A middle-aged man whose emotional and mental development ended at adolescence becomes obsessed with a guava tree in the yard of his former childhood home. When he is arrested trying sneak into the yard, he forms a unique relationship with the daughter of the home’s current resident.Read More »
Two women in training to become deadly ninja assassins decide to use their skills to pickpocket a wealthy looking samurai. However, they soon find themselves caught up in a dangerous situation that requires a very special secret weapon to escape-specifically, their impressive physical attributes.Read More »
Quote: My Frightening Rushed Palestinian Roadblock Wedding
Like the 1999 German hit “Run Lola Run,” the new movie by Palestinian director Hany Abu-Assad opens with an ultimatum and a plucky heroine alone in her room, wondering which way to turn. Both films feature menacing dogs, lost plastic bags, and an aimless, poorly shaved lover. But that’s where the similarities end, because contemporary Berlin is a happier place than Jerusalem in 2003. For one thing, Tom Tykwer’s redhead Lola didn’t have to deal with roadblocks, trigger-happy soldiers, and bomb squads. For another, Lola was fiercely self-determined, while Rana (Clara Khoury) has to contend not only with political oppression but the dominating role men are assigned in her culture.Read More »
Quote: Asian Erotic. Teresa Cheung stars as a real estate agent drawn into a torrid – and sadomasochistic – relationship with a morose, stunningly beautiful Japanese photographer played by male model Sho. The two cavort in a luxurious apartment owned by an elegant upper-crust Japanese lady (Japanese diva Matsusaka Keiko), crossing paths with an infatuated policeman (Carl Ng), a mysterious Korean woman (Korean transgender Ha Ri Su), and an increasingly tangled web of violence, criss-crossing passions, and lurid, unchecked desires…Read More »
Quote: Agnes and his brothers have little in common, except an eccentric old father, relationship problems that are totally screwing up their lives, and the distinct possibility those two things are connected. Hans-Jörg conceals his sexual frustration behind his meek librarian appearance. Sex addict meetings don’t seem to be stopping his incessant masturbation and awkwardness with women. But his life changes drastically when he finds outlets for his anger and lusty libido. Werner is much more successful at political combat than family diplomacy. He’s caught up in an upperclass suburban nightmare and bickering is the only heat left in his marriage.Read More »
Quote: Rosa (Broken Embraces’ Carmen Machi) is a Madrid housewife who runs a hair removal business from home. As her taxi-driver husband Francisco (Pep Ricart) leaves for work, we watch as she attends to clients and domestic chores. Only beneath the veneer of quiet efficiency there lies a sense of disquiet, that only begins to emerge as her husband goes to bed, Rosa embarks on a night odyssey, and we are invited to follow and observe as the adventure unfolds. From Javier Rebollo, winner of the FIPRESCI award at the 2007 LFF with Lola, his debut feature, comes a new film similarly concerned with a central protagonist on the edge in a cityscape where the impersonal and the bureaucratic predominate. From an economical script (co-written with Lola Mayo), Rebollo builds up a narrative in which much remains suggested and implied. Carmen Machi, one of Spain’s most popular TV actresses, here shows a veritable change of register in capturing the anxieties and concerns beneath Rosa’s veneer of calm competence. The result is a disquieting film from one of Spain’s most distinctive young filmmakers. —bfiRead More »
“A mysterious doctor travels through a surreal landscape of paranoia and despair in director Thomas Nöla’s of his own novel. Haunted by his seemingly dead former patient Miss Marilla Huxley (Lindsay Todd) and mournful over the death of his deceased wife (Melissey Castevet), the doctor is locked in a constant state of fear as a result of the pierrots and constables who hold an iron grip on his homeland. As madness begins to take hold, the frightened doctor will attempt to break the invisible chains that bind him and look inward to discover the secrets of death and nature.”Read More »
Perhaps just as integral to Nazi film history as Leni Riefenstahl was largely forgotten “Jew Suss” director Veit Harlan. This documentary explores the life and career of Harlan, the expert film artisan responsible for the controversial 1940 feature still regarded as the most anti-Semitic production ever made. Includes home movies, archival footage, and interviews with family members who grapple with Harlan’s dark legacy.Read More »