Jerry Donovan is just an ordinary American, who loves his family but takes his freedoms for granted. He goes to sleep, and finds himself in an alternate universe in which everyone refers to everyone else as “comrade.” And we know what that means—Jerry and his kind are denounced as “an ugly remnant of a diseased bourgeois class,” all the churches have been shuttered, and there’s a Soviet-style interrogation, much like the one in The Great Rights. Extra special kudos to Robert Conrad, who appears briefly as a factory comrade seeing to it that Jerry meets quota.Read More »
1960s
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George Waggner – Red Nightmare (1962)
1961-1970DramaGeorge WaggnerShort FilmUSA -
Edward L. Cahn – When the Clock Strikes (1961)
Drama1961-1970CrimeEdward L. CahnUSA

In this crime drama, several people gather at an inn adjacent to a prison where a man is scheduled to be executed at midnight. Just as the clock is about to strike twelve, a man comes in and confesses the crime. He is arrested. The rest of the guests, who have come to retrieve the original inmate’s loot from a safety deposit box, now try to get their hands upon the loot. Treachery and mayhem ensue. ~ Sandra Brennan, All Movie GuideRead More »
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Henri Calef – L’heure de la vérité (1965)
1961-1970DramaHenri CalefIsraelA German Jewish engineer is the only survivor of a concentration camp where he would work in a counterfeiting unit.Read More »
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Mikio Naruse – Hikinige aka Hit and Run (1966)
1961-1970AsianDramaJapanMikio NaruseIn 1966, Mikio Naruse made two films that featured elements of the suspense/thriller genre. According to IMDb, The Stranger Within a Woman came first in January. Then in April, this film was released
Here’s Michael Kerpan’s review of the film:
In Naruse’s next to last film, he returned to cinemascope format, but stayed with black and white film. This is once again, in terms of plot, a bit of a shocker. Soon after we meet Kuniko (a young widow, played by Hideko Takamine) and her much-beloved young only son, the boy is run over by Kinuko (played by Yoko Tsukasa the rich spoiled wife of an automobile executive). Kinuko, it turns out, was distracted at the time of the accident because her companion in the car, a hunkish younger man who is her lover, had just told her of his plan to soon begin a far-away job. Kinuko tells her husband of the accident (but not the precipitating cause), and he orders the corporate chauffeur (Yutaka Sada, who was also the unfortunate chauffeur in “High and Low”). Luckily for him, he gets off with a small fine and a suspended sentence.Read More » -
Elia Kazan – Splendor in the Grass (1961)
1961-1970DramaElia KazanRomanceUSAQuote:
It’s 1928 in oil rich southeast Kansas. High school seniors Bud Stamper and Deanie Loomis are in love with each other. Bud, the popular football captain, and Deanie, the sensitive soul, are “good” kids who have only gone as far as kissing. Unspoken to each other, they expect to get married to each other one day. But both face pressures within the relationship, Bud who has the urges to go farther despite knowing in his heart that if they do that Deanie will end up with a reputation like his own sister, Ginny Stamper, known as the loose, immoral party girl, and Deanie who will do anything to hold onto Bud regardless of the consequences. They also face pressures from their parents who have their own expectation for their offspring. Bud’s overbearing father, Ace Stamper, the local oil baron, does not believe Bud can do wrong and expects him to go to Yale after graduation, which does not fit within Bud’s own expectations for himself. And the money and image conscious Mrs. Loomis just wants Deanie to get married as soon as possible to Bud so that Deanie will have a prosperous life in a rich family. When Bud makes a unilateral decision under these pressures, it leads to a path which affects both his and Deanie’s future.Read More » -
Ferdinand Khittl – Die Parallelstrasse AKA The Parallel Street (1962)
1961-1970ExperimentalFerdinand KhittlGermanyDie Parallelstraße is one of the most mysterious pioneer films of the New German Cinema. It was produced by GBF, a production company for innovative industrial and promotional films and received awards in inter national film festivals. French critic Robert Benayoun called it “a philosophical thriller, a western of meditation which compensates for a whole year of inevitable manifestations of stupidity,” Jacques Rivette put it on his list of the most important films of 1968. The DVD presents for the very first time this “unjustly forgotten masterpiece of the New German Cinema” (Martin Brady) as well as several rare shorts by Ferdinand Khittl (1924-1976) which show his talent for innovative film experiments.Read More »
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Seijun Suzuki – Hyakuman Doru O Tatakidase AKA Million Dollar Smash-And-Grab (1961)
1961-1970AsianDramaJapanSeijun Suzuki

A boxing melodrama. Two friends become boxers and begin training for the championship. The two boys eventually face each other in the ring.Read More »
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Wladyslaw Slesicki – Ruchome piaski AKA Shifting Sands (1969)
1961-1970ArthousePolandRomanceWladyslaw SlesickiAutotranslated from Filmpolski:
A lyrical story about a holiday adventure of a man camping with his son at a lake: the unexpected appearance of a girl shatters the previously carefree mood. Father and son are vacationing on a deserted beach. The appearance of the girl shatters their peace and harmony. The father becomes more and more interested and affectionate towards the girl..Read More » -
Kinji Fukasaku – Odoshi AKA The Threat (1966)
1961-1970AsianCrimeJapanKinji FukasakuIMDb comments:
You can watch this crime drama as a sort of Japanese DESPERATE HOURS. A just married ordinary man has his family held as hostage by three hoodlums who want him to do something for them. Get a big package of money from his boss, and not a Yakuza. This is not a yakuza movie, folks, but a true suspense film, a bit far from what Kinji Fukasaku used to show us. A tale told with a terrific nick of time pace, with splendid editing and simple filming skills. The main lead character, the poor man who is lost in the city because he knows that he must obey to what the gangsters ordered him to do, this man’s play is so convincing. I was not lucky enough to see it with subtitles, and I am sure I unfortunately missed a lot. But I followed the basic scheme anyway. I would have imagined Koji Tsuruta as the husband’s character. A golden gem that deserves to be seen at all costs.Read More »






