1990s

Description: Fifteen years ago, Alice (Mia Farrow) gave up her fashion career to marry the wealthy Douglas (William Hurt). Now they live in a fancy East Side apartment, with their two kids and several servants. She spends her time shopping, heaving beauty treatments, and being a good wife/mother. Raised a Catholic – her idol is Mother Teresa – Alice feels guilty just for being madly attracted to Joe (Joe Mantegna): a sax player and single father whose kids attend her kids’ school. She is too shy to talk with him. Having a painful back, she goes to Dr. Yang (Keye Luke): a weird acupuncturist-herbalist, who realizes that her problem is caused by her attraction to Joe. Yang gives her a special herb.The next day she uninhibitedly flirts with Joe and they make a date. But later she feels to guilty and scared to keep it. She takes more of Yang’s potions.Read More »

When their best friends announce that they’re separating, a professor and his wife discover the faults in their own marriage.Read More »

Set in 1920’s New York City, this movie tells the story of idealistic young playwright David Shayne. Producer Julian Marx finally finds funding for the project from gangster Nick Valenti. The catch is that Nick’s girl friend Olive Neal gets the part of a psychiatrist, and Olive is a bimbo who could never pass for a psychiatrist as well as being a dreadful actress. Agreeing to this first compromise is the first step to Broadway’s complete seduction of David, who neglects longtime girl friend Ellen. Meanwhile David puts up with Warner Purcell, the leading man who is a compulsive eater, Helen Sinclair, the grand dame who wants her part jazzed up, and Cheech, Olive’s interfering hitman / bodyguard. Eventually, the playwright must decide whether art or life is more important.Read More »

Synopsis:
Harry Block has written a best seller… bout his best friends… he revealed their deepest secrets… and they’re not pleased… now Harry Block is going to Hell…Read More »

Description: Black-and-white Sven Nykvist cinematography highlights this Woody Allen comedy about fame and obscurity among Manhattan celebs. Journalist Lee Simon (Kenneth Branagh), makes a play for actress Nicole Oliver (Melanie Griffith), subject of his current story. Lee is separated from his wife Robin (Judy Davis), a schoolteacher who’s totally lost and insecure — until TV producer Tony Gardella (Joe Mantegna) becomes fascinated with her. Concerned about her possible sexual inadequacies, Robin recruits a prostitute (Bebe Neuwirth) to instruct her on oral sex techniques. On the town, Lee becomes transfixed by a blond supermodel (Charlize Theron), who teases him throughout the night, eventually dropping him before they get home. Lee’s relationship with book editor Bonnie (Famke Janssen) is solid, and she’s due to move into his place. However, he suddenly becomes romantically involved with waitress-actress Nola (Winona Ryder), complicating his agreement with Bonnie. Lee’s efforts to sell his screenplay take him to the Stanhope Hotel, where he arrives just as spoiled young movie star Brandon Darrow (Leonardo DiCaprio) is fighting with his girlfriend (Gretchen Mol), trashing his hotel room, and insulting hotel staffers. When Darrow and his entourage head off to Atlantic City, Lee tags along, but as life swirls about him, a dismal dawn awaits. In addition to the Stanhope, locations included Barbetta’s Restaurant, Ziegfeld Theatre, Soho’s Serge Soroko Gallery, Flamingo Club, Jean-Georges Restaurant, and the Trump Marina Hotel and Casino (donated by Donald Trump, who portrays himself in a cameo at the Jean-Georges). Shown at the 1998 Venice Film Festival, this was the opening night selection of the 1998 New York Film Festival.Read More »

Quote:
For my money, Abel Ferrara’s remake of a remake — namely Philip Kaufman’s Invasion of the Body Snatchers, based on Don Siegel’s classically paranoid 1956 SF adaptation of Jack Finney’s effective novel The Body Snatchers — doesn’t match the Siegel original, though it’s a lot scarier and more memorable than Kaufman’s low-key, new-agey version. Kaufman shifted the action from a small California town to San Francisco, while Ferrara–shooting a script by Stuart Gordon, Dennis Paoli, and Nicholas St. John from a screen story by Raymond Cistheri and Larry Cohen — locates the action in an Army compound in Alabama. Read More »

Plot:Director Abel Ferrara applies his eccentric vision to the vampire genre with this cerebral “Art”film about graduate philosophy student Kathleen Conklin (Lili Taylor), who is bitten by anaggressive female vampire (Annabella Sciorra) and soon spirals into a nightmarish world ofblood addiction and existential angst. Driven by her merciless condition, she attacks severalof her pretentious friends and classmates (even her professor) and mainlines their blood likeheroin. Just as she becomes more bold in seeking prey on the streets of New York, she iswaylaid by a potential victim — actually a sophisticated vampire himself named Peina(Christopher Walken), who chooses to control his own blood addiction through fasting andmeditation.Read More »

Rarely seen Béla Tarr short, starring composer anc Sátántangó lead actor Víg Mihály. shot on many some of the same locations as Sátántangó.Read More »

This film documents Neil Young and Crazy Horse’s 1996 concert tour. Jim Jarmusch interviews the band about their long history, and we see backstage footage from the 1970s and 1980s.

If you’re a Neil Young fan, you will love this movie. The music is outstanding, almost mind-altering in it’s depth and beauty. Yes, I call it beautiful even though it’s raw and riotous, even though it’s crude and vulgar, even though it sometimes feels like the harrowing of hell, it’s beautiful music. Young’s music is incomparable and his live performance shows you what an artist looks like when he’s under the influence of his muse. He gives a succinct insight into his vision of true rock music: it never gets comfortable, it never gets tame, it never gets easy. Neil Young is in a class with Bob Dylan and Keith Jarrett: artists completely dedicated to their work. I highly recommend this movie. Jarmusch does an incredible job of combining 3 decades worth of footage into this 1996 tour. The interview with Jim Jarmusch and Young is very interesting: two artists talking about what they do.Read More »