Yum, Yum, Yum! is a glorius celebration of cooking and eating in Louisiana. It’s Les Blank and Maureen Gosling’s latest love song to the little-known Cajun and Creole cultures of the Gulf Coast and backwood bayous. It’s as seductive as a five-star dinner in one of New Orleans’ top-line restuarants, as simple (and unforgettable) as a home-cooked meal in Eunice.
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This 34-year-old filmmaker has invented an entire universe,” wrote Jean-Michel Frodon in Le Monde, and he was right. Darezhan Omirbaev may well have been inspired by Bresson and Hitchcock, but he has indeed created his very own universe in the five films he’s made since the late 80s. The disconnected events of his films are simple – a boy travelling on a train from the steppe to the city, riding on a bus, going to a movie and brushing bare arms with his date, wandering through a train yard. But every form, every movement, every gesture seems to have found its precise poetic place, and the emotional terrain contained within his first feature feels as vast as an ocean. Kairat is the name of Omirbaev’s autobiographically inspired hero, who moves through life exactly as many of us do when we’re adolescents – awkwardly, in bewildered confusion, guarding a wealth of emotions deep within us like a buried treasure. One of the best films of the 90s.Read More »
Plot Synopsis by Michael Betzold
Veteran Russian writer-director Nikita Mikhalkov’s film about the impact of modern civilization on an idyllic part of Mongolia won the Golden Lion at the Venice Film Festival and was nominated for an Oscar as Best Foreign Film. A farmer (Bayyartu) and his wife, who live in a rural part of Inner Mongolia, have three children. Chinese population control policies prevent them from having any more. The farmer sets out for the nearest town to obtain birth control. He comes upon a Russian truck driver (Vladimir Gostyukhin) who has ended up in a lake. The farmer takes the man back to his farm, and after initially being appalled at the lack of civilization, the Russian becomes enchanted with the peaceful life of the backwards countryside and decides to stay. But his presence presages big changes for the peasants.
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The McBee family has erected a government over a future ‘colony’, that looks like a run-down Paris divided into sectors by the Berlin Wall. All male family members suffer from a mysterious disease and are in urgent need of organ transplants. The perfect donor, Tykho Moon, probably has been killed in a fire, but according to rumours he’s still alive. Although assassins stalk the family members, the McBees start a hunt for Tykho. Trying to escape the dragnet, Alex, a sculptor, meets Lena, a killer posing as a whore. (imdb).Read More »
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Between 1991 and 1992 he [Saless] directed Rosen für Afrika, a Psychodrama about how injustice is turned into oblivion about an opportunity worker and a woman from the civil house of a marriage for 30 years . Soon the relationship fails due to the aggressive, also destructive tendencies of the man who enters a deep personal crisis. When the marriage coined/shaped of force and Psychoterror goes finally into the breaks, the man looks for comfort in the alcohol and becomes criminal. It was released on German television in 1991.Read More »
In 1998, SVT made a documentary about Leila K’s claim for stardom called Fuck You, Fuck You Very Much. The event focuses on an incident that happened during the 1996 Swedish Grammis awards. In 2000, she appeared on Daisy Dee’s “Open Sesame” video, a cover of her own 1991 hit. Daisy Dee was the presenter of the show “Viva Club Rotation” at the time. In 2003, Swedish media reported that Leila K was living on the streets, stealing her food.
2009 the rock documentary Fuck You, Fuck You Very Much was released May 2009 in Sweden.Read More »
It’s an exceptional documentary about the Soviet Air Industry after the end of the Soviet Union, full of anecdotes about what’s happened to people on Russian airlines. Really, this is priceless. This rip is from an old VHS tape.Read More »
Seni seviyorum Rosa is The first film of Turkish female novelist and screenwriter Isil Özgentürk is based on a highly praised novel, Tanta Rosa by another woman writer, Sevgi Soysal. The heroine comes from a non-Muslim family in the days when Istanbul used to be a melting pot of diverse cultures and religions. We follow Rosa from her childhood in her well-to-do family until her old age, her life changing with the destiny of Istanbul, which serves as a background to this story of life, love and disillusionment. Özgentürk lets the story unfold like a tale from the Arabian Nights, not forgetting to pass along a message or two for female audiences. The film received the Special Jury Prize of the Istanbul Film Festival in 1992 and travelled to major international film festivals. (~ Gönül Dönmez-Colin, All Movie Guide)Read More »
The Yellow Mercedes
A black comedy about the misadventures of a Turkish Gastarbeiter (guest worker) who returns to his village with the Mercedes Benz he buys with his hard-earned money.
Bayram comes to Germany from Turkey to work. He saves money and manages to buy a Mercedes. He tries to go to his home town by driving the Mercedes. On his way back, he faces various troubles. The film comically depicts a man who is obsessive about his Mercedes.Read More »