Hands of a Stranger was adapted by playwright Arthur Kopit from the best-selling novel by Robert Daley. Armand Assante plays a New York City narcotics officer who aids DA Blair Brown in her investigation of a rape case in which drugs were involved. In the subsequent days, Assante becomes something of an expert in rape evidence. Thus, when his wife Beverly D’Angelo is sexually assaulted while en route to a rendezvous with her lover, Assante suspects something even though D’Angelo remains mum about the incident. Conducting his own investigation, Assante determines the rapist’s identity while wiretapping a phoned-in attempt to blackmail his wife. Will Assante forget everything he’s learned about police procedure and attempt to take the law into his own hands? Co-starring in Hands of a Stranger is Arliss Howard as the scummy rapist. Preceded by a warning that the film contained scenes of a violent and graphic nature, Hands of a Stranger was originally broadcast in two parts, on May 10 and 11, 1987.Read More »

The year is 1905. Thomas Richardson travels to a remote island to rescue his sister after she’s kidnapped by a mysterious religious cult demanding a ransom for her safe return. It soon becomes clear that the cult will regret the day it baited this man, as he digs deeper and deeper into the secrets and lies upon which the commune is built.Read More »

The year is 3084. Man has settled interplanetary space but space is still full of secrets. On a research mission to a newly discovered galaxy heads the most advanced spaceship, Delta, operated by an extremely powerful electronic brain. Project Delta was conceived in order to establish a dialogue between intergalactic civilizations. Soon after an alien journalist, Alma, is allowed to board the spaceship, she and the captain notice that the super-brain that controls the ship is acting autonomously. No one, however, counts on the fact that this artificial super intelligence will want to explore the area of human emotions and feelings. Eventually, they realize that the journalist’s beauty is the reason for the brain’s odd behavior. She has become its muse. The enamored machine becomes out of control and threatens all living things around them.Read More »

The year is 3084. Man has settled interplanetary space but space is still full of secrets. On a research mission to a newly discovered galaxy heads the most advanced spaceship, Delta, operated by an extremely powerful electronic brain. Project Delta was conceived in order to establish a dialogue between intergalactic civilizations. Soon after an alien journalist, Alma, is allowed to board the spaceship, she and the captain notice that the super-brain that controls the ship is acting autonomously. No one, however, counts on the fact that this artificial super intelligence will want to explore the area of human emotions and feelings. Eventually, they realize that the journalist’s beauty is the reason for the brain’s odd behavior. She has become its muse. The enamored machine becomes out of control and threatens all living things around them.Read More »

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In the very near future, a group of three researchers has captured a very special android named Guernica (Mari Natsuki), and have brought her to a deserted warehouse, and have tied her to cot, with a protective covering over her mouth. One researcher (Izumiya) is left to guard the Guernica, but appears to be slowly going crazy. Two of the researchers, a guy (Inukai) and a girl (Murakami) apparently have just escaped (presumably from some fallout after capturing Guernica) and are on their way back to the warehouse. Murakami tries calling Izumiya and discovers that something is wrong.Read More »

This stunning example of Edwardian cut-and-paste creativity, powered by magical scissors and Hunts Fish Glue, is part of the origin story of British animation. Former stage magician and special effects pioneer Walter Booth was one of the pioneers in adding stop-motion filming frame by frame to make static objects and still images appear to move to the filmmakers armoury.Read More »

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Arguably the most gifted Hungarian filmmaker of his generation, István Sz ts has been compared by critics to Ford, Vigo and Renoir. His forgotten masterpiece, People of the Mountains, is the story of a woodcutter and his family who live high in mountains of Transylvania. Forced out of their home, they are enticed into working for the very company that ejected them, only for their lives to begin to unravel one tragic misfortune after another.Read More »

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One of the earliest surviving silent comedies by master filmmaker Yasujiro Ozu, A Straightforward Boy is a rambunctious, adorable kidnapping caper now screening in a new restoration that restores to it eight long-lost and recently rediscovered minutes. The short features one of the all-time great child actors, Tomio Aoki, at age six and in his first starring role as the titular boy all too happy to be abducted – so long as his petty-crook captors (Tatsuo Saitô and Takeshi Sakamoto) are willing to endure his company. Aoki’s extraordinary career would go on to include over 300 films, from Ozu’s 1932 I Was Born, But… to Seijun Suzuki’s 2001 Pistol Opera.Read More »

Three youths, an androgynous girl and two boys, circle around each other in love: during rugby training, at a pool party and on the beach. Three-way kisses, mean words and half-serious scuffles. Surreal snapshots almost without words, accompanied by the Kinks and Doris Day.Read More »