1950s

Light-hearted samurai comedy. The second son of a feudal lord runs away from an arranged marriage. He saves the life of a princess whom he gets to fall in love with. It turns out that she is just his prospective bride.Read More »

Folks in Walsburg may want to pay heed to the brace of pistols holstered onto Josiah Gray’s hips. In time, they may want to pay even more heed to the Bible in his hand. Gray (Joel McCrea) is the newly arrived parson in the woodsy post-Civil War Tennessee town. And the true test of his strength will come when, during his greatest and most dangerous challenge, he sets aside his six-shooters and relies on his faith. McCrea brings a quiet resolve to this touching tale burnished through the recall of the pastor’s impressionable nephew (Dean Stockwell). Based on the novel by Joe David Brown (who would later provide the source novel for Paper Moon), Stars in My Crown shines with a powerful, simple dignity.Read More »

Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his family, namely his wife Julie Bigelow née Jordan and the child he never met, that problem with which he would now like to head back to Earth to assist in rectifying. Before he is allowed back to Earth, he has to get the OK from the gatekeeper, to who he tells his story… Immediately attracted to each other, he and Julie met when he worked as a carousel barker. Both stated to the other that they did not believe in love or marriage, but they did get married. Because the shrewish carousel owner, Mrs. Mullin, was attracted to Billy herself, and since she believed he was only of use as a barker if he was single to attract the young women to the carousel, she fired him. With no other job skills and unwilling to take just any job, Billy did not provide for Julie but rather lived off Julie’s Aunt Nettie. But Billy figured he could be the breadwinner through his association with a criminal lowlife named Jigger Craigin, which led to his death. In going back to Earth, Billy not only hopes to help his child, but “tell” Julie of his true feeling for her.Read More »

A chemist finds his personal and professional life turned upside down when one of his chimpanzees finds the fountain of youth.Read More »

The day to day life in an establishment for delinquent teenage girls.Read More »

His Hollywood career temporarily in the doldrums in 1953, Lloyd Bridges headed to Britain to star in The Limping Man. Bridges plays an ex-GI who arrives in London to visit his wartime amour (Moira Lister). Before anyone knows what’s happened, our hero is mixed up in a murder case. The victim was killed by a mysterious “limping man,” who is also an expert sharpshooter. Just when it seems that events have overwhelmed the GI and his lady love, the story suddenly. . .well, that would be tattling, wouldn’t it?Read More »

In México City, a Cuban dancer from “Cabaret Changó” rescues a baby from a garbage can and decides to raise him, but her pachuco pimp gets in her way.Read More »

A whistle, when blown, conjures up…what, exactly? Nothing good.Read More »

Quote:
An under-valued classic
Fritz Lang’s superlative western teeters dangerously on the edge of campness, (it’s that infernal ‘Legend of Chuck-a-Luck’ ballad pounding away on the soundtrack, continually reminding us that this is a tale of ‘hate … murder and revenge’). Then, of course, there is that great gay icon Marlene Dietrich, looking extraordinary at fifty one as Altar Keane, boss of the outlaw hideout Chuck-a-Luck where Arthur Kennedy comes seeking the man who killed his girl in a robbery. In many respects the film is a perfect companion to Nicholas Ray’s not dissimilar “Johnny Guitar”, made around the same time and both featuring dominant women and weaker men and both dealing explicitly with ‘hate, murder and revenge’.Read More »