1970s

“Bis daß der Tod euch scheidet” is the story of a couple whose mad love for each other smashes headlong into the husband’s patriarchal value system. Based on a true story.Read More »

Synopsis:
George Romero does for vampires what he has already done to zombies – an intense and realistic treatment that follows the exploits of Martin, who claims to be 84 years old, and who certainly drinks human blood. The boy arrives in Pittsburgh to stay with his cousin, who promises to save Martin’s soul and destroy him once he is finished, but Martin’s loneliness finds other means of release.Read More »

Peter Stein’s production of Gorki´s SOMMERGÄSTE at the Schaubühne in December 1974 became one of the greatest theatre successes in Germany and beyond. “That’s how theatre should always be. That’s how actors should always play,” wrote Le Monde, while in England the Daily Telegraph only had a simple title: “Director of genius”. In 1975 Stein filmed the play in a new adaptation by Botho Strauß.Read More »

Quote:
Authentically ‘New’ German Cinema, and, simultaneously, an archaeology of narrative film itself, Wyborny’s avant-garde landmark defines cinema as a ‘nation’ that has perversely acquired rulers, laws and hierarchies before it has even been physically mapped out. At first appearing to spin an elementary yarn of social organisation (the predictably fraught establishment of a rudimentary commune in the Moroccan desert of 1911) in the ‘authoritative’ film language of DW Griffith, Wyborny proceeds to break down that language to its constituent elements and produce fragmentary hints of alternatives. Structural film-making of a rare wit and accessibility results, with flashes of appropriate absurdity highlighting the redundancy of closed systems, whether social or cinematic.Read More »

A woman who works in a night club starts having obsessive thoughts, beginning to lose her hold on reality.Read More »

Quote:
An adaptation of an HE Bates story, set in an isolated Wiltshire farm in 1942. With her husband a prisoner-of-war, lonely wife (Jackson) strikes up an intimate relationship with a young soldier (Deacon), a farmer’s boy who hates the army. When he impulsively deserts, she hides him, disguised in drag as her sister. The inevitable tensions of their life are increased when two soldiers from the nearby camp discover ‘the girls’, and the lecherous sergeant (Reed) takes a fancy to the one in drag. The relationship between the wife and the deserter is built carefully and convincingly, but in going for laughs as the bullish sergeant, Oliver Reed lets some of the potential tension slip away. As with many of Bates’ stories, the plot is in any case resolved suddenly and melodramatically.Read More »

An unidentified flying object crash-lands on Earth and is taken into custody by the United States government. The occupant of the “flying saucer” turns out to be a cat-like alien named Jake. Using a special collar, he is able to communicate with humans. The cat tries to have American scientists help him find some Org 12 so that his ship may rendezvous with his fleet. After determining that “Org 12” is gold, Jake uses his collar’s powers to affect the outcome of various sporting events, including horse races and pool games, to win money to buy the needed gold and repair his saucer.Read More »

Quote:
An alien virus’s brief pit stop in the new American West, starkly documented by Michael Crichton and Robert Wise. A satellite crashes in a New Mexico burg, soon the place is filled with bodies whose circulatory systems have turned to powder — these are the best sequences, full of hushed dread and unnerving use of widescreen dead spaces (the camera focuses on the placid, dusty face of a fallen villager, then tilts up to frame a couple of researchers approaching in hazmat suits and a helicopter whirring against a cobalt sky). The scientific team is rounded up: Exposition-dispenser Arthur Hill, surgeon James Olson (who gets a crush on the computer’s female voice), splenetic researcher Kate Reid, and veteran doctor David Wayne (“A hippie! He’s going to a love-in,” his suspicious wife cries as he packs for the secret mission).Read More »

Quote:
I haven’t watched it yet and there seems to be very little information available, but from what I understand, it’s a bleak story of two alienated youths (Morishita Aiko and Nagashima Toshiyuki) preoccupied with entrance exams and suicide. In short, the kind of thing one might expect from Nakagami and Fujita Toshiya.Read More »