Quote:
Two actors performing in Strindberg’s “Inferno” as God and Lucifer, find themselves competing in real life as well. One of them, Henrique, has spiritual obsession with John Wayne and his way of walking. He and de Dieu, his fellow actor who plays Lucifer and also directs the Strindberg play, engage in a philosophical and spiritual tug-of-war, especially when they meet an author named God, who has plans for another drama to feature both actors.Read More »
1990s
-
João César Monteiro – Le Bassin de J.W. AKA The Hips of John Wayne (1997)
1991-2000ArthouseComedyJoão César MonteiroPortugal -
Witold Starecki – Pears On A Willow Tree (1990)
1981-1990DocumentaryUnited KingdomWitold Starecki
Two-part documentary about post-communist Poland, looking at the emotional and psychological turmoil caused by Poland’s search for a democratic alternative to communism in the run up to the first presidential election. Witold Starecki explores the legacy of disillusionment and fear created by the collapse of the Communist Party in Poland.Read More »
-
Robert Altman – Short Cuts [+Extras] (1993)
Drama1991-2000ArthouseRobert AltmanUSAQuote:
From two American masters comes a movie like no otherQuote:
While helicopters overhead spray against a Medfly infestation a group of Los Angeles lives intersect, some casually, some to more lasting effect. Whilst they go out to concerts and jazz clubs and even have their pools cleaned, they also lie, drink, and cheat. Death itself seems never to be far away, even on a fishing trip.Read More » -
John Scagliotti – After Stonewall (1999)
USA1991-2000DocumentaryJohn ScagliottiQueer Cinema(s)The companion film to “Before Stonewall” by Greta Schiller & Robert Rosenberg (link), “After Stonewall”, narrated by Melissa Etheridge, explores gay history in the U.S. from the 1970s through the 1990s. Like its predecessor, After Stonewall attempts to cover much ground in a short amount of time; however, with only three decades to span, the assignment is more manageable. – Amazon.comRead More »
-
Jean-Luc Godard – For Ever Mozart [+commentary] (1996) (HD)
1991-2000ArthouseExperimentalFranceJean-Luc GodardQuote:
Jean-Luc Godard’s densely packed rumination on the need to create order and beauty in a world ruled by chaos is divided into four distinct but tangentially related stories, including the attempts by a young group of idealists to stage a play in war-torn Sarajevo and an elderly director’s efforts to complete his film.Read More » -
Kevin Brownlow – D.W. Griffith: Father of Film (1993)
USA1991-2000D.W. GriffithDocumentaryKevin BrownlowSilentThis three-part documentary by Kevin Brownlow and David Gill explores D.W. Griffith’s career.Read More »
-
Jon Moritsugu – Mod Fuck Explosion (1994)
1991-2000ArthouseComedyJon MoritsuguQueer Cinema(s)USAA bizarre tale about London, a lonely teen yearning for affection and a leather jacket, who lives in a dysfunctional family home where the mother keeps popping and sexually playing with her other child, X-Ray, a member of a gang of Mods who are constantly at war with a gang of Asian Bikers. Amidst this turmoil, London and her soul mate M16 search for meaning in a phantasmagoria without it.Read More »
-
Yimou Zhang – Da hong deng long gao gao gua aka Raise the Red Lantern (1991)
Drama1991-2000ArthouseChinaYimou Zhang

Synopsis
A young woman becomes the fourth wife of a wealthy lord, and must learn to live with the strict rules and tensions within the household.Read More » -
James Benning – Deseret [+ Extra] (1995)
1991-2000ArthouseExperimentalJames BenningUSAFrom the Chicago Reader
One of the best films of James Benning, one of this country’s leading experimental filmmakers, is this multifaceted look at the landscape and history of Utah (or Deseret, as the Mormon Church prefers to call it). Benning condenses 93 news stories from the New York Times from 1852 to 1992 (read offscreen by Fred Gardner) and sets them against contemporary Utah landscapes, the shots changing with each sentence. Benning’s eye for evocative beauty is as sharp as ever, and his complex invitation to the viewer to create a narrative space between his separate elements keeps this 1995 film continually fascinating. 82 min.Read More »






