1990s

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Lisbon Story is more dream than story – and this, I think, defines and justifies it most effectively. There is no clear structure, no consistently cohesive or progressive dialogue. Wim Wenders subtly reveals some form of portrait of the city, but not in the way one might expect. The film is largely made up of sounds, scattered pieces of Lisbon, strange children, a mysterious filmmaker and Wenders’ protagonist, the sound engineer, Philip Winter. In Philip Winter’s efforts to understand his friend Friedrich’s disappearance, in his enchantment with Portuguese band Madredeus, the singer Teresa Salgueiro and his search for the sounds that would accompany Friedrich’s film about Lisbon, Wender’s self-proclaimed “most entertaining film” emerges.Read More »

A collection of Wenders essays discussing all his film work up to Until the End of the World. Imaginative, very accessible, never dry, Wenders reveals a lot of interesting background to his films. Definitely a treat if you’re a Wenders fan.Read More »

1990-1991: “Face Value” Awarded the Dutch Press Prize, Netherlands

Rejecting linear narrative storytelling, the director offers us an epic on humanity and cultural diversity in Europe through a multitude of appearances, a cartography of faces, the reflection of an imaginary Europe made up of London, Marseille, Prague and the Netherlands.Read More »

Storyline
This documentary of repressive political realities in Cameroon begins with the 1990 publication of an open letter to President Biya calling for a national conference – and the immediate arrest of the letter’s author and publisher. The narration then examines the nation’s colonial history, beginning with the first German missionary in 1901, the establishment of schools, French occupation following World War I, the paucity of books written by and published by Cameroonians, and the repression of the CPU, a leftist organization of the 1950s and 1960s. Cameroon and its people are the lark, its feathers plucked first by colonialism and then by native strongmen: ‘Alouette, je te plumerai.’ Written by jhaileyRead More »

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Sale comme un ange is another dark portrayal of human sexuality from Catherine Breillat, her fourth in a series of provocative and unequivocally personal films. What is most striking about this film is its sense of realism and the totally unromantic way in which a romantic liaison is portrayed. By showing a consensual love affair between a young woman and a much older man in a sordid, almost animalistic way, Breillat risks offending the sensibilities of her public, but her boldness works – the end result stands as one of her most haunting and poetic films.Read More »

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A young man takes a journey on a cart through jungles to reach the small hamlet of Bangarwadi, inhabited by a few shepherds, peasants and some members of a criminal tribe known as the Ramoshis. The young man goes there as a teacher. After the initial trauma, he finds the milieu and the environment very inspiring and educative. But then he is transferred to some other school. What remains with him is the memory of the simple folk and their pure nature.Read More »

A short story of a man changing condoms when changing sexual partner. It is from a series of short erotic films promoting condoms.Read More »

Man gets bitten by atomic ant, man turns into raging man-ant beast…Read More »

The film charts the fortunes of two women who loved each other as sisters, but whose paths divulge when the Revolution brings an end to their old way of life in the brothel. IMDBRead More »