King Vidor wrote:
“It started when I simply wrote a narration that interested me and challenged myself to fit it to a film, using existing objects in nature, without animation techniques of any kind. I did the photography myself for very little money….It represents an almost abstract attempt to illustrate philosophical thoughts and ideas with strictly photographed—not manufactured—images. What, it asks, is truth, and what is illusion? It draws its examples from obvious things like the movies’ illusory ‘motion,’ and the way railroad tracks seem to converge to a point on the horizon.”Read More »
1960s
-
King Vidor – Truth And Illusion: An Introduction To Metaphysics (1965)
1961-1970ExperimentalKing VidorPhilosophyPhilosophy on ScreenUSA -
Ingmar Bergman – För att inte tala om alla dessa kvinnor aka All These Women (1964)
Arthouse1961-1970ComedyIngmar BergmanSweden

Quote:
Conceived as an amusing diversion in the wake of Ingmar Bergman’s despairing trilogy, this comedy is the director’s first film in color, and it is an opulent visual feast. Working from a bawdy screenplay he cowrote with actor Erland Josephson, about a supercilious critic drawn into the dizzying orbit of a famous cellist, Bergman brings together buoyant comic turns by a number of his frequent collaborators, including Jarl Kulle, Eva Dahlbeck, Harriet Andersson, and Bibi Andersson. All These Women, in which Bergman pokes fun at the pretensions of drawing-room art, possesses a distinctly playful atmosphere and carefree cadences.Read More » -
Kjell Grede – Harry Munter (1969)
1961-1970Amos Vogel: Film as a Subversive ArtArthouseDramaKjell GredeSwedenHarry Munter, a sensitive, kind, appealing man in his twenties, lives with his parents. He’s an inventor, a bit of a mystic, maybe a genius, and a good son and grandson. He’s offered work in the U.S. But a friend has cancer and the world is changing in ways that provoke profound sadness
Amos Vogel in “Film as Subversive Art”: ”A powerful, poetic image: the mystery of black against white, of an outsider walking on the water, on stilts, Christ-like, stubborn, the tension of his forward-leaning body reflecting his determination. This, indeed, is the topic of this intensely mysterious, lyrical film, one of the most original and disregarded works of contemporary cinema.”Read More »
-
Andy Warhol – The Nude Restaurant (1967)
USA1961-1970Andy WarholExperimentalQueer Cinema(s)Quote:
At a New York City restaurant, the patrons are men, nude but for a G-string, waited on by one woman, also clad in a G-string (played by Viva) and a G-bestringed (bestrung?) waiter. Some of the “nude” patrons leave the establishment, their places taken by new customers, also nearly in the buff. There are numerous in-camera jump cuts (known as ‘strobe cuts’) and the camera weaves around a bit. The waiter and waitress move from table to table, talking to the customers. Taylor Mead sits smirking at the fountain, where eventually he partakes in a long conversation with Viva about her Catholic childhood. Viva, the waitress if not the actual person, seemingly is obsessed with the subject of lascivious priests. There is more strobe cutting and at one point, Viva turns to the camera and asks that it be turned off. The camera is turned off and, after an interlude, is turned back on again, after which Viva continues with her monologue. More patrons arrive while others go, perhaps thinking — if not speaking — of Michelangelo. Written by Tummy AuGratinRead More » -
Mikhail Romm – Obyknovennyy fashizm AKA A Night of Thoughts AKA Triumph Over Violence (1965)
Documentary1961-1970Amos Vogel: Film as a Subversive ArtMikhail RommPoliticsUSSRSynopsis:
A collage of documentary and chronicle footage from various German and Soviet archives, attempting to reconstruct the experience of the citizens of the Third Reich and to grasp the essence of totalitarian regime. The footage is accompanied by director’s commentary, analyzing the imagery.Romm’s “Ordinary Fascism” pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s-1940s Europe, but also to a firmest of convictions that nothing of the sort should be allowed to happen again anywhere in the world. The film was released in 1965, in the Soviet Union’s heyday at the height of the great societal and intellectual “thaw” that followed the Stalin’s death and the denunciation of Stalin’s totalitarianism by Nikita Khruschev. Never explicitly mentioning any of them explicitly, the film targets tyranny and despotism no matter what form they may take.Read More »
-
Doris Wishman – Bad Girls Go to Hell (1965)
1961-1970CultDoris WishmanExploitationUSAAfter hubby Ted goes to work, Ellen putters around the apartment in her nightgown cleaning up. When she takes the trash out, the janitor forces her into his apartment and rapes her. When he tries to rape her again, she dispatches him and then hits the road, a fugitive from injustice. She goes to the Big City and encounters a string of situations where she gets used and abused. When she finally finds a nice woman to rent from, the woman’s son turns out to be a detective, which threatens her newly found identity and peace of mind.Read More »
-
Arunas Zebriunas – Paskutine atostogu diena aka the Girl and the Echo (1964)
1961-1970Arunas ZebriunasDramaLithuania

Movie about a friendship of two children – a girl and a boy during the last day of summer holiday
Quote:
Young Vika is spending her summer vacation with her grandfather on a remote seaside area surrounded by mountains. She flutters like a butterfly in her dotted dress, both in the mountains and by the water. The girl’s best friends are the mountains, and she loves their echo the most. She considers her affections secrets, and shares them with her new friend, Roma, a young boy who is newcomer to the area and who soon sadly betrays Vika’s friendship. The summer vacation ends on a sour note, but on leaving, Vika throws a coin into the sea, a wish to return next year.Read More » -
Vilgot Sjöman – Syskonbädd 1782 AKA My Sister My Love (1966)
Drama1961-1970ClassicsSwedenVilgot Sjöman
Set in Sweden in 1782. Jacob, a young nobleman (Per Oscarsson) returns from France to his home and cherished sister Charlotte (Bibi Andersson) who is engaged to Baron Alsmeden (Jarl Kulle). The siblings close relationship becomes incestuous and with fear that the disclosure of Charlotte’s pregnancy will make society view them as libertines, the lovers ultimately choose to part. Jacob decides to leave the country and Charlotte is left to marry the Baron, but it is too late to prevent the final tragedy.Read More »
-
Aleksandr Ptushko – Skazka o poteryannom vremeni aka A Tale of Lost Times (1964)
1961-1970Aleksandr PtushkoComedyFantasyUSSRQuote:
One day, four sorcerers appeared out of the blue in the streets of a small town. These evil old people had long been dreaming of getting back their former vigor and youth. But to do that, they had to find people who would aimlessly waste their time. And they were very lucky: four schoolchildren had proved ideal guinea pigs for the magicians. The kids and the old people changed their roles for a while. You can’t even imagine what happened! The schoolchildren had to hide for some time in an abandoned house on the outskirts of the town – they just couldn’t appear before their parents as bearded, bent, old persons. Meanwhile, the sorcerers had their fun at school in the guise of their victims. And only on a certain day and at a certain hour, time could be turned back again…
ruscicoRead More »






