IMDB:
Ousted from their homeland by the Bolshevik revolution, a royal Russian couple find themselves impoverished and living in Paris. They take positions as butler and housemaid in a wealthy household and, owing to their impeccable breeding and manners, excel in their new jobs. But once they are recognized for the royal couple they are, they must face new — and formidable — responsibilities. Read More »
synopsis
A night club owner under heavy police protection is murdered anyway, and a clever police commissioner figures out that it was her mother, who used a scorpion as the murder weapon.
Read More »
Quote:
L`Hôtel du Nord is an award-winning novel of the first Prix du Roman Populist and is a loose collection of sentimental tales about simple people residing in a hotel. The novel begins with Monsieur and Madame Lecouvreur buying and transforming a rundown hotel. The film begins with the hotel already up and running and gives no real mention of how the hotel came about. So too, the novel ends with the Lecouvreur`s reluctantly selling the hotel to a large company that plans to construct an office building on the site and the tenants must unhappily leave and separate. The film`s ending is entirely modified and not only is the hotel not being demolished, but the film ends with the sense that this place and the people there are left standing in time untouched by the outside world. So too, the film focuses on criminals, prostitutes, and vagabonds, and develops the novel`s sentimental, rather than political, themes.Read More »
A young lady leaves her brutal husband and is befriended by a smitten man aboard ship. The husband pursues her to her family home, treating her more like property, and refusing to grant her wish for divorce. Antiquated marital laws only allow for divorce if the wife commits adultery (which she did not, and does not want to do). So she’s in a Catch-22…Read More »
A married man leaves his wife for a teenage girl.
The Constant Nymph is a 1933 British drama film directed by Basil Dean and Victoria Hopper, Brian Aherne and Leonora Corbett. It is an adaptation of the novel The Constant Nymph by Margaret Kennedy. Dean tried to persuade Novello to reprise his appearance from the 1928 silent version The Constant Nymph but was turned down and cast Aherne in the part instead.
Read More »
Synopsis: As early as 1937’s Young and Innocent, Alfred Hitchcock was beginning to repeat himself, but audiences didn’t mind so long as they were thoroughly entertaining-which they were, without fail. Derrick De Marney finds himself in a 39 Steps situation when he is wrongly accused of murder. While a fugitive from the law, De Marney is helped by heroine Nova Pilbeam, who three years earlier had played the adolescent kidnap victim in Hitchcock’s The Man Who Knew Too Much. The obligatory “fish out of water” scene, in which the principals are briefly slowed down by a banal everyday event, occurs during a child’s birthday party. The actual villain, whose identity is never in doubt (Hitchcock made thrillers, not mysteries) is played by George Curzon, who suffers from a twitching eye. Curzon’s revelation during an elaborate nightclub sequence is a Hitchcockian tour de force, the sort of virtuoso sequence taken for granted in these days of flexible cameras and computer enhancement, but which in 1937 took a great deal of time, patience and talent to pull off. — Hal EricksonRead More »
Jonathan Rosenbaum wrote this :
In his finest work, including this masterful 1938 noir, the remarkable French filmmaker Jean Gremillon (1901-1959), trained as a composer and musician, used mise en scene, script construction, editing, and dialogue delivery to explore the complex relationship between film and music.
Raimu, one of the greatest French actors, plays the “strange” title hero, a respectable Toulon merchant who secretly operates as a fence for local thieves; after he murders a potential blackmailer, an innocent local shoemaker (Pierre Blanchar) is sent to prison for his crime.
Seven years later the fall guy escapes, returns to Toulon to see his son, and, unaware of Victor’s guilt, persuades the merchant to shelter him, then becomes involved with his wife.
Read More »
(From Wikipedia)
Mary Ellen Bute (November 21, 1906 – October 17, 1983) was a pioneer film animator who did much of her work in visual music. She was one of the first female experimental filmmakers in the U.S. From 1934 until 1953, she made 14 short, musical abstract films, working in New York. Many of these were seen in regular U.S. movie theaters, such as Radio City Music Hall, often before a prestigious film. Several of her films were also called “Seeing Sound” films.Read More »
Quote:
A Russian outpost in Eastern Siberia comes under threat of attack by the Japanese in this patriotic film from 1935. Aerograd is a new town with a strategically located airfield of vital interest to the government. Work on the new outpost is complicated when tensions develop between workers and a religious sect. The sect threatens to give their support to a band of marauding samurai warriors who battle for control of the region. Relations between the two countries are further strained in the days before World War II, dating back to the Russo-Japanese War of 1905. In this feature, the Russians are victorious as airplanes throughout the country come to the aid of the beleaguered new town. Director Alexander Dovzhenko, long considered a giant in Russian classic cinema, also wrote the screenplay for this feature.Read More »