Synopsis:
A feisty widowed single mom finds herself burdened with the full-time custody of her rambunctious 15-year-old ADHD son. As they try to make ends meet and struggle with their unpredictable ménage, Kyla, the peculiar, new girl across the street, offers her help. Together, they find a new sense of balance, and hope is regained.

Une veuve mono-parentale hérite de la garde de son fils, un adolescent TDAH impulsif et violent. Au coeur de leurs emportements et difficultés, ils tentent de joindre les deux bouts, notamment grâce à l’aide inattendue de l’énigmatique voisine d’en face, Kyla. Tous les trois, ils retrouvent une forme d’équilibre et, bientôt, d’espoir.Read More »

Four friends/fledgling entrepreneurs, knowing that there’s something bigger and more innovative than the different error-checking devices they’ve built, wrestle over their new invention.Read More »

“Ben O Değilim” tells the story of a simple man who works at a kitchen in Istanbul. Pirselimoğlu narrates his transformation into another man and gaining a different identity in a slow-paced and minimal style. Just like in his earlier films such as the “Conscience and Death Trilogy” Pirselimoğlu uses static shots and little dialogue where he searchs the reflections of “master-slave dialectics” and creates a dreamlike atmosphere. At the leading role there is the famous actor Ercan Kesal who is known for his collaborations with Nuri Bilge Ceylan.

“Ben O Değilim” won the Golden Tulip Award in Istanbul Film Festival and Best Screenplay Award in Rome Film Fest. Read More »

Review:
Originally released in 1932 to cash in on the horror boom of the 30s, “Freaks” has always been something of a hot potato.

Director Tod Browning, who’d scored a huge hit with the original “Dracula” in 1930, promised MGM the ultimate scary movie.

But the resulting picture surprised everyone: “I asked for something horrifying,” said the studio’s shocked head of production, “and I got it.”

After trouble with the censors and a brief cinema run during which audiences reacted with unparalleled disgust, the picture was dropped and vanished into obscurity until it was revived in the 60s.

It’s easy to see why reactions to the film have been so strong – it’s a catalogue of the abnormal, the bizarre, and the grotesque that’s still as unsettling today as it was 70 years ago.Read More »

dvdauthority.com wrote:
Beverly (Heather Hall) is about to learn a lot about herself, as she explores a side of herself she never knew existed. The way she behaves makes most people think she hates men, which would make sense, as she has been in numerous bad relationships with bad men. Her roommate Joan (Judy Young) has no such hatred, in fact she loves men and loves to have sex as often as possible. Her boyfriend Rook (John Aristedes) is not a good man, more like a street thug, but he satisfies her needs, so she keeps him around. One night, Rook decides to climb into Beverly’s bed, which sets off a sexual chain reaction. After that encounter, Bev realizes she is a nymphomaniac and as a result, she needs sex all the time. Joan catches the two in the act and beats Bev to a pulp, then tosses her into the street. She soon meets a new man who understands her condition, but when her path crosses once more with her old friends, will her new lifestyle be put in jeopardy?Read More »

Quote:
The Astronauts (1959) is a short, collaborative animation project between eccentric filmmakers Walerian Borowczyk and Chris Marker. Borowczyk would later move into live-action film-making, turning his attention to a cinema of perverse eroticism with projects like Goto, The Island of Love (1969), The Immoral Tales (1974), Beast (1975) and Emmanuelle 5 (1987). Likewise, Marker would produce the short masterpiece La Jetée (1962), the celebrated proto-documentary Sans Soleil (1983) and his critical study of Japanese filmmaker Akira Kurosawa, A.K. (1985). The film, at twelve-minutes in length, is a testament to the creative energy and ideas of these two filmmakers, not only standing as an interesting short film in its own right, but as a window into the creative world of these two, highly skilled, highly original filmmakers. It remains an amazing piece of work for this very reason, more so perhaps than any other; even if it is admittedly impossible to distinguish between which filmmaker was responsible for each individual part of the creative process, leaving us to assume that it was a pure collaboration in every sense of the word.Read More »

Quote:
“Three French hipsters and their translator travel through rural Georgia to claim a remote, ruined castle that one of them has inherited. En route, they encounter an old man and his grandchild who are on a journey to carry out a mysterious, morbid ritual designed to end a conflict between warring clans.”Read More »

SYNOPSIS
Made in 1936 NIGHTMAIL has become an icon of the British documentary movement. The budget was only £2,000 and the film was made as a promotional film for the Post Office services. The GPO film unit deserves a posthumous Oscar.

The quality of directing, lighting and camera work in this documentary beats that of many of today’s films and brings an almost Hitchcockian atmosphere and tension to the screen.
This is the story of the Travelling Post office from Euston station in London to Glasgow in Scotland, in the days when the railways were efficient, frequent and run by proud workers who wore waistcoats, ties and hats and spoke politely to one another like the team that they were. It is surprising how old the men all seem now, in these days of youth culture, gentle character-full faces bearing no guile, tired and lined but proud and honest.Read More »

A young married couple in today’s Moscow: He’s an unemployed guy who gets some money by giving rides to strangers at nights (the illegal taxi driving so common in Russia). She’s a young graphic designer who just got her first job. The film tracks their unstable relationship throughout a year. Both have different backgrounds and pursue different goals in life, and gradually the differences, no matter how insignificant, become fatally important for their relationship.
Oxana Bychkova makes a poignant portrait of a young, immature love and subtly shows how feelings inevitably become routine, against the will of the lovers. This unsentimental and touching drama unfolds gradually but its pace is engaging and has genuine tension.Read More »