1970s

Axel Freed is a literature professor. He has the gambling vice. When he has lost all of his money, he borrows from his girlfriend, then his mother, and finally some bad guys that chase him. Despite all of this, he cannot stop gambling.Read More »

From: IMDB
With a slow introductory zoom onto Leth in a TV studio and a corresponding zoom out at the end Eddy Merckx in the Vicinity of a Cup of Coffee may be structured in the classical style but an extremely unusual TV production is involved: in the studio Leth reads from his poetry while a subtitle – like in Life in Denmark – pedantically but ambiguously presents observations and describes what is going on. The subtitles seem to serve as a medium for the director’s deliberations as the TV film progresses, starting with the following manifesto: “I have no desire to save you or admonish you or get to know you. But I would like to try to entertain you for a while with words, sounds, and images”. Alternating with poetry readings from the studio the second half of the film consists of moments from the 1970 Tour de France, including the cobbled roads of Northern France, from Mont Ventoux, and from the cathedral dash in Rouen… Written by AnonymousRead More »

Sybylla Melvyn (Judy Davis in her first major screen role) is the eldest daughter of a struggling Australian farming family in the 1890s. Bold and determined, she dreams of success as a writer. At a time when convention and sexism limit female ambition, Sybylla frequently challenges traditionalist expectations.

She accordingly rejects one highly desirable suitor but then falls in love with dashing Harry Beecham (played by a young Sam Neill). As events twist and turn, Sybylla is painfully brought to realise the emotional cost of placing her career over love.Read More »

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This true ‘masterpiece’ of ‘experimental erotica’ is rather hard-to-find, thus the rip is not of the greatest quality, but it is certainly watchable.

Tagline: “a film in the style of Emmanuelle but with the raw passion of The Story of O”

What the original uploader had to say about the film:

Okay, so having watched this film, it is abundantly obvious that drugs were way better in the 70’s: much more potent, and much less stigma. The result is some fantastic entertainment that would have no business being produced in this day and age.
Just as cinema in general was more unbridled and far more director-centric in the 70’s, the porn industry had it’s moments too. This film definitely belongs in the cannon of bizzarro classics.Read More »

“Adapted from his own superb, blackly comic novel of eastern seabord eccentrics, macho mythology and the ultimate Florida face-off, McGuane’s sole film as director is one of the most enjoyable messes ever to be suppressed as unsaleable. His literary talent lionised and his film reputation secure on scripts for Rancho Deluxe, Missouri Breaks and Tom Horn, McGuane here exhibits a totally appealing incompetence as director: the movie’s got all the coherence of an amiable narrative jam-session. Storywise, Fonda wants to set up as a Key West fishing guide; Oates claims a monopoly and threatens to kill him if he does. That’s it…except for the crazy-quilt interaction of cultishly-cast fringe characters, mouthing idiosyncratically lively dialogue and obviously having a ball. Jimmy Buffet’s songs might give you some hook for what’s going on, but the fun’s infectious anyway.” – TimeOut LondonRead More »

The head of a failing French family thinks that fate has smiled down on him when the daughter of a wealthy man agrees to be married to his son. The daughter and her aunt then travel out to the French countryside to meet with the family, unaware that a mysterious ‘beast’ is stalking the vicinity.Read More »

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First film by Paul de Nooijer, in collaboration with his artistic father Frans Zwartjes. Moving Stills shows a series of photographs by Françoise de Nooijer, which are joined, by means of editing and colour effects, and turned into a moving picture. The erotic image gets an explosive charge.
(Netherlands Film Commission)Read More »

Nothing less than a phenomenal, astonishing and pioneering film. This spectacle of an angry, ego-driven youth tormented by his own emotional impotence, low self-esteem and resentment towards his parents.Read More »

Widowed eleven months ago, Eleonora, a 33-year-old woman from the Sao Paulo state bourgeoisie, lives alone, unsuited to her husband’s absence, an intellectual frustrated and torn between the need for transcendence and a strong sexual compulsion. The couple’s life, although not happy, was intense. However, the presence of Ana Maria, a recent arrival from Paris, a middle-class university student, is staying at her house. The two go to the site of Eleonora and this one remembers its life with Marcelo and the death of this one by drowning. Ana has the same existential preoccupations and existential obsessions of Marcelo, and Eleonora identifies in her an extension of the husband. Feeling attraction and at the same time jealous of Ana, she does nothing to save her when they both swim in the dam and Ana suffers a fit of cramp.Read More »