Arabic

  • Atef Salem – Seraa fil Nil AKA Struggle on the Nile (1959)

    Drama1951-1960Atef SalemClassicsEgypt

    Naïve young Muhasab is asked to accompany his more dependable friend, Mujahed, on a voyage up the Nile to Cairo. Once there, they will sell their boat, the “Bride of the Nile,” in order to buy a barge that will make their village elders more competitive in business and trade. But a ruthless business rival is determined to see that the men never reach Cairo. Matters become even more complicated when Nargis, a scheming carnival dancer, is discovered hiding out in the cargo hold of the “Bride of the Nile.” Starring Omar Sharif in one of his most complex roles, this sensual and atmospheric classic of Egyptian cinema is set on a Nile boat where the conflict between two men is ignited by a seductive gypsy who marries one man but loves the other. Atef Salem directs tour de force performances by Sharif, Rushdi Abaza and Hind Rostom. Ranked #36 on the list of 100 Best Egyptian Films 1933-2007 compiled by a team of Egyptian film critics and published in the Al-Ahram Weekly newspaper.Read More »

  • Ali Badr Khan – Al karnak AKA Karnak Café (1975)

    1971-1980Ali Badr KhanDramaEgyptPolitics

    In one of their best roles ever, distinguished actors Nour al Sherif and Saad Hosni star in this overwhelming movie which witnesses the unstable social and political life in Egypt during the late 60s and early 70s of the last century. The lives of a group of university students are turned upside down because of their talks about the political instability the country was going through at the time. While some of the students managed to recover, others have been doomed and fought for their lives. Based on the novel of the same name by Naguib Mahfouz!Read More »

  • Ali Abdel-Khalek – El-Baydha Wal Hagar AKA Hocus Pocus (1990)

    1981-1990Ali Abdel-KhalekComedyEgyptThriller

    Mustafaa is a high school philosophy teacher whose life is turned upside down when the landlord decides to raise his rent. When he fails to pay the new rent, he moves to a cheap dilapidated room on the roof of the building, which had been abandoned after being occupied for many years by a black magician. Mostafaa begins his own journey with black magic when he falsely claims an ability to communicate with spirits and demons, and becomes rich and famous working as a fortune teller. However, getting arrested as a charlatan puts his ‘magic powers’ to the ultimate test. Directed by Ali Abd Elkhaik and starring the well known Egyptian actor Ahmed Zaki.Read More »

  • Henry Barakat – Doa al karawan AKA The Nightingale’s Prayer (1959)

    1951-1960DramaEgyptHenry Barakat

    Quote:
    This is a classical melodrama from Egypt and nicely shot in black and white. It is a tale of relations between man and woman, death, revenge and forgiveness. To watch a film is not just the moving images it is also a opportunity to travel in time and space. Here one is moved back too Egypt in the fifties. I do believe that with the travel back in time there is also and chance to learn something about norms and values, the society and how the relations between people was at that particular time in that particular environment. Doa al karawan AKA The Nightingale’s Prayer (1959) was chosen as one of the best Egyptian films of all time, and it also stars Faten Hamama and she is maybe the number one female screen icon of Egyptian cinema. This film is based on a novel by Taha Hussein and he is considered to be one of the finest and most influential writers of modern Egyptian literature.Read More »

  • Chadi Abdel Salam – Al-mummia AKA The Night of Counting the Years (1969)

    1961-1970Chadi Abdel SalamDramaEgyptMystery

    In the late 1800s, an isolated Egyptian mountain clan sustains itself by exploiting Egypt’s ancient heritage, secretly raiding the tombs of the Pharaohs in Thebes. “One of the greatest Egyptian films ever made, Al-Mummia has an extremely unusual tone – stately, poetic, with a powerful grasp of time and the sadness it carries. The carefully measured pace, the almost ceremonial movement of the camera, the classical Arabic spoken on the soundtrack, the unsettling score by the great Italian composer Mario Nascimbene – they all work in perfect harmony… This picture has a sense of history like no other, and in the end, the film is strangely, even hauntingly consoling – the final understanding of who and what we are” (Martin Scorsese).Read More »

  • Mohamed Soueid – Cinema Fouad (1993)

    1991-2000DocumentaryLebanonMohamad SoueidQueer Cinema(s)

    Quote:
    Khaled, a Syrian transgender migrant who was born male, dreams of undergoing gender transition surgery. While trying to make a living from various menial jobs, she falls in love with a Palestinian freedom fighter and joins his resistance. Gently, compassionately, Cinema Fouad draws a portrait of Khaled and introduces the viewer to one of Beirut’s rarely seen netherworlds.Read More »

  • Maryam Touzani – Adam (2019)

    Drama2011-2020Maryam TouzaniMorocco

    Quote:
    Abla runs a modest local bakery from her home in Casablanca where she lives alone with her 8-year-old daughter, Warda. When Samia, a young pregnant woman knocks on their door, Abla is far from imagining that her life will change forever.Read More »

  • Marwa Arsanios – Have you ever killed a bear? or Becoming Jamila (2014)

    2011-2020LebanonMarwa ArsaniosVideo Art

    Quote:
    A video that uses the history of a magazine – Cairo’s Al-Hilal ‘50s and ‘60s collection – as the starting point for an inquiry into Jamila Bouhired, the Algerian freedom fighter. An actress designated to play her role is showing the magazine’s covers to the camera. From the different representations of Jamila in cinema to her assimilation and promotion through the magazine, the performance attempts to look at the history of socialist projects in Egypt, anti-colonial wars in Algeria, and the way they have promoted and marginalized feminist projects. Read More »

  • Amjad Abu Alala – You Will Die at 20 (2019)

    2011-2020Amjad Abu AlalaDramaSudan

    Quote:

    Shortly after Muzamil was born, the village’s holy man predicts that he will die at age 20. Muzamil’s father can’t stand the curse and leaves home. Sakina raises her son as a single mother, overly protective. One day, Muzamil turns 19.Read More »

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