• Luigi Scattini – Il corpo (1974)

    1971-1980EroticaGialloItalyLuigi Scattini

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    Plot :
    Director Luigi Scattini had previously worked with the beautiful model-turned-actress Zeudi Araya in “The Sinner” (1972) and in a previous film that I have not had the pleasure of viewing. Even though she was constantly typecast as the beautiful barefoot island girl, it was always obvious that Araya was having a good time. Casting “Il Corpo” with such tried-and true talents as Leonard Mann, Enrico Maria Salerno, Carroll Baker and Ms. Araya, it is equally obvious that Scattini had a good time, and the result is a dramatic, slightly erotic thriller that begs to be seen. Read More »

  • Aleksandr Zarkhi – Dvadtsat shest dney iz zhizni Dostoevskogo AKA 26 Days in the Life of Dostoyevsky (1981)

    1981-1990Aleksandr ZarkhiDramaUSSR

    29f7c043f76a2bde437fd0d52a185152

    Twenty-Six Days in the Life of Dostoyevsky was entered on February 16th at the 1981 Berlin Film Festival to commemorate the 100th anniversary of Dostoyevsky’s death on February 9th, 1881, and won a “Best Actor” award for Anatoly Solonitsyn as Dostoyevsky. Solonitsyn was a favorite actor in Andrei Tarkovsky’s films, and this was to be his penultimate role. This brief imaginary period in the famed Russian writer’s life encapsulates one of his darker moments in 1866. At that time he was still a relatively unknown writer whose first widely acclaimed work, Crime and Punishment, was just on the horizon. His life was at a very low ebb as he struggled with debts he could not pay, and as he fought depression over the loss of his wife to tuberculosis, and the death of his brother, who was very close to him. His first literary journal had to be scrapped because of political reasons, and the second venture needed funding. The police come to see him, sent by his publisher who is demanding recompense for debts overdue. Desperate to escape the pressure on all sides, Dostoyevsky decides to undertake the impossible and write the story of The Gambler in 26 days, thereby satisfying the debt to the publisher at least.Read More »

  • John Korty – The People (1972)

    1971-1980John KortySci-FiTVUSA

    29f7c043f76a2bde437fd0d52a185152

    Shy, introverted eager-beaver young school teacher Melodye Amerson (sweetly played by the adorable Kim Darby of Don’t Be Afraid of the Dark fame) takes a job at a remote, quiet rural farming community that’s isolated from the rest of the world. The job proves to be far more difficult and challenging than she initially figured: the students are extremely terse, reserved and uncommunicative, the other townspeople are every bit as reticent, mysterious and unapproachable, and everyone lives by a strict code which leaves Melodye feeling confused and alienated. Read More »

  • Yuri Ilyenko – Bilyy ptakh z chornoyu vidznakoyu AKA The White Bird Marked with Black (1971)

    1971-1980DramaUSSRWarYuri Ilyenko

    29f7c043f76a2bde437fd0d52a185152

    Quote:
    Colourful ‘optimistic tragedy’ of a poor family in Ukraine, living in the Carpathian mountains near the Romanian border, during the Second World War. Five sons of the family make up the village band, but as the battles between the Nazi-supported Ukranian nationalists and the Soviets go on, their band loses one player after another.

    Winner of the Grand prize at the 1971 Moscow Film Festival, White Bird with a Black Mark is set in western Ukraine, in an area that has passed through the control of several nations over the centuries. despairing at the poverty of is family, a boy decides the stork is the cause of all their problems, and sets out to kill it. But soon everyone’s situation will be challenged, as World War II breaks out and the region is carved into warring battle zones, with brother being forced to fight against brother. Yuri Illienko once again brings his dazzling poetic vision to this tale of loyalty to family, to nation, to state—and to oneself. The film is widely considered one of the most important works of the Ukrainian film heritage.Read More »

  • Peter Yates – The Friends of Eddie Coyle (1973)

    USA1971-1980CrimePeter YatesThriller

    29f7c043f76a2bde437fd0d52a185152

    Quote:
    Throughout Peter Yates’ masterful The Friends of Eddie Coyle, crooks, thieves and the occasional police officer use terms of complacent endearment — friend, nice guy, good man — but the words never seem to carry any meaning. All of them tend to agree that Eddie Coyle (Robert Mitchum), a career criminal at 51, is a nice guy, but that doesn’t mean they aren’t willing to put him in the dirt if it makes their lives easier. Coyle can’t really blame them for it; he knows the way of the world.

