1970s

‘The Silent Cry is a fictionalised narrative film, based on documentary facts and extracts of one English girl’s memories and thoughts, all surrounded, and directed towards her particular dilemma. This dilemma can be summarized as her basic inability to have relationships, especially sustained relationships, and particularly with men. This is the total of her statement and the film. The construction and flow of the film follows the way she thinks – it is her point of view that is followed in the film. So all things are the way she remembers and dwells on them, and which are important to her.’ – S.D.Read More »

imdb says:
In the beginning of the 70s thousand of spaniards women immigrated to Paris to work as house maids. This is the story of some of them.Read More »

Among Wiseman’s funniest films – “a riot,” he deadpanned – Primate is also one of his most chilling. At the Yerkes Primate Research Centre, Wiseman fixes his camera behind rows of chain-link fencing, stuck at a hopeless impasse between the humans’ total lack of empathy and monkeys stripped of their agency. At a boardroom debate about artificial insemination, the director turns a conference into a playpen, zooming-in on scientists yawning, picking noses and jutting their jaws in boredom (by a lovely coincidence, he also happened to be filming during a particularly hirsute decade). For the finale to this grotesque circus, Wiseman turns to a real-time squirrel monkey dissection.
— Michael Ewins (bfi.org.uk).Read More »

“John Cook found the subject of his first documentary in front of his doorstep. In order to pierce the heart of reality you do not need the largest bow – the protagonists and their story are simply too stimulating to pass them by. The janitor Gisi and Petrus – half her age, a gypsy , boxer and delinquent – are an unusual couple of the film , surrounded by a bunch of children . Today we would say that “I Just Can’t Go On” is a film about about precarity . It might be more precise to gescribe Gisi and Petrus as belonging to the class of the “outsiders” who at the margins of society build an enclave constantly threatened to tumble . Gisi works to her limit ; she cleans the house during the day and takes care of the children in the evening . Petrus shifts between energy-sapping occasional jobs and his boxing training , none of which he ever finishes successfully .Read More »

Forensic pathologists perform autopsies. The first two consist of examination, measurement, and checking muscles. The remaining ones involve cutting away bone to expose and examine internal organs, peeling back skin and muscle, removing organs, using syringes to extract bodily fluids, and cutting pieces of tissue. Clothes are inventoried. As each autopsy ends, bodies are covered with sheets. There is no soundtrack. We see a body with extensive burns. The hands and trunks of the pathologists appear; sometimes we see them holding the microphone of a tape recorder. The work is sometimes delicate, sometimes not; it’s often bloody. We are form and meat.Read More »

Quote:
Set before the first Wold War in part of Poland under Austrain occupation, the story of a young boy in primary school who later grows up to become a rebellious, poetic-minded teen in the same school when the national movement toward liberation is under way. The story of a country where church and state work together to suppress the human spirit.Read More »

This Cuban film focuses on the history of foreign intervention in Laos, first by France and then by the United States. It shows how the liberation forces of Laos, under continuous U.S. bombing, were able to run an entire society in hidden caves and tunnels. Through the leadership of the Pathet Lao, they organized schools, cultural activities, clinics, as well as political and military activities literally underground.Read More »

Alvarez’ documentary about the failed kidnapping and subsequent murder in 1970 of Chilean General René Schneider, head of the Chilean armed forces, in an attempt to prevent the ratification of Salvador Allende as President.Read More »

“Hungarians” is as stolid as its characters, a group of peasants who leave Hungary to work in Germany during World War II. The most knowledgable of them has never heard of Hitler. Yet signs of the war are unmistakable, as bands of refugees and wounded soldiers pass through the farm where the Hungarians have signed on as field hands. Zoltan Fabri’s film details their growing understanding of what is going on around them, as well as the fierce and renewed patriotism they begin to feel during their sojourn abroad.Read More »