Quote:
Writer/Director Kawasaki Minoru shot to cult fame with the infamous “Calamari Wrestler” about a wrestling squid, and he’s back in anthropomorphic territory with “Executive Koala”.

Keiichi Tamura is a hardworking executive in a pickle company, who is making a big merger at work and struggling with memory loss and the mysterious disappearance of his wife three years prior. He’s also a koala, which doesn’t seem to bother people too much, but then the president of the company is a large white rabbit. Tamura enters the sights of the police when his current girlfriend is found stabbed to death and his murky past seem to imply that he is not the well-mannered Koala he appear to be.Read More »

Behind the scenes of print ad shoot for Central Embassy, featuring Kiko Mizuhara. This short is a hybrid documentary, with a fictional character telling the story of that day.Read More »

letterboxd:
With the short film series, the director reimagines what a “souvenir” can be in a world of rapid-fire technology – not inanimate objects, but meaningful moments – and rescues the almost forgotten feeling of receiving an analog personal delivery.Read More »

In this thriller, a former Olympic runner and his young family embark upon a happy vacation and find themselves fighting for their lives at the hands of a homicidal maniac.Read More »

‘Horoscope’ is one of the short movies made by underground filmmaker Richard Kern. All of Kern’s movies are unusual: intentionally transgressive, and often violent. But ‘Horoscope’ is unusual by Kern’s standards because it’s LESS unusual than usual, for him. There’s very little transgression, and the mood is (by Kern’s standards) sweet-natured. Typically, Kern’s eroticises the female body: on the rare occasions when his films feature erotic male images (as in ‘Submit to Me’), those images are usually briefer and less intense than female-centred images in the same film. ‘Horoscope’, unusually (perhaps uniquely) for Kern, features more male than female nudity.Read More »

A hidden gem of Yugoslav and Croatian cinema. A masterpiece melodrama and a love story about two handicapped people, both victims of WWII. Directed by Branko Bauer.

Plot:
Shortly after the WWII, an one-legged chief engineer at the construction of hydroelectric power plant, and a war veteran, meets a blind girl in a mountain sanatorium of Ophthalmology, during winter. She’s waiting for a surgery that can restore her eyesight. Soon, the two fall in love with each other, but he feels unpleasant because of his handicap she’s not yet aware of…Read More »

The heroine of the title grows up. Slights, dance school, a cinema of glances, of tender moments, of trivial pop songs. A cinema which takes time, makes observations and which continuously finds or invents opposite picture sequences for loneliness and breaking free… (Written by Sixpack Film (Christian Cargnelli))Read More »

Olive Martin (Quirke), a heavily overweight young woman is convicted of killing and butchering her mother and sister and sentenced to life imprisonment. However, when she is assigned to write a book about her life, author Rosalind Leigh (Goodall) begins to develop a relationship with Olive and is soon convinced of her innocence. With the help of restaurant owner and former policeman Hal Hawksley (Fulford), she sets out to prove it and undo what she sees as a miscarriage of justice. However, all is not what is seems.Read More »

A come Andromeda is an Italian TV miniseries in five hour-long parts, broadcast in 1972 on RAI, the Italian state broadcaster. It was directed by Vittorio Cottafavi and adapted by Inisero Cremaschi from the book by Fred Hoyle and John Elliot, itself adapted from the BBC’s 1961 series A for Andromeda by the same authors, which is now mostly lost. It stars Luigi Vannucchi, Paola Pitagora, Tino Carraro and Nicoletta Rizzi, with performances from Arturo Dominici, Mario Piave, Claudio Cassinelli, Gabriella Giacobbe, Enzo Tarascio, Giampiero Albertini, Sandro Tuminelli and others.Read More »