
Filmmaker Michael Moore examines the current state of American politics, particularly the Donald Trump presidency and gun violence, while highlighting the power of grassroots democratic movements.Read More »

Filmmaker Michael Moore examines the current state of American politics, particularly the Donald Trump presidency and gun violence, while highlighting the power of grassroots democratic movements.Read More »

Synopsis:
The story of a family in Tokyo who live under the same roof in a large house and include the widowed sixty-year-old mother, older son and his wife, the youngest daughter and the older daughter who, while being married, is experiencing domestic problems and has moved back in. The latter woman’s husband soon dies however making the move permanent. With life insurance money flowing in she not only can afford to pay rent, but also loan some cash to her brother who unbeknownst to his mother has taken on a loan from the bank with the house as collateral. The loan was needed as his wife’s aunt’s factory needs an infusion of funds.Read More »

Quote:
AFTER 11 years of marriage, Charlie Smith (Jack Nicholson) is fed up with living in a dreary trailer with his pretty, bubble-brained, Texas-born wife, Marcy (Valerie Perrine), and with his job as a member of the United States Border Patrol stationed in Los Angeles. During the day, Charlie makes token arrests of docile, mostly frightened, illegal Mexican immigrants, who supply L.A.’s small businesses with below-minimum-wage labor, and then goes home to drink beer and listen to Marcy, who dreams of living in splendor in her very own duplex.Read More »

IMDb wrote:
A tale of delinquent and lazy school girls. In their efforts to cut remedial summer math class, they end up vitiating and replacing the schools brass band.Read More »

The Volcano Manifesto brings together three recent films—My Caldera (2022), Mines to Caves (2023), and The Deep West Assembly (2024)—in an astonishingly ambitious, densely woven meditation on geological and cinematic time.Read More »

Goodbye Horses: The Many Lives of Q Lazzarus is a gift to biographical independent cinema and the women’s movement plus the cause for diversity and community. It’s truly a global music film on top of being a story of one person or many- her family, friends, her colleagues, the director plays a part- oh- It’s fresh in my mind but honestly it’s such a wild experience which spans the 20th and 21st centuries and there is so much music and pathos packed into it. I would simply say that each part or scene tells a unique story and then all fit together and form a sensible narrative that makes a compelling portrait of someone we just discovered.Read More »

Quote:
Fresh out of a psychiatric hospital, Pia moves back in with her parents to get her life together. Torn between a new job, lovesickness, psychotropic drugs and social stigmatization, she emerges into a world where everything seems out of control.Read More »
Quote:
That even within a dramaturgically relevant omission of the massive cinematic correspondence between Yamada and the painter Yamazaki Mikio, known as OFUKU (Film Letter) I-V (1986-2006), Yamada redefines his syntax for his travel films from the first half of the 1990s. His films become increasingly interwoven: the continuity of a body of work can actually be experienced here, even if it no longer seems desirable in modern times.Read More »