Young scientist Vladimir Bantikov (Nikolai Fyodortsov) from the Institute for Intractable Problems is working on a rainbow formula. In order not to be distracted by numerous unnecessary and boring meetings, he creates his twin – the robot Yashu.Read More »
A U.S. Air Force colonel convinces the Allies during World War II that a daylight bombing raid of Germany will bring a quick end to the war.Read More »
The Unforgiven is a 1960 American western film directed by John Huston. It stars Burt Lancaster, Audrey Hepburn, Audie Murphy, Charles Bickford and Lillian Gish. The story is based upon a novel by Alan Le May.The film, uncommonly for its time, spotlights the issue of racism against Native Americans and people believed to have Native American blood in the Old West. The movie is also known for problems behind the scenes. John Huston often said this was his least satisfying movie.Read More »
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This Belgian surrealist work consists of two films, one commenting on the other, concerning a young man with a crucifixion complex. Imagining crosses everywhere, he even cuts his fried potatoes in the shape of a cross. Unable to buy a large cross, he settles for sixty francs worth of small ones, which he carries of in a paper bag. When the cross he finds to crucify himself on proves too small, a kindly priest volunteers to nail his feed to the floor. – J.H. Matthews, Surrealism and Film, 1971Read More »
Chamoun and May lives in no-mans land after running from the mafia. One day Kaine, a diamond robber show up. He’s on the run from Sheriff Blade. Now they are hunted by the mafia and the law.Read More »
Bruce Baillie’s (…) Quixote (1965) stands alongside other synoptic 60s masterpieces such as Stan Brakhage’s The Art of Vision and Peter Kubelka’s Unsere Afrikareise, which use dense collages of diverse images in an attempt to make sense of a troubling world. In Quixote wild horses and a basketball game are part of a cross-country trip that ends with an antiwar demonstration in Manhattan. Baillie says he’s depicting our culture as one of conquest, but his film’s greatness lies not in its social analysis, which can seem as simpleminded as equating businessmen with pigs. Rather it’s in the way his superimposed and intercut images float almost weightlessly in space, creating a hypnotic sense of displacement that lets us see beyond aggression.Read More »
Ousmane Sembène was one of the greatest and most groundbreaking filmmakers who ever lived, as well as the most renowned African director of the twentieth century—and yet his name still deserves to be better known in the rest of the world. He made his feature debut in 1966 with the brilliant and stirring Black Girl. Sembène, who was also an acclaimed novelist in his native Senegal, transforms a deceptively simple plot—about a young Senegalese woman who moves to France to work for a wealthy white family and finds that life in their small apartment becomes a prison, both figuratively and literally—into a complexly layered critique of the lingering colonialist mind-set of a supposedly postcolonial world. Featuring a moving central performance by M’Bissine Thérèse Diop, Black Girl is a harrowing human drama as well as a radical political statement—and one of the essential films of the 1960s.Read More »
Part of DVD release Die “Oberhausener” – Provokation der Wirklichkeit (Provoking Reality)
Edition Filmmuseum 69
Oberhausen Manifesto 1962:
28.2.1962
The collapse of conventional German film has finally removed the economic basis for a mentality that we reject. This gives the new kind of film the chance to come to life.
German short films by young filmmakers, directors and producers have in recent years received a large number of prizes at international festivals and gained the recognition of international critics. These works and their successes show that the future of German film lies with those who have proven that they speak a new film language.Read More »
