1940s

  • John Ford – The Fugitive (1947)

    1941-1950ClassicsDramaJohn FordUSA

    Museum of Modern Art writes:
    In 1946, John Ford effectively took over the crew of his friend and fellow spirit Fernández—including stars Dolores del Río, Pedro Armendáriz, and Miguel Inclán, and cinematographer Gabriel Figueroa—and, with Fernández acting as his “first lieutenant,” filmed this abstract, ambitious work on locations in Mexico and at the Churubusco Studios. Ostensibly an adaptation of Graham Greene’s unfilmably scandalous The Power and the Glory, it derives many of its plot points from Ford’s 1935 The Informer, though the film’s ultimate subject is the Mexican landscape, as explored in all of its compositional possibilities by the incomparable duo of Ford and Figueroa.Read More »

  • Fritz Lang – Ministry of Fear (1944)

    1941-1950CrimeFilm NoirFritz LangUSA

    Synopsis:
    Ray Milland plays Stephen Neale–a bewildered man just released from an asylum. However, reality proves to be more surreal and perplexing than the asylum itself. Neale wanders through the streets, whimsically stopping off at a rural carnival, where he unwittingly gets involved in a complex and dangerous spy ring that is attempting to smuggle microfilm out of the country. He travels to London and hires a small-time detective to help him decipher the mysterious things that seem to constantly befall him. But things only get more confused from there, leading Stephen to Scotland Yard, where his fate entwines with a Nazi front organization, and a love affair.Read More »

  • Anthony Mann – Raw Deal (1948)

    1941-1950Anthony MannCrimeFilm NoirUSA

    Synopsis:
    Joe Sullivan is itching to get out of prison. He’s taken the rap for Rick, who owes him $50 Grand. Rick sets up an escape for Joe, knowing that Joe will be caught escaping and be shot or locked away forever. But with the help of his love-struck girl Pat and his sympathetic legal caseworker Ann, Joe gets further than he’s supposed to, and we are posed with two very important questions: Is Joe really the cold and heartless criminal he appears to be, or is there a heart of gold under that gritty exterior? And does Joe belong with the tough, street-wise Pat, or with the prim, moralizing Ann?Read More »

  • Alfred Hitchcock – Shadow of a Doubt (1943)

    1941-1950Alfred HitchcockClassicsFilm NoirUSA

    Synopsis:
    Charlotte “Charlie” Newton is bored with her quiet life at home with her parents and her younger sister. She wishes something exciting would happen and knows exactly what they need: a visit from her sophisticated and much travelled Uncle Charlie Oakley, her mother’s younger brother. Imagine her delight when, out of the blue, they receive a telegram from Uncle Charlie announcing that he is coming to visit them for awhile. Charlie Oakley creates quite a stir and charms the ladies’ club, as well as the bank President where his brother-in-law works. Young Charlie begins to notice some odd behavior on his part, such as cutting out a story in the local paper about a man who marries and then murders rich widows. When two strangers appear asking questions about him, she begins to imagine the worst about her dearly beloved Uncle Charlie.Read More »

  • Jules Dassin – Brute Force (1947)

    1941-1950250 Quintessential Film NoirsCrimeFilm NoirJules DassinUSA

    William K Everson writes:
    Brute Force was touted as being by far the toughest and most violent prison film Hollywood had ever made. Many European censors felt the same way and scenes were shortened for overseas release. Actually, the violence is essentially surface violence, and earlier prison films had been rougher in a psychological sense. Nevertheless, with all of those noir icons in the cast and behind the camera (especially Miklos Rosza’s music) the film made a welcome break in the increasingly formularized cycle of big-city crime noir films. Read More »

  • Charles Vidor – Gilda (1946)

    1941-1950Charles VidorDramaFilm NoirUSA

    Synopsis:
    Johnny Farrell has just arrived in Buenos Aires, Argentina, where he is making a living cheating in gambling, primarily in informal street games. He begins a more stable life when, upon a chance meeting, he convinces Ballin Mundson, the violent and less than scrupulous owner of the local illegal casino, to hire him on the premise that it is better for Ballin to have the “enemy” on his side. Besides the casino, which the local authorities are aware of, Ballin is involved in an international illegal tungsten cartel. Johnny quickly rises to be Ballin’s trusted right hand man. Read More »

  • Henry Hathaway – Call Northside 777 (1948)

    1941-1950250 Quintessential Film NoirsClassicsFilm NoirHenry HathawayUSA

    Synopsis:
    When a woman places an ad in the Chicago Times offering a $5,000 reward for information that will exonerate her son, the newspaper assigns reporter P.J. McNeal to look into the case. He learns that eleven years earlier, Frank Wiecek was convicted of killing an on duty police officer in a speakeasy and was sentenced to 99 years in prison. McNeal is quite skeptical as to his innocence and only slowly comes to realize that there was a miscarriage of justice. The real question is whether he can find evidence that would convince the pardon board and obtain Wiecek’s release.Read More »

  • John Huston – In This Our Life (1942)

    Drama1941-1950ClassicsJohn HustonUSA

    Synopsis:
    A young woman, Stanley Timberlake, dumps her fiance, Craig Fleming, and runs off with her sister Roy’s husband, Peter Kingsmill. They marry, settle in Baltimore, and Stanley ultimately drives Peter to drink and suicide. Stanley returns home to Richmond only to learn that her sister Roy and old flame Craig have fallen in love and plan to marry. The jealous and selfish Stanley attempts to win back Craig’s affections, but her true character is revealed when, rather than take the rap herself, she attempts to pin a hit and run accident on the young black clerk, Parry Clay, who works in Craig’s law office.Read More »

  • Chetan Anand – Neecha Nagar (1946)

    1941-1950Chetan AnandClassicsIndia

    IMDB says:
    The films takes an expressionist look at the gulf between the rich and poor in the society. The film centers on a wealthy and capacious landlord, Sarkar (Rafi Peer) who lives in a palatial estate high up on a mountain while the poor toil and starve in the valley below. The villagers of ‘Neecha Nagar’ harbor hate for Sarkar and their hatred is fueled even more by the fact that Sarkar plans to direct all the sewage into the village in order to make way for his housing project. The villagers protest this move with their head, Balraj (Rafiq Anwar) leading a movement against Sarkar’s plan. Sarkar’s daughter Maya (Uma Anand) joins the movement against her father and falls in love with Balraj. With the sewage flowing through the village, epidemic starts to spread and the lives of the villagers comes under threat. Can poor people of ‘Neecha Nagar’ survive the greed and wickedness of the rich? Can Sarkar and his malicious ways be put to an end?Read More »

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