    As its title points out, Friends has a very marginal interest in Eddie himself. In his first scene, Coyle goes about telling a gun dealer (Steven Keats) about how some associates of other associates slammed his fingers after a deal went sour. A low-level hood since God-knows-when, Eddie speaks about the situation congenially before telling the dealer that he needs 30 guns. Coyle has been supplying guns to a pack of bank robbers, the head of which is played by Alex Rocco. The money he’s making is to support his wife and kids before he reports for a two-year stint in a New Hampshire prison; he doesn’t feel his family should be scraping by on welfare.Read More »

  • Joe Massot – Wonderwall (1968)

    1961-1970CultDramaJoe MassotUnited Kingdom

    29f7c043f76a2bde437fd0d52a185152

    Quote:
    An eccentric, lovable scientist falls in love with the girl next door – in an unusual way. Set in 1960’s London (aka Swinging London), WONDERWALL tells the story of a reclusive professor who becomes obsessed with a stunning model called Penny Lane. A psychedelic fantasy steeped in voyeurism, this film features a musical score by George Harrison with musical contributions from Eric Clapton and Ravi Shankar.Read More »

  • Joanna Hogg – Exhibition (2013)

    2011-2020DramaJoanna HoggUnited Kingdom

    29f7c043f76a2bde437fd0d52a185152

    Synopsis(bfi)
    Joanna Hogg (Unrelated, Archipelago) brings her distinctly minimalist brand of comedy into the ultra-modernist home of artists D and H. This troubled but brave-faced couple have decided to sell their much-loved apartment, but as the sale begins to inch ever closer to reality, submerged anxieties, resentments and second-thoughts spring to the surface.
    Starring Viv Albertine, guitarist of influential punk group The Slits, and Turner-prize-nominated artist Liam Gillick, Exhibition is as sleekly designed and uncompromisingly arch as the house itself – the film’s commanding central character. It’s also a deftly observed comment on the uncontrollable property obsession that characterises modern Britain.Read More »

  • Roger Vadim – Barbarella (1968) (HD)

    1961-1970CampFranceRoger VadimSci-Fi

    29f7c043f76a2bde437fd0d52a185152

    Sexy Barbarella roams 41st-century space with her blind guardian angel, Pygar. Directed by Roger Vadim; actors Jane Fonda, John Law, Anita Pallenberg, Milo O’Shea, David Hemmings, Marcel Marceau, Claude Dauphin

    In this notorious film version of the popular French comic strip by Jean-Claude Forest, Jane Fonda plays a sexy yet innocent space-age heroine in the year 40,000 A.D. who never gets herself into a situation that requires too much clothing. BARBARELLA opens with the titular heroine stripping down to nothing in zero gravity among strategically placed credits. From there Barbarella embarks on a mission to find a peace-threatening young scientist named Duran Duran (Milo O’Shea) by order of the president of Earth. En route, she’s attacked by killer dolls, is strapped into a contraption known as the Excessive Machine, and falls in love with a blind angel.Read More »

  • Lita Stantic – Un muro de silencio AKA A Wall of Silence (1993)

    1991-2000ArgentinaDramaLita StanticPolitics

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    A Wall of Silence (1993 ) , the debut of the famous film producer Lita Stantic , is an episode of collective biography of the generation of 68 in Argentina who lived optimism of the sixties and seventies brutal repression and now remakes his life in a democracy based on oblivion. Unlike many Argentine films that address the issue of missing persons, ‘A Wall’ leans more towards the historical and political approach, which also adopted in this article , analyzing the references to optimism of El Cordobazo and around Peron dictatorship and the development of democracy since 1983. We consider the contributions of filmmakers Lita Stantic and Maria Luisa Bemberg – members for a decade – to the Argentinian film and end with a question about the importance of the recovery of the memory in the current Argentina society.Read More »

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