1960s

Newspaper editor Arthur Sherwood is on a hunting trip when he accidentally stumbles upon a nudist camp in the woods. He is very much shocked by this and decides to send reporter Stacy Taylor to the camp so she can write an expose on the camp and have it shut down. However, much to her surprise, Stacy finds that she enjoys the nudist lifestyle and writes some very positive articles on her experiences, which doesn’t sit well with Arthur. Arthur then decides to join the camp himself and write his own story.Read More »

Quote:
Today, Teruo Ishii is mostly known for his exploitation films of the late 1960s and 1970s bordering between artsy style-over-substance and trashy entertainment. However, his greatest commercial success he achieved with the 10 films he directed for the Abashiri Prison series.

In 1965, Ishii directed the first film, until 1972, seventeen more entries should follow, everyone of them a great box-office hit, most of them even among the top 10 highest-grossing feature films of their respective year.Read More »

Synopsis:
A man’s wife starts having an affair with her brother-in-law, who is temporarily staying at their apartment.Read More »

imdb:
A clever and lively girl who gets lost in the world of radio drama runs away from home to search for her imaginary mother. A scoundrel claims to be the girl’s father to escape from police. They encounter two women in the mountains: one is tortured by her workaholic husband who engages madly in his scientific research, the other is a pure and naive girl living in the mountains. Typhoon is now coming.Read More »

Synopsis: Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d’Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.Read More »

Synopsis: An aspiring film student is denied a scholarship to the state-funded university when his father is thrown in jail. The man had stopped a train in order to facilitate the union between two old friends. The son then takes a job as a land surveyor and meets a Greek man who works towards the collective benefits of the peasants. The man is killed in a peasant uprising prompted by a bureaucratic boondoggle. The surveyor looks after the man’s widow as his emerging political and social awareness leads him take a stand against government injustice. Another incident, in which gypsies are rounded up by state hygiene workers, further galvanizes the man’s beliefs. He photographs the incident, and his work allows him to be accepted into the school from which he was previously denied admission.Read More »

Sébastien (Jean-Pierre Kalfon, Weekend) is staging an adaptation of Racine’s tragedy, Andromaque while a film crew captures their rehearsals on handheld 16mm. The production’s star and Sebastian’s wife, Claire (Bulle Ogier, Out 1), cannot take the pressure and removes herself. Life imitates art, creating a tragedy for the couple when Sébastien recasts the role with his ex. L’amour fou is a hypnotic study of tempestuous love, told with director Jacques Rivette’s signature reflexivity and containing striking examinations of performance, art, theatre and life. A classic of the French New Wave and one of Rivette’s most radical works, L’amour fou was unavailable for years, with the original elements tragically burned in a fire. Now meticulously restored, Radiance Films is proud to present this masterpiece from a new 4K restoration.Read More »

Quote:
Sabu and his pals hold a pauper’s funeral for Sabu’s mother. His brother Jiro arrives home, fresh out of jail, and Sabu pointedly states that Jiro is not invited. Jiro meanwhile is planning a big job – steal 40 million in cash and drugs, and he invites Sabu and gang to act as decoys, for 50,000 each. The sting is a success, but the double-crossing starts almost immediately. Sabu discovers how little of the take they were promised and hides the stash. Jiro and his slimy partner pressure the kids to fess up. Meanwhile, their respectable elder brother Ichiro is being leaned on by the town’s big boss, whose money it was.Read More »

Yoshimura’s 48th film is the contemporary story of a well-to-do family showing the frailties and failings of the class, the egotism, and the complete lack of consideration under polite and superficially perfect manners.Read More »