Originally released in 1970 under the title “Cinema d’hier, cinema d’aujourd’hui”. This is the 1972 English translation.Read More »

From Amos Vogel’s Film as a Subversive Art:
True to their joyfully anarchist philosophy of radical politics as ‘theatre’, this is the Youth International Party’s jaundiced view of the 1968 Democratic convention and its concomitant violent demonstrations. De Mille footage, Abbie Hoffman, Democratic-party machine politicians, and Allen Ginsberg are cross-cut in a complex, sophisticated example of political filmmaking at its best.Read More »

Review (taken from Turner Classic Movies)

Quote:
“This is the story of a man marked by an image of his childhood,” begins La Jetee (1962), one of the most instantly recognizable and acclaimed short films ever made. Using only still photographs, voiceover narration, sound effects and music, it tells the story of a World War III survivor whose vivid memories make him the subject of time travel experiments. In only one shot of the film–that of “the Woman” opening her eyes in the morning–does the image move. Through such deceptively simple means Chris Marker explores the paradoxes of time travel and, on a deeper philosophical level, the relationships between image and memory, and word and image.Read More »

IMDB:
User Review

not sure why it’s titled this, but it’s a fanciful and exciting little trip
by Jack Gattanella

Jack Smith was one of the masters of the underground film-making ‘group’ in New York city in the early 60s, and this was one of the few films that Smith finished and screened. While nowhere near the notorious nature of Flaming Creatures or the color-grandeur of Normal Love, Scotch Tape is significant because in a 3-minute stretch of time Smith is able to convey a lot of energy and excitement over some footage that is hard to make out. It looks as those there are figures dancing among garbage or something, moving about, maybe even at 16 frames-per-second, and all done to a super catchy swing tune from the 30s.Read More »

The man-hungry Queen of Egypt leads Julius Caesar and Marc Antony astray, amid scenes of DeMillean splendor.Read More »

Synopsis:
‘It’s postwar London and Mary Justin runs into Steve Stratton, a university lecturer and her first and truest love. Having opted for the security of marriage to a financier, the meeting reawakens memories of their passionate relationship. And matters reach their inevitable conclusion when they meet again in the Alps.’
– ScreenrushRead More »

Quote:
The 1993 remake of The Secret Garden is a beautifully produced rendition of the classic Frances Hodgon Burnett novel about a young girl (Kate Maberly) who discovers an abandoned garden on her uncle’s large Victorian country estate, as well as an invalid cousin she didn’t realize she had. With the help of a local boy, the girl sets out to restore the garden and, once it is blooming again, she discovers it has magical powers. After it has flowered, she brings her cousin to the garden, and he is magically healed. Although this version of The Secret Garden isn’t quite as strong as the original 1949 movie, the story is nevertheless moving in any format and the production is very beautiful to look at. ~ Stephen Thomas Erlewine @ All Movie GuideRead More »

IMDB:
An English couple holiday in Venice to sort out their relationship. There is some friction and distance between them, and we also sense they are being watched. One evening, they lose their way looking for a restaurant, and a stranger invites them to accompany him. He plies them with wine and grotesque stories from his childhood. They leave disoriented, physically ill, and morally repelled. But, next day, when the stranger sees them in the piazza, they accept an invitation to his sumptuous flat. After this visit, the pair find the depth to face questions about each other, only to be drawn back into the mysterious and menacing fantasies of the stranger and his mate. Written by jhaileyRead More »

This tale of a crook’s reform takes place in the San Francisco of the early 1900s. Predictably, Lon Chaney plays a crook and a misshapen cripple (the type of role almost expected of him at this point in his career). Anne Vincent, better known as “Queen Anne” (Christine Mayo), sends Wilse Dilling (Chaney) to a small town to keep an eye on Mischa Hadley (William Welsh), an embezzling banker who is her lover. Dilling falls in love with Hadley’s daughter, Gertrude (Virginia Valli), and blows up the bank’s safe to destroy incriminating records. The blast, however, leaves Gertrude a cripple, and Dilling uses his savings to restore her to health. Queen Anne, whose greed knows no end, has told Hadley that he will either give her more money or give her his daughter. Ultimately, she has Gertrude kidnapped and taken to a Chinese den. Dilling rescues her and she helps in his regeneration. The 1906 San Francisco earthquake shakes everything up, and Dilling’s reform is complete.~Janiss Garza @allmovie.comRead More »