Synopsis of Part 3:
THE BATTLE OF CHILE (3): The Power of the People (1978) deals with the creation by ordinary workers and peasants of thousands of local groups of “popular power” to distribute food, occupy, guard and run factories and farms, oppose black market profiteering, and link together neighborhood social service organizations. First these local groups of “popular power” acted as a defense against strikes and lock-outs by factory owners, tradesmen and professional bodies opposed to the Allende government, then increasingly as Soviet-type bodies demanding more resolute action by the government against the right.Read More »
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Patricio Guzmán – The Battle of Chile (3): The Power of the People (1978)
1971-1980ChileDocumentaryPatricio GuzmánPolitics -
Patricio Guzmán – The Battle of Chile (2): The Coup d’Etat (1976)
1971-1980ChileDocumentaryPatricio GuzmánPoliticsSynopsis of Part 2:
THE BATTLE OF CHILE (2): The Coup d’Etat (1976) opens with the attempted military coup of June, 1973 which is put down by troops loyal to the government. It serves as a useful dry run, however, for the final showdown, that everyone now realizes is coming. The film shows a left divided over strategy, while the right methodically lays the groundwork for the military seizure of power. The film’s dramatic concluding sequence documents the coup d’etat, including Allende’s last radio messages to the people of Chile, footage of the military assault on the presidential palace, and that evening’s televised presentation of the new military junta.Read More » -
Patricio Guzmán – The Battle of Chile (1): The Insurrection of the Bourgeoisie (1975)
1971-1980ChileDocumentaryPatricio GuzmánPoliticsSynopsis of Part 1:
THE BATTLE OF CHILE: The Insurrection of the Bourgeoisie (1975) examines the escalation of rightist opposition following the left’s unexpected victory in Congressional elections held in March, 1973. Finding that democracy would not stop Allende’s socialist policies, the right-wing shifted its tactics from the polls to the streets. The film follows months of activity as a variety of increasingly violent tactics are used by the right to weaken the government and provoke a crisis.Read More » -
Martin Scorsese & David Tedeschi – The New York Review of Books: A 50 Year Argument (2014)
2011-2020BBCDocumentaryMartin ScorseseMartin Scorsese and David TedeschiUnited KingdomThe 50 Year Argument is Martin Scorsese’s latest film, co-directed with his longtime documentary collaborator David Tedeschi. It charts literary, political and cultural history as per the New York Review of Books, America’s leading journal of ideas since 1963. The film weaves rare archive material, interviews and writing by icons such as James Baldwin and Gore Vidal into original verite footage, filmed in the Review’s Greenwich Village offices with longtime editor Robert Silvers.Read More »
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Vicente Aranda – Canciones de amor en Lolita’s Club (2007)
2001-2010EroticaSpainThrillerVicente ArandaPlot : Canciones de amor en Lolita’s Club (2007) is an erotic thriller, in which sex and brutality are mixed in a story of twin brothers, one a violent police officer the other mentally challenged, both tragically involved with a prostitute in the bordello that gives the film its title.Read More »
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Domingo Solano – Africa, Religion and Women (2015)
2011-2020DocumentaryDomingo SolanoSpainEthiopia is a Christian island surrounded by Muslim countries and Harar is other island within that island: a difficult city for sorting, the fourth holiest city of Islam with almost a hundred mosques within its walls, and the place where the poet Arthur Rimbaud chose to refuge in his flight from Europe. Here women control on the street the sale of khat, a plant with stimulant powers that sets the pace of Harar. Consumption, ritualized in everyday life of the city, provides its inhabitants a unique identityRead More »
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Hilla Medalia – The Go-Go Boys: The Inside Story of Cannon Films (2014)
2011-2020DocumentaryHilla MedaliaIsraelThe Inside Story of Cannon Films is a documentary about two Israeli-born cousins, Menahem Golan and Yoram Globus, who in pursuit of the American Dream turned the Hollywood power structure upside down, producing over 300 films and becoming the most powerful independent film company in the world. Up close and personal, the film examines the complex relationship between two contradictory personalities whose combined force fueled their success and eventual collapse.
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Carl Theodor Dreyer – Ordet AKA The Word [+extra] (1955)
1951-1960Carl Theodor DreyerClassicsDenmarkDramaPlot:
A farmer’s family is torn apart by faith, sanctity, and love—one child believes he’s Jesus Christ, a second proclaims himself agnostic, and the third falls in love with a fundamentalist’s daughter. Putting the lie to the term “organized religion,” Ordet (The Word) is a challenge to simple facts and dogmatic orthodoxy. Layering multiple stories of faith and rebellion, Dreyer’s adaptation of Kaj Munk’s play quietly builds towards a shattering, miraculous climax.Review:
‘Powerful’ doesn’t do justice to this 1955 exploration of life, death and faith from Danish master Carl Theodor Dreyer. Based on Kaj Munk’s 1932 play, ‘Ordet’ is an austere, realist work on one level as it joins a farming family in their Jutland home over a short but devastating period of time.Read More » -
Peter Strickland – The Duke of Burgundy (2014)
2011-2020DramaEroticaPeter StricklandQueer Cinema(s)United KingdomSynopsis: A woman who studies butterflies and moths tests the limits of her relationship with her lover.
Quote:
“This is voyeurism of a brilliant, deeply refined order. If the MPAA had a shot at rating Strickland’s fantasy, they would try to condemn it without being able to explain why.” – Colin Covert, Minneapolis Star Tribune“Burgundy is a keen pastiche of 1970s Euro-sleaze and high art, and looks amazing on the big screen, calmly florid, precise yet bonkers, bristling with detail. It’s preposterous, delirious and delicious.” – Ray Pride, New City
“Stylistically, The Duke of Burgundy is an aesthete’s dream – meticulously refined, delicate as a fritillary’s wing.” – Jonathan Romney, Observer UKRead More »






