1990s

Synopsis wrote:
A journalist (Grigoris Patrikareas) is conducting an investigation regarding the refugees in Northern Greece and the immigrants who are detained at the border. He meets a man (Marcello Mastroianni) who resembles a politician who has gone missing. His wife (Jeanne Moreau) is summoned to identify him, but when she sees him she states that he is not her husband. The man’s identity remains unknown in a world where natural borders are not just a place of transition, but also an end, a no-man’s land, the end of a century.Read More »

Synopsis:
Autumn 1990, a young Austrian goes to a party held by some of his friends and provokes a hideous bloodbath. As a reflection of daily reality and its crass representation of the horror of this extreme crime, Michael Haneke has composed an experimental collage of material gathered from one day of ORF (Austrian TV) broadcasting, using each part in proportion to the time allocated to it in the programme schedule.

Source: Archival Beta Tape (Austrian Broadcast Corporation)Read More »

Synopsis:
The many ways in which men are fascinated, compelled, and confused by their attraction to women are explored in this four part drama. As a filmmaker (John Malkovich) tries to sort out his plans for his next film, he considers several stories about women and the men who love them. Silvano (Kim Rossi Stuart) meets Carmen (Ines Sastre) and immediately asks her for a date, but despite his attraction, he can’t follow through on his feelings for her. The director spies a woman on the streets (Sophie Marceau) and follows her obsessively, but when he finally meets her, he’s disappointed, despite their mutual physical attraction. Read More »

Saddled with a slavish, boring laundry job and no social life whatsoever, Kikuchi rarely leaves his bare apartment except to follow home and spy on a supermarket check-out girl. But there’s no one he can tell about his secret passion, least of all his gawping, work-shy colleague. Even a stray kitten can’t alleviate Kikuchi’s frustration; clearly, something’s got to give…Read More »

Set in St. Louis during the Great Depression, King of the Hill follows the daily struggles of a resourceful and imaginative adolescent who, after his younger brother is sent to live with a relative and his tubercular mother to a sanitarium, must survive on his own in a run-down hotel during his salesman father’s long business trips.Read More »

Quote:
Every image in The Fall of Communism as Seen in Gay Pornography comes from gay adult videos produced in Eastern Europe since the introduction of capitalism. The video provides a glimpse of young men responding to the pressures of an unfamiliar world, one in which money, power and sex are now connected.Read More »

Quote:
Despite its many connotations, black and whte is most frequently used to signify the past––especially the past ihabited by our parents and grandparents, which we can see in old movies but never experience directly. A highly intelligent commentary on this phenomenon is independent filmmaker Mark Rappaport’s EXTERIOR NIGHT, made for high-definition color TV (HDTV) which combines original color imagery with archival footage of sets or backgrounds from THE MALTESE FALCON, THE BIG SLEEP, MILDRED PIERCE, POSSESSED, DARK PASSAGE, THE FOUNTAINHEAD, YOUND MAN WITH A HORN, STRANGERS ON A TRAIN, and a score of other black-and-white movies. Using a blue-screen technique, Rappaport and HDTV cameraman Serge Roman frequently pose contemporary actors against studio nightclubs and streets from the 1940s.Read More »

Quote:
In the twilight of his life, Jean-Baptiste, a painter who has always lived in Paris, says he wants to be buried in Limoges: “Those who love me can take the train”. So begins a sad, wild and marvellous journey which unites all the people that he had touched during his lifetime – his lovers, lovers’ lovers, ex-lover’s new wives, old friends, casual acqaintances, and relatives. But their shared mourning cannot conceal the heartbrakes, rivalries, jealousies and passions wich all simmer to the surface and will – over the course of the journey, funeral and wake, reach some kind of resolution.Read More »

Lakha comes from a family of bird catchers, but questions the value of catching birds. He, and the older Bhushan, sell their caged birds to the local dealer. Lakha’s wife, Sari, complains that he is not ambitious enough because he cares more for the birds than for her, and she starts meeting Natobar. Kalicharan, a city dealer, suggests they sell their birds directly to him. So Bhushan and Lakha take their next catch of birds on the train to Calcutta. Kalicharan invites them to a feast for the ceremony of the birds, with disastrous consequences.Read More »