1990s

SYNOPSIS
Two small-town Texas cops go undercover to catch a major drug dealer and are sucked into the drug culture, compromising their assignment.Read More »

Stella is an autobiographical 2008 French film directed by Sylvie Verheyde.

Coming-of-age films – particularly those emanating from Hollywood – have a habit of focusing on those in their late teens, coping with the coming of responsibility and, more often than not, sex. But there is arguably a much bigger jump to be made by those just entering their teens, as they make the move from childhood to the nightmare of puberty at the same time as negotiating the social upheaval of switching schools and taking on life lessons.Read More »

Chile, second half of the 20th century. The poor Esteban marries Clara and they get a daughter, Blanca. Esteban works hard and eventually gets money to buy a hacienda and become a local patriarch. He becomes very conservative and is feared by his workers. When Blanca grows up, she falls in love with a young revolutionary, Pedro, who urges the workers to fight for socialism. It is unavoidable that Pedro and Esteban are pitted against each other. Esteban tries to stop the love affair between Pedro and his daughter by all means possible but soon Blanca becomes pregnant and has a daughter. The void between father and daughter seems unbridgeable when Blanca moves in with Pedro.Read More »

Quote:
In 1988, Nela, a young schoolteacher, tries to carry out the will of her late father, an officer of the Securitate (Ceausescu’s secret police) who wants his body to be used for medical research. She decides to leave Bucharest to teach in a small provincial town, where she meets Mitica, a doctor at the hospital who is obsessed with saving the life of a Christlike patient whom the authorities wish to let die. They both share an odd sense of humor and see themselves as kindred spirits, but their relationship produces less than welcome results. The Oak is a vivid look at Romania before Ceausescu’s downfall.Read More »

After the victory of the War of Resistance Against Japan, the Japanese woman Shuzi committed suicide but was rescued by Kasha, a young Hani army officer, and returned to his hometown in Yunnan with him. Unexpectedly, Ka, who had just arrived home, died of a relapse of an old illness. In order to protect Shuzi from being discriminated by his tribe, Jialuo, the younger brother of Cansha, took good care of Shuzi. Gradually, the two of them developed love, and they married Canluo according to the custom inherited by the local brother, and gave birth to children. Female. As the years passed, Shuzi’s desire for his homeland deepened. On the one hand is the homeland after more than 50 years away, on the other hand is to let go of constant feelings, how should Shuzi decide…Read More »

Synopsis
A female bus conductor falls into confusion of career and love when getting along with three young men.Read More »

In the 1920’s, when Taiwan is Japan’s colony, the small town Chiu-Fen was famous of its gold mines. Escaping from the landlord’s control, Chu and Wei join the gold rush in Chiu-Fen, hoping that they can be rich and have their own land some day. The are two kinds of women in the small town : hard working housewives and prostitute. The formers are always struggling in poverty. Jou is one of them. People believe that she is doomed to be a widow. She married twice. Both of her husbands are dead. Che falls in love with her anyway. He becomes her third husband in despite of people’s warning. Many of the masters of brothels make a future from prostitution business as well as the black market of gold. Wei loves Fumiko, a young prostitute. He decides to buy back her freedom.Read More »

Johnny Lamb (Brendan Fraser) has two jobs: he’s an elevator operator by day and a hit man by night and he’s very good at both jobs. His Boss (Peter Coyote) sends him on a job that makes Lamb confront his conscience; maybe for the first time. The episode has gay relationship overtones seldom touched in hard-boiled novels nor found in film noir.Read More »

Synopsis wrote:
In her first feature, after decades as a pioneer of lesbian cinema, Barbara Hammer weaves striking images of four contemporary gay and lesbian couples with footage of an unearthed, forbidden, and invisible history, searching eroded emulsions and images for lost vestiges of queer culture. Questions of historic representation are examined through addressing the margins, between-the-line readings, and images outside of prescribed textual boundaries. Archival footage from Lot In Sodom (1933), often regarded as the first queer film made in the United States, as well as footage from German narrative and documentary films of the thirties, are interwoven with contemporary footage in this multi-faceted, haunting documentary.Read More »