2000s

Giorgio Pellegrini, a former left-wing activist turned terrorist has fled to Central America and fought with a guerrilla movement. Fifteen years later he is fed up with living in the jungle and decides to return to Italy. What he wants is to lead a comfortable bourgeois life in his native country. Thanks to Anedda, a corrupt police inspector, and after giving away former comrades, he obtains a reduced jail sentence. Once released from prison he obsessively pursues his dream of becoming a “respectable” citizen, even if the way to it is paved with larceny, pimping, drug-dealing, rape, heist and murder…Read More »

In collaboration with Nada Gordon & E.J. Bellocq. Subversive sexuality and the poignancy of desire. The women are visions, desirous, delicate, illusory; the illusionary nature manifest–traversing boundaries, expectations and physical limits. By the close, we, in the audience, remain trans-fixed.

In collaboration with Nada Gordon & E.J. Bellocq. Music by Marty Ehrlich.Read More »

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A futuristic film set in a dystopian Cameroonian city vaguely reminiscent of the dystopian Los Angeles in Ridley Scott’s classic BladeRunner, Les Saignantes is shot in high contrast lighting in what seems to be one long continuous night. The throbbing bass soundtrack of the film underscores the pulse of its rapid, jump-cut, music-video style editing. The characterization of the future city is a pessimistic allegory of the contemporary nation in Africa. By the year 2025, nothing has progressed; rather the country is still ruled by abusive power-drunk leaders who promise contracts to their mistresses; the police still take bribes and have no authority to actually investigate the crimes of the rich and powerful. Near the end of the film the smooth woman’s voiceover, which has performed the narrator’s function throughout the film, intones “We were already dead.” Re-watching the film with these words in mind, one wonders if the film, set a few years ahead in the future in 2025, is not the portrait of the spiritual aftermath of nation that has already died.Read More »

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In a remote region of Afghanistan, underprivileged children seek shelter under an elaborate maze of abandoned sewer pipes. Mirvais is one of these children. Though Mirvais is happy to find work carrying around a disabled boy around on his back, he begins to question his duties when his young master attempts to expand his otherwise simple job description. Over time, a sado-masochistic relationship develops between the two boys.Read More »

Movie description: After Dongo´s highly promising career as a gymnast is cut short by an injury, he arrives in Canada as a coach to rebuild his life.Read More »

Synopsis:
‘Kurt’ claims to be a sales rep. He also claims to be English in spite of his heavy Italian accent. Kurt is an habitual liar and a dangerous driver, at the very least. In the south of France he meets Léa, age 16. Between his increasingly strange dates with Léa, Kurt engages in a number of armed robberies, some successful, some not… The police are perplexed by a series of crimes including disappearances and a murder. They conclude that they are dealing with a madman… After he proposes, Léa breaks up with Kurt. The attempt to find a new girlfriend leads to a shooting by Kurt, now calling himself André. Léa’s information identifies Kurt/André as Roberto Succo, psychiatric patient and parental murderer. The police hunt for Roberto covers three countriesRead More »

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Part-investigative documentary, part-satire and shot entirely in black-and-white, the film tackles the mystery that surrounds the life and death of the Filipino hero, Jose Rizal.Read More »

hypersquared wrote:
You know you’re in for a ride with this picture from the opening moments. Roehler drops us smack in the middle of a blowout argument between a young couple whose sex life is on the skids. The fight is at that fever pitch where the woman is crying almost convulsively, and where each of them is beginning to lose their grip on saying sensible things and are on the verge of cheap shots and unhelpful attempts at humor. The scene is tangible and familiar to anyone who’s ever grappled with a fraying relationship, and, with a shocking abruptness, we’re immediately in the reality of Robert and Marie.Read More »

Two isolated families meet for a summertime celebration. Food is abundant and the future seems bright, but Ningiuq, a wise old woman, sees her world as fragile and moves through it with a pervasive sense of dread. Ningiuq and her grandson Maniq are dropped off on a remote island, where, every year, the family dries the catch and stores it for winter. The task is soon finished. As summer turns to fall, they wait in vain for the others to pick them up.Read More »