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Claire (Nymark), an unmarried pregnant teenager, finds an odd relation in Madame Mélikian (Ascaride), an older woman grieving over the death of her son.Read More »

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Jean Diserens has a double life: he is both a real estate developer and a drug dealer. He is looking for new ways to make money. But his superior, Crazy Capo, does not see things the same way.Read More »

Synopsis
Marriage and couples provide insight into their real love and sex life, explain openly the problems of living together and give advice to overcome them. The film is relentlessly, enlightening, and thus of the utmost importance for men and women of today.
(imdb)Read More »

Roy Stuart continues his masterpiece series of ‘erotic refinement pushed to the ultimate aesthetic’ with this follow-up to Glimpse 21. American actress and model, Caprice Elise (Ridley Scott’s ‘The Last Duel’) returns in Glimpse 22, and for the first time, illuminates the screen with absolute abandonment! This might be the most explicit in the Glimpse series. Roy Stuart is at the top of his art as he ushers in a new decade with this blazing two hour feature, ever-avoiding the pitfalls and frustrations of predictable mainstream cinema and sad industrial porn. Highly addictive to the mind and then suddenly to the sex, Glimpse 22 is guaranteed to overtake you over and over again. Be warned… Desire is burning in Glimpse 22!Read More »

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« For the fun? For the money? Nah, for the pleasure pleasure honey! »

No more industrial porn! No more supermarket of sex!—This new Glimpse does however contain strong explicit scenes even though they have nothing to do with the sad industrial internet porn that relegates the mechanics of sex to crude functionalism.

In 2019 cinema has evolved to the stage where so called “normal” feature films are breaking new ground, enriching the narrative by including explicit scenes, directors such as Gaspar Noé, Lars von Trier, and John Cameron Mitchell, come to mind.
Glimpse is the alternative, The Third Way, here we are in the realm of contemporary art.Read More »

“Seuls is a film about the symbolic order of love, a sort of fantastic thriller on Oedipus…” ~Francis Reusser

Synopsis:
Jean (Niels Arestrup), the lead character in this psychological journey is torn by a search for his lost childhood, the overwhelming need to love a woman of his dreams (someone he has invented), and a struggle with his latent bisexuality. Jean finds some photos inside an automatic photo station that look like his mother who died soon after he was born. He starts to fantasize about the woman, giving her a name and identity and waiting for her to appear. During this time, he meets Carole (Christine Boisson) and has an affair with her, all the while pretending he has this other relationship with the woman in the photo. Significantly, the couple who introduce him to Carole is childless, and they eventually split up – perhaps a comment on the importance of childhood to the adult world. In the end, Carole discovers that Jean’s “other woman” has no real existence, causing a crisis that finds a symbolic expression as the last scenes close on the story.Read More »

Adolpho Arrietta was a major figure in the new cinemas that appeared in the sixties and seventies in various countries. Thus he became one of the fundamental film directors in the history of Spanish cinema. As with Buñuel, a long exile seems to have been the condition that allowed his work to keep up with the most important trends in the cinema of his era. Throughout the seventies he produced a series of “punk à la française” films, as Severo Sarduy called them, which for their originality and influence are among the most important in French cinema of that decade. In 1989 he returned to Madrid, and despite noteable intervals, which other Spanish film directors of his generation also experienced, his work proceeded. Alone, like in the era of El crimen de la pirindola but with a digital camera, he produced what for the moment is his latest film: Vacanza permanente (2006).Read More »

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Three American workers are dismissed from the Ford plant during the Depression, and come to the Soviet Union. Not wanting to live with a man of “inferior race” one (Sam) kicks the other (Tom) out of the dorm. The Soviet workers are outraged by the American’s ugly act, declare a boycott of Sam and convince him to abandon racial prejudices and make peace with Tom.Read More »

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Returning to Thailand after studying in the US, Ananda lands a part in a new film and finds himself swept up in a whirlwind of success. When American girlfriend Zoe turns up to visit, she soon begins to feel shut out and the distance between them grows as Ananda becomes increasingly absorbed with his role in the film. His attention soon turns to May from the film’s production crew, and so as one relationship fades, another ignites. All the while, Ananda finds himself revisiting his past and reflecting on his present – from the building he grew up in and a Bangkok he once knew, to two cultures that he is now caught between.Read More »