1940s

  • Kenji Mizoguchi – Genroku Chûshingura aka The 47 Ronin (1941)

    Japan1941-1950ActionAsianKenji Mizoguchi

    In 1701, Lord Takuminokami Asano has a feud with Lord Kira and he tries to kill Kira in the corridors of the Shogun’s palace. The Shogun sentences Lord Asano to commit suppuku and deprives the palace and lands from his clan, but does not punish Lod Kira. Lord Asano’s vassals leave the land and his samurais become ronin and want to seek revenge against the dishonor of their Lord. But their leader Kuranosuke Oishi asks the Shogun to restore the Asano clan with his brother Daigaku Asano. One year later, the Shogun refuses his request and Oishi and forty-six ronin revenge their Lord.Read More »

  • Robert Hamer – It Always Rains on Sunday (1947)

    Drama1941-1950Robert HamerThrillerUnited Kingdom

    ‘A married woman shelters her former lover in her London home after he has escaped from prison. Discontented with her dull marriage, she begins to rediscover her former love for him.’
    – ScreenonlineRead More »

  • Herbert Mason – Back-Room Boy (1942)

    Comedy1941-1950ClassicsHerbert MasonUnited Kingdom
    Back-Room Boy (1942)

    Plot Synopsis from BritMovie
    Bored BBC backroom boy Arthur Pilbeam (Arthur Askey) transmits timekeeping ‘pips’ over the radio in Morse code, and finds himself banished to Scotland to set up a new weather station at an Orkney island lighthouse. To his delight a boatload of models are shipwrecked – then the girls start to vanish one by one. Nazi spies are behind it, but Arthur gets the better of them, also posing as a mermaid to lure an enemy battleship into a minefield. Another flag-waving wartime comedy with a plot not dissimilar to Will Hay’s The Ghost of St Michael’s or Oh, Mr Porter! The similarity is further enhanced by the presence of regular Hay sidekicks Graham Moffatt and Moore Marriott.Read More »

  • Victor Fleming – Adventure (1945)

    USA1941-1950ComedyRomanceVictor Fleming

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    Plot: A San Francisco librarian (Greer Garson) falls for a roguish seaman (Clark Gable), who loves her and leaves her pregnant.Read More »

  • James P. Hogan – A Desperate Chance for Ellery Queen (1942)

    1941-1950James P. HoganMysteryUSA


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    IMDB Review.
    Ellery Queen is about to leave for San Francisco, where his new book will be set, when he is visited by a woman who asks him to find out if her husband is alive or dead; supposedly he drowned in a boat accident a few years ago, but someone who looks a lot like him was recently seen in SF. Ellery takes Nikki Porter with him and has her impersonating the missing man’s wife, to bring him out into the open. The plan works, but a case of embezzlement and a murder bring Inspector Queen to SF as well, and guess who the chief suspect for both crimes is: the man Ellery was looking for! “A Desperate Chance For Ellery Queen” had the potential to be one of the best entries in the series, but it’s a little too messily put together to achieve that. Kudos, however, to Lilian Bond for her sexy femme fatale. I think it’s the first time in the series where another woman steals the show from Margaret Lindsay.Read More »

  • Vittorio De Sica – Un Garibaldino al convento AKA A Garibaldian in the Convent (1942)

    Drama1941-1950ComedyItalian Cinema under FascismItalyVittorio De Sica

    Summary:
    An old woman’s poignant reminiscence of her youth in a convent school, the happy moments and the sad, and her tragic love for a Garibaldian.Read More »

  • Roberto Rossellini – L’Amore (1948)

    Drama1941-1950Amos Vogel: Film as a Subversive ArtItalyRoberto Rossellini
    L'amore (1948)

    Two related vignettes which deliberate on the nature of human love and emotional attachment, both starring Magnani in the key role. In ‘The Miracle,’ a suggestible, innocent young mother-to-be deeply believes that her child was divinely conceived. A woman adjusts to her newfound solitude after her lover leaves in ‘The Human Voice,’ based on the one-act play by Jean Cocteau. The film is an homage to the great Anna Magnani, Roberto Rossellini’s two-part film features the Italian actress in Cocteau’s one-act play “The Human Voice,” in which she speaks to an unseen lover on the phone, and the controversial “The Miracle,” which casts her as a peasant who believes she has given birth to the new Messiah.Read More »

  • Otto Preminger – Laura [+Extras] (1944)

    USA1941-1950ClassicsFilm NoirOtto Preminger

    by Hal Erickson
    This adaptation of Vera Caspary’s suspense novel was begun by director Rouben Mamoulien and cinematographer Lucien Ballard, but thanks to a complex series of backstage intrigues and hostilities, the film was ultimately credited to director Otto Preminger and cameraman Joseph LaShelle (who won an Oscar for his efforts). At the outset of the film, it is established that the title character, Laura Hunt (Gene Tierney), has been murdered. Tough New York detective Mark McPherson (Dana Andrews) investigates the killing, methodically questioning the chief suspects: Waspish columnist Waldo Lydecker (Clifton Webb), wastrel socialite Shelby Carpenter (Vincent Price), and Carpenter’s wealthy “patroness” Ann Treadwell (Judith Anderson). Read More »

  • Alessandro Blasetti – La corona di ferro AKA The Iron Crown (1941)

    1941-1950Alessandro BlasettiDramaFantasyItalian Cinema under FascismItaly
    La corona di ferro (1941)

    Storyline
    A crown, supposedly made from a nail out of the Cross of Christ and the metal of Roman swords, becomes a legend and a symbol of justice.Read More »

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