At danse Bournonville is a portrait of the Bournonville tradition at the Royal Danish ballet that has survived for 150 years on the basis of a few notes and the memories of the dancers and is the basis of the special nature and global reputation the company enjoys. The film was created in continuation of, and drawing on, Leth and Holmberg’s experience in making Peter Martins – en danser.Read More »
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Andrzej Zulawski’s L’important c’est d’aimer is a film of dishevelled lyricism, bursting with noise and anger; an insane storm-tainted flamboyant opera; a visual symphony with apocalyptic emphasis featuring sleaze-bags, clowns, drop-outs, wimps, bastards, and “puppet shows depicting lives of complete scoundrels and ruined careers.” Where some people will see nothing but a graphic canvas of pain, horror and a bloody parade of violence, others who analyze the darkness will see a call for compassion. This is the story of a fragile woman, Nadine Chevalier, who supports her failure-obsessed companion to the bitter end, and who meets a photographer weighed down by remorse.Read More »
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Nominally a supernatural thriller, Peter Weir’s third feature resonates with the director’s underlying fascination with the collision between the modern, rational world and the primordial mysteries of older belief systems. In The Last Wave, the keys to an enigmatic murder, as well as baffling disturbances in the weather, are gradually revealed to an Australian lawyer (Richard Chamberlain) within the shadowy, nomadic culture of aborigines living in and around Sydney who until now were presumed to be assimilated into its modern–and white–social fabric. Read More »
Brief synopsis
Mayor Peppone might very well lose the elections and Don Camillo makes sure that the mayor’s delinquent son gets his act together while his own niece makes Peppone think she is pregnant by his son.Read More »
Review by Jonathan Rosenbaum:
It’s been a full quarter of a century, but I still harbor fond memories of a low-budget French comedy called Valparaiso Valparaiso, a first feature starring Alain Cuny and Bernadette Lafont that I saw at Cannes in 1973. A lighthearted satire about the myopia of romantic French revolutionaries, it details an elaborate hoax perpetrated on a befuddled leftist–a character so absorbed in the glory of departing for Chile to fight the good fight as a special agent that he doesn’t even notice the political struggle going on around him on the French docks when he leaves. Read More »
This film by the Marxist collective Cine de la Base urges Argentine workers to rise up and take control of the country, echoing the rubric: “Workers of the world, unite! You have only your chains to lose.” One premise of this complex political film is that the American CIA worked with Juan Peron to corrupt the Argentine trade-union movement. A unionist known only as Barrera, (who in reality was assassinated in 1969) is here shown accepting bribes from American-owned companies and otherwise undermining the legitimate activities of his union. ~ Clarke Fountain, All Movie GuideRead More »
One of classics of the Soviet cinema and the most popular film of the Soviet era.
A soldier of the Red Army named Sukhov has been fighting in the Russian Civil War in Russian Asia for many years. Just as he is about to return home to his wife, Sukhov is chosen to guard and protect the harem of a guerilla leader (Abdulla). Abdulla is wanted by the Red Army and left his harem behind because the women hindered him. Sukhov’s task proves to be more difficult than he imagined…
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The legendary Franco Nero (Django, The Fifth Cord) stars in the titular role as a half-breed gunfighter who returns from the killing fields of the civil war to find his hometown riddled with the plague, its inhabitants terrorized (with the help of Keoma’s own estranged half-brothers) by tyrannical gang leader Caldwell (Donald O’Brien, Zombie Holocaust). Keoma’s father (Willian Berger, Sartana in the Valley of Death) welcomes his prodigal son’s return, but when Keoma saves a vulnerable pregnant woman (Olga Karlatos, Zombie Flesh Eaters) from Caldwell’s thugs, the stage is set for a violent confrontation. With the help of his father and his friend, the freed slave George (Woody Strode, Spartacus), Keoma prepares to take a savage revenge on Caldwell and his gang.Read More »
