Plot: Ray Middleton and Bill Shirley, Republic Pictures’ answer to Hope and Crosby, star in Sweethearts on Parade. Middleton and Shirley play Cam Ellerby and Bill Gamble, the featured singers in a travelling medicine show. While stopping over in a small town, Cam renews his acquaintance with his former wife Sylvia (Eileen Christy), who now has a pretty, grown-up daughter — Kathleen — played by Lucille Norman. When Kathleen makes noises about a show-business career, Sylvia won’t hear of it — nor does she approve of her daughter’s romance with Bill. One gets the sneaking suspicion that everything will turn out all right in the end for all four protagonists. With 26 songs in the picture, how could things not turn out all right? ~ Hal Erickson, All Movie GuideRead More »

Imdb User Reviews

thanks tv!
13 June 2003 | by Mario Pio (Venezia, Italy)

When in the 1976 “Febbre da cavallo” exit in cinema not so much people went to see it. The status of “cult” movie starts from the various nocturnal passages in the private tv, during the ’80. That’s why people loves “Febbre” in this way (a little bit exaggerated). It’s a personal people discover. This is not the “pinnacle” of italian comedy. It’s only a little movie but funny and memorable in some of its parts. There is one thing over others: the actors are really good, better then some late italian comedies, in a time when comedy leaves for sexy italian comedy, the “commediaccia”. So, no Alberto Sordi, not Tognazzi but Gigi Proietti (an excellent, hystrionic theathre actor), and Enrico Montesano, in one of his few good performance on cinema. Enjoy this movie and…”vai cor tango!”Read More »

Summary: In 1988, renegade filmmaker Robert Altman and Pulitzer Prize–winning Doonesbury cartoonist Garry Trudeau created a presidential candidate, ran him alongside the other hopefuls during the primary season, and presented their media campaign as a cross between a soap opera and TV news. The result was the groundbreaking Tanner ’88, a piercing satire of media-age American politics, in which actors Michael Murphy (as contender Jack Tanner) and Cynthia Nixon (as his daughter) rub elbows on the campaign trail with real-life political players Jesse Jackson, Gary Hart, Bob Dole, Ralph Nader, Kitty Dukakis, and Gloria Steinem, among many others. The Criterion Collection is proud to present the complete eleven-episode television series—more relevant today than ever.Read More »

Humphrey Bogart plays Fred C. Dobbs, down-on-his-luck American in Mexico—he cadges the odd peso out of friendly passersby and countrymen, just so he can fill his stomach every now and again. He pals around with Curtin (Tim Holt), and after the two of them get cheated out of their wages by an American unethical even by the standards of this film, they exact their revenge, but their pockets are still empty. At the local flophouse, they overhear talk of an old codger called Howard (Walter Huston), who promises that in fact there is gold in them thar hills. If only they had enough scratch to buy the necessaries, they could be making themselves a fortune.Read More »

Details, fragments, transformations and shadows of a confined space: the toilets of the London Filmmakers’ Co-op in Gloucester Avenue, Primrose Hill, London. This film is neither abstract, nor firmly resolved in terms of what is depicted. Saturated colors and snatches of images are punctuated by darkness, whilst silence is punctuated by mysterious sounds, which are confined to moments when the image is extremely low key. The haunting use of sound and silence and the enigmatic juxtapositions and fragmentation contribute to the film’s overall abstract quality.Read More »

Quote:
Brian De Palma has often been accused of ripping off Hitchcock, the director he most admired as a young man. Nowhere is this influence more apparant than in Obsession which is so heavily inspired by Vertigo as to be suspiciously familiar. Having said that, De Palma’s film is very entertaining in its own right and full of technical virtuosity that serves the story as well as being impressive on a purely aesthetic level.

On a technical level, the film is astonishingly well made. It’s here that De Palma really demonstrates his imaginative brilliance as a director. This was present in large portions of Sisters and Phantom of The Paradise, and even in his early work like the obscure Get To Know Your Rabbit and the underrated Hi Mom, but it flowers in Obsession into a signature style that he has been using ever since.Read More »

From TCM:
When the body of Violet Feverel, who had taken her horse for an evening ride, is discovered in Central Park, Inspector Oscar Piper of the New York police arrives at the crime scene and is joined by his friend, amateur detective and schoolteacher Hildegarde Withers. After Hildegarde locates Violet’s horse and bloodied saddle, Oscar concludes that she was murdered and begins to question suspects, including Latigo Wells, the manager of Violet’s stable. Confronted by Oscar’s suspicions, Wells reveals that Violet had quarreled with Eddie Fry, her sister Barbara Foley’s boyfriend, just before the murder. Hildegarde then finds out from High Pockets, a stable employee, that Violet also had quarreled with Wells just before her death. At Violet’s apartment, Oscar and Hildegarde discover Eddie and Barbara hastily packing and question them. The young couple, who had become engaged in spite of Violet’s objections, defend their innocence and cast suspicion on Don Gregg, Violet’s ex-husband, whom Violet had jailed for nonpayment of alimony.Read More »

Synopsis:
Ken Takakura stars in yet another bad-ass Prison film, in “Prison Boss”. Here, rival gangs battle it out over ownership of a bicycle race track. The outside life for the yakuza mimics prison life in two respects,…. First, there are rules that must never be crossed and second, when opportunity arises, the rules will always be broken.Read More »

Description: As public outrage mounts against organized crime in modern-day Milan, four robbers meticulously plan a timed assault on several major banks within a period of 40 minutes. Led by the mastermind Cavallero, the men have pulled off other robberies in the past, keeping their identities secret by leading seemingly law-abiding lives. While making their getaway after one robbery, however, there is a slip-up, and the men must blast their way through the streets with submachine guns, killing several innocent bystanders in an effort to escape from the police. Three of the robbers escape, but a fourth, Rovoletto, is wounded and captured. The city is blockaded with the latest electronic devices, and police inspector Basevi questions Rovoletto, who finally breaks down. Lopez, the youngest gang member, is easily captured in his home, but Cavallero and Notarnicola evade the police dragnet. Before long, however, they are tracked down and cornered in an abandoned farmhouse. While being brought back to headquarters by Basevi, Cavallero boasts that his crimes have made him as famous as the Sicilian bandits of old, but he is shocked when a mob of irate citizens surround the police car, cursing and spitting at him.
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