A tale of medieval quest for a golden harp called “The Knight”.
Quote:
THE KNIGHT (RYCERZ), 1980. Poland.
With Piotr Skarga, Daniel Olbrychski. A haunting, austere ballad about a knight’s quest for a gold-stringed harp whose sound is said to bring peace and harmony. The film’s imagery is inspired by medieval icons. 81 min.Read More »
the AMG clerk wrote :
“This disturbing French drama comments upon the effects of excessive television violence on children. It’s set within a seaside villa, where under the care of a nanny, a group of children spend most of their days watching violent television shows. One day they all go to the beach. The nanny dozes while they frolic. For a joke, they load the snoozing servant into a rubber raft and set her out to sea. She panics when she wakes up and ends up drowning. The kids do try to save her, but when they fail they decide to run wild instead of reporting the incident. The death means nothing to them until a threatening stranger appears and tells them he witnessed it all…”
(edited to avoid spoilers)Read More »
Begins with a narration extolling the virtues of a solar energy complex over maps and shots of the place. The focus then shifts to an elderly gentleman lumbering about a section of the complex not doing much of anything. The film unfolds in near total silence save the waves crashing against the shoreline nearby, occasional gusts of wind, and a closing excerpt from Vivaldi’s Sonata No. 6 in A Minor. At one point, a few police cars drive up, but nothing much comes of it. Then we are taken inside the man’s small room to catch glimpses of his daily life. Very reminiscent of Saless’ Still Life, with no dialogue after the opening narration, which by the end appears to have been rather sardonic, if not poignant. Produced by Filmgrafic, the company Shirdel founded in 1968.Read More »
Based on a traditional African tale.
A king has the habit of listening to the wishes of his people whilst walking in disguise on the streets of his kingdom. One day he overhears two brothers daydreaming of marrying the king’s daughters, even if it meant being beheaded one year later. The weddings take place and one of the brothers is decapitated one year later. The other one escapes at his wife’s insistence. On a long journey full of surprising incidents our hero becomes king of a village, with wives and subjects. But his earlier promise haunts him, and in order to save his family he accepts to be sacrificed.Read More »
Synopsis:
“Strange Victory” is about racial bias in post World War II America. Folowing “Native Land” in Leo Hurwitz’ filmography, it uses some of the same techniques: dramatized scenes interspersed with scenes of compilation news reel footage, and scenes of evocative imagery. An epilogue about the civil rights movement, added in 1964 makes the arc of the film more complete.Read More »
In Josefina Molina’s ”Evening Performance,” two people whose long marriage is being annulled meet to discuss the situation and then proceed to talk it to death. She says: ”The children have become a burden to me – a wonderful burden, but a burden.” He says: ”I say that love can exist at first sight.” She says: ”I’ve done nothing for myself. I’ve done it all for others.” And a fortune teller, who also figures briefly in the proceedings, declares: ”Marriage always leaves its mark on the children.”Read More »