1980s

This film shows the day to day activities of multi-handicapped and sensory impaired students and their teachers, dormitory parents, and counselors at the Helen Keller School. The primary mission of the school is to meet the total and living needs of deaf and/or blind children, some of whom also have other disabilities. The film presents situations involving personal hygiene, mobility training, concepts of time and money, self help and independent living, dormitory life, recreation, sports, vocational training, and psychological counseling.Read More »

Dong-chul had been a pickpocket, beggar, pimp, etc. He is accustomed to the dark life of crime. One day, Dong-chul meets Yuk-deok while trying to kidnap the fake college student, Hye-young. Dong-chul and Yuk-deok find out that Hye-young is a prostitute. They do her errands and get fed, barely making it. Dong-chul and Yuk-deok get thrown out after fighting with a customer. Hye-young goes with Dong-chul and Yuk-deok and enjoy themselves at a beach resort. Dong-chul falls in love with Hye-young.Read More »

Late one evening in Moscow in 1937, Defence Counsel Sedov hears a knock at the door. Three women whose agronomist husbands have been sentenced to death for alleged sabotage beg him to take on the seemingly hopeless task of saving them. Sedov embarks upon a succession of encounters with increasingly powerful officials, gradually persuading them to look at the case anew. But the highest authorities are not so easily outmaneuvered, and Sedov becomes canonized as a Stalinist zealot, with the film building inexorably to its chilling triple climax.Read More »

A requiem for Nikkatsu itself. In 1988, the powerful studio – realizing that it could no longer compete with the onslaught of AVs { Adult Videos} – decided to halt pink production. Th e Last Cabaret was written and produced as a metaphorical self-portrait, as at least one critic put it: “an homage to their own relevance.” Due to the voracious appetite of a land developer, a popular cabaret {think Nikkatsu here} is forced to close its doors . The owner’s daughter, melancholy over the foreclosure, goes looking for her father’s legendary girlfriends { think Nikkatsu starlets } to reminisce over the good ole days. Nikkatsu would produce only one more pink film, Bed Partner.
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The first part of this film takes place at the E.H. Gentry Technical Facility which provides evaluation and personal adjustment services to sensory impaired adults and also functions as a vocational training center offering technical instruction in 15 career areas such as business, printing, home economics, food services, and computer sciences. Sequences show the adjustment services for adults in personal and work situations as they learn to adjust to their impairments. The film goes on to show work at the Alabama Industries for the Blind, the second largest employer of blind people in the U.S. which provides employment and training to more than 300 blind, deaf and other handicapped persons. Sequences include routine work and manufacturing of a variety of household and military products.Read More »

In the summer of 1977, a political prisoner, living in exile, recounts the circumstances of his escape to a journalist: in April 76, a group of ETA members planned to escape from prison, but the project fails when, due to a tip-off, the guards discover the tunnel they are digging. The inmates, far from being discouraged, start a second tunnel.Read More »

Three veterans are given magic artifacts by elves that can magically create gold, servants and any other object. They encounter greedy characters and one of them falls in love with a princess.Read More »

Quote:
This film is dedicated to Mas-Félipe Delavouët, the poet discovered by Lawrence Durrell, who wrote 14,000 verses in Provençal over a period of thirty years, and who died on November 18, 1990. “The sky, history and Mediterranean and Provençal myths are the inexhaustable wellspring of this man rooted down there, near Salon-de-Provence” (J.-D. Pollet).Read More »

A documentary on the Iranian revolution from the point of view of Lebanese filmmaker Jocelyne Saab with Rafic Boustani. Filmed in 1980 during the early stages of post-revolution transition also captured in Kianoush Ayari’s Taze Nafas-ha, the film contains rare footage of many interesting and pertinent subjects: public rallies of the Mojahedin (before the organization was banned and when Masoud Rajavi was alive); the beginnings of the IRGC forces (when women participated); Khamenei; Kurdish fighters; Baluchs in the borderlands, and the remnants of Shahr-e No in the immediate aftermath of its destruction.
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