Ten-year-old Axel lives with his mother and three sisters in a flat in Buenos Aires. The mother, Margarita, lives locked up in a room beyond the bathroom, while the children are her prison guards. The children communicate with her mother through a small window, giving her blankets, DVDs and reading material and celebrating her birthday in the corridor. When she’s eventually had enough, it’s Axel that must decide what to do.Read More »
Synopsis (possible spoilers):
“Twenty-five years after having been burnt at the stake for heresy, Joan of Arc returns to King Charles VII of France as a ghost and taunts him for having betrayed her. They recall the time when Joan, driven by divine messages, persuaded Charles, then Dauphin, to allow her to lead an army to attack the English at Orleans. Did Charles show gratitude when Joan defeated the English, a victory that enabled him to be crowned king at Reims? No, he only wanted her to return to her village and resume the life of an anonymous peasant girl. When she failed in her attempt to take Paris from the English, who came to Joan’s aid when she was arrested and tried by the Catholic Church for heresy? No one…”
– Films de FranceRead More »
Synopsis by Michael P. Rogers
Before Eddie Constantine became a French pop icon as the slapdash “Lemmy Caution,” he played Johnny, a straightforward London taxi driver. When his new taxi is smashed and he needs a big loan, he agrees to a five-minute marriage to Malou, a naive French girl, so she can become a British citizen. As planned, the two part after the nuptials, not realizing that this has all been rigged as a recruiting scheme by Nick (Herbert Lom), the boss of a Soho prostitution ring. Malou learns of Nick’s plans for her future and tries to escape but is drugged and locked up. With help from the head “girl,” Vicki (Diana Dors), Johnny learns of Malou’s peril, and hatches a plan to free her. This dark action thriller has a few clever twists, and Dors is gorgeous, but her fans may be disappointed at the smallness of her roleRead More »
Why has total stranger Richard Todd shown up at the villa of wealthy Anne Baxter? Why does he claim to be her long-lost brother? Is Todd planning to finagle Baxter out of her inheritance? Is someone going to end up seriously dead? The answers to these questions can be found in Chase a Crooked Shadow, a confounding chiller with more than a few adroit plot twists. Before the film has run its course, we learn that the true villain is not necessarily whom it appears to be–nor is the heroine all that she seems.Read More »
Quote:
David spends the last of his money on a room at the luxury hotel Waldhaus, where he plans to commit suicide. As part of his final act he invites his unsuspecting brother Gian along, ostensibly to spend his last days with him. Unexpectedly, Gian comes along with his girlfriend Valeria. David’s decision to end his life is constantly with them, and as the trio float through the days at the hotel, they come face to face with their past, unfulfilled dreams and an almost unbearable present. Eventually, Valeria becomes so captivated by David’s suicidal romanticism that the three of them end up in a ménage à trois – either their salvation or the end for each of them.Read More »
Three soccer fans are determined to do literally anything to get to the soccer match between Czechoslovakia and the famous representation team of Brazil. Reaching their goal to see the dream match live cannot be precluded neither by a sudden work task nor family obligations. However, there is one more obstacle in their way: for some time, their enthusiastic behavior during soccer matches has been monitored by the police. This time, it will not be easy for them to get to the stadium.Read More »
From AllMovie Guide:
“James Benning’s early films fused the “structuralist” investigations into sound-image relationships of filmmakers like Michael Snow and Hollis Frampton with an interest in narrative and a deep sensitivity to color, light, and landscape. He first grabbed the attention of the avant-garde film world with 8 1/2 x 11 and 11 x 14. Filmed in vivid color in the rural and urban landscapes of his native Midwest, these two films would provide the kernel for his further investigations into film form.
His films’ rigorous structures — often based on numerical systems — and exquisitely composed shots reflect his training as a mathematician, and their frequently autobiographical subject matter draws upon his working-class roots (a rare subject for avant-garde film) and his longtime commitment to political activism.Read More »
Quote:
One of the wonders that a good movie can sometimes achieve is to take us entirely outside the framework of the society to which it will eventually be shown. Fred Schepisi’s “The Chant of Jimmie Blacksmith,” an Australian film about a half-aborigine who goes on a savage murder spree against whites, is a movie like that. Its story is told entirely in the moral terms of the raw Australian outback of about 1900, and the racial attitudes in the movie are firmly drawn from that period.Read More »
Plot Outline: Dark fairytale about a demonic doctor who abducts a beautiful opera singer with designs on transforming her into a mechanical nightingale.Read More »