist discovers that he sent the wrong medication, he cooperates with the police to stop a disaster.Read More »

Mona and Manar are two Palestinian girls growing up in refugee camps in Beirut and Bethlehem. Despite the overwhelming barriers that separate them, the girls form a close friendship through letters and a dramatic reunion across the Lebanese border with Palestine. Shot during the liberation of south Lebanon from Israeli occupation and the beginning of the Palestinian intifada, FRONTIERS OF DREAMS AND FEARS articulates the dreams and hopes of a generation of young Palestinians living in exile.Read More »

ROAD TO LOVE explores the theme of homosexuality as it is manifested among Islamic/Arab men. This romantic story goes from Paris to Marseille, from Amsterdam to Morocco via Jean Genet’s grave in Larache, and on to Tangiers. The movie tells the story of an Algerian-French heterosexual young man beginning a sociology study of gay islamic homosexualities and discovering gay love with a young French man.Read More »

In Gaza, two hairdressers and ten customers of various ages and backgrounds spend the day trapped in a beauty salon while Hamas police fight a gang in the street.Read More »

A Palestinian seeks Israeli permission to waive curfew to give his son a fine wedding. The military governor’s condition is that he and his officers attend. The groom berates his father for agreeing. Women ritually prepare the bride; men prepare the groom. Guests gather. The Arab youths plot violence. One Israeli officer swoons in the heat and Arab women take her into the cool house. A thoroughbred gets loose and runs to a mined field; soldiers and Arabs must cooperate to rescue it. As darkness falls, tensions between army and villagers rise, and the groom’s wedding-night anger and impotence threaten family dignity and honor. Can cool heads prevail?Read More »

In We No Longer Prefer Mountains, Halabi reflects upon the particular political and social condition of the Druze community living in occupied Palestine, taking individual and personal stories as a point of departure. It begins with an ascent of Mount Carmel upon which the Druze towns of Dalyet el Carmel and Isfiya are located, drawing the viewer into a world of geographic isolation and a locale shaped by coercion and control. Living mostly in mountainous areas in Lebanon, Syria, Jordan and Palestine/Israel, as well as in diaspora globally, the Druze maintain close-knit social and religious ties as a minority within and across national borders.Read More »

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Director Daoud Abdul-Sayed builds his drama on the human being, as he introduces to us Ahmed Zaky in different human faces: He is Yehia, the police officer who is in a secret mission in the underworld of drug dealers and he is also Yehia Abu Daboura, the drug dealer who is living his daily life as an outlaw. These different and contradicting roles of one man helped in enriching the drama in this movie.In between, you will meet another major role: Adam, the mail man who used to get the messages or secret reports from Yehia, assuming that he is reporting to his higher officers. Adam is like the person in the middle between Yehia the police officer and Yehia the drug dealer. Yehia tells us during the movie that he/ or the drug dealer became a wealthy man. Read More »