Quote:
A shy student falls in love with a girl from another class. After he works up the courage to ask her to the school dance, something unexpected happens.
The film, shot by Verhoeven at the same school he attended in The Hague, is loosely based on the description of the unrequited love of Anton Wachter in Simon Vestdijk’s novel Back to Ina Damman, one of the parts in the Anton Wachter cycle.
kinoglaz.fr:
Nadya (Nina Ruslanova) is a young woman who loves the geologist Maxim (Vladimir Vysotsky). She takes a job as a housemaid before discovering Maxim is romantically involved with town official Valentina Ivanovna (Kira Muratova). The heartbroken Nadya goes away before Maxim can return, leaving him and Valentina to pursue their romance.
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imdb:
Nadja, a country girl moves to the city and becomes Valya’s maid. Valya, a member of the District Soviet, does not know that Nadja fell in love with Valya’s currently absent husband, a geologist, when he was at her village on a recent expedition. Written by Erik Gregersen {[email protected]}Read More »
A photographer is sailing with his wife, her sister and his nympho-maniacal model. He leaves the three women alone to get a part for his boat. A mysterious man shows up, who might be an escaped criminal the police are searching for. This doesn’t alarm the three women too much, and he rapidly seduces all three of them.Read More »
During the Algerian War, Bruno Forestier lives in Geneva to escape the enlistment in France. Working for French intelligence, he is ordered to kill Palivoda, who is pro-FLN (National Liberation Front of Algeria), to prove he is not a double agent. Refusal and hesitation keep him from carrying out the assassination.
Meanwhile, he meets and falls in love with Véronica Dreyer, who helped the FLN. Bruno plans to leave with her for Brazil, but is captured and tortured by Algerian revolutionaries.
He escapes, and agrees to kill Palivoda for the French in exchange for passage to Brazil for himself and Veronica. However, the French discover Veronica’s ties to the FLN, and torture her to death. (Wikipedia)Read More »
Lung Kong’s first color feature (and 3rd film) expands on thematic concerns supplanted in The Story of a Discharged Prisoner made one year before, situating issues of social reform within an impassioned romantic melodrama. The relationship between a career criminal and a blind girl (a stunning performance by Josephine Siao) form a portrait of marginalized life in a rapidly-modernizing Hong Kong. The profound chemistry between Patrick Tse and Josephine Siao onscreen served as the primary inspiration for the famed hit man-blind girl pairing in John Woo’s award-winning film The Killer (1989). (description from Letterboxd)Read More »
Quote:
With its small cast, character-driven story, and modest production values, Sam Peckinpah’s first feature film seems very like another of his TV Western dramas–just one that happened to get shot in Panavision. The director’s favorite TV actor, Brian Keith, plays a surly loner named Yellowleg who ventures into Indian country with a dance-hall girl (Maureen O’Hara), the corpse of her little boy, and a pair of marginally human specimens (Steve Cochran and Chill Wills) who more than justify the title. Everybody has, or seems to have, a guilty or shameful secret: Why does Yellowleg keep his hat on? Was Kit (O’Hara) a widow, or a whore? Action, menace, and ethical dialogues come and go pretty much according to TV rhythms, and the visuals and editing are conventional. But there’s enough quirky character work and offbeat mood-making to hint at the singular filmmaker soon to arrive big-time. –Richard T. JamesonRead More »
Synopsis:
Several men and women make their way to a large mansion as guests. They relax for a while, then get down to the business that they are there for. A rich man called Boris has died and left a fortune of diamonds in a huge safe. Someone pulls a lever and the steel casket rises from a pool in the garden. Each of the guests has a key, and the safe can only be opened when all keys are used. However, one of the guests for the life of him can’t find his key. The angry guests suspicions are centered towards Janine, but even a strip search reveals nothing. Everyone mopes around until the early hours of the morning, getting more and more stressed. The guy who lost his key is so distraught that he loses control completely, and falls from the building to his death.Read More »
A judge in an unnamed country interviews three actors, together and singly, provoking them while investigating a pornographic performance for which they may face a fine. Their relationships are complicated: Sebastian, volatile, a heavy drinker, in debt, guilty of killing his former partner, is having an affair with that man’s wife. She is Thea, high strung, prone to fits, and seemingly fragile, currently married to Sebastian’s new partner, Hans. Hans is the troupe leader, wealthy, self-contained, growing tired. The judge plays on the trio’s insecurities, but when they finally, in a private session with him, perform the masque called The Rite, they may have their revenge.Read More »
Synopsis
The Kohayakawa family is thrown into distress when childlike father Manbei takes up with his old mistress, in one of Ozu’s most deftly modulated blendings of comedy and tragedy.
Dennis Schwartz: “Ozus’ World Movie Reviews” wrote:
This Technicolor film is the deft blending of comedy and tragedy; it’s the penultimate film of arguably Japan’s best filmmaker Yasujiro Ozu (“Early Spring”/”Tokyo Story”/”Late Spring”). It’s co-scripted by the director and his regular screenwriter Kôgo Noda. It features the extended Kohayagawa family, who run a small sake brewery in post-war Japan and in failing times are thinking about merging their business with a larger company.Read More »