Synopsis:
Sang-hyun, a priest working for a hospital, selflessly volunteers for a secret vaccine development project intended to eradicate a deadly virus. However, the virus eventually takes over the priest. He nearly dies, but makes a miraculous recovery by an accidental transfusion of vampire blood. He realizes his sole reason for living: the pleasures of the flesh.Read More »
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“Positif” a publié le premier entretien avec Tarkovski en France. Cette anthologie de textes parus dan la revue rassemble études, critiques, entretiens avec le cinéaste et témoignages de ses collaborateurs. Elle est illustrée de 70 photographies.Read More »
Feature-length documentary on Lon Chaney, featuring new interviews (notably with Chaney biographer Michael F. Blake), unseen footage of Chaney, and excerpts from old interviews with Chaney contemporaries who have since passed away.
A TCM original production, included in the DVD boxset “TCM Archives – Lon Chaney Collection”.Read More »
Synopsis:
India Stoker (Mia Wasikowska) was not prepared to lose her father and best friend Richard (Dermot Mulroney) in a tragic auto accident. The solitude of her woodsy family estate, the peace of her tranquil town, and the unspoken somberness of her home life are suddenly upended by not only this mysterious accident, but by the sudden arrival of her Uncle Charlie (Matthew Goode), who she never knew existed. When Charlie moves in with her and her emotionally unstable mother Evie (Nicole Kidman), India thinks the void left by her father’s death is finally being filled by his closest bloodline. Soon after his arrival, India comes to suspect that this mysterious, charming man has ulterior motives. Yet instead of feeling outrage or horror, this friendless young woman becomes increasingly infatuated with him.Read More »
Steven, a charismatic surgeon, is forced to make an unthinkable sacrifice after his life starts to fall apart, when the behavior of a teenage boy he has taken under his wing turns sinister.Read More »
Acclaimed filmmaker Pat Collins brings the dramatic life story of legendary seannós singer Joe Heaney to the screen in Song of Granite, an audacious exploration of the man and his music. With an approach that marries traditional narrative episodes with documentary footage, the film will celebrate the music Joe Heaney created while painting an unflinching portrait of Heaney, the man.Read More »
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Eva Meyer is poor shop girl working at a five-and-dime. She is the sole wage earner for three younger sisters, a mother who struggles to hold everything together, and a father who prefers beer and penny dreadfuls to work. Each week, Eva returns to her cold-water flat and dutifully hands over her meager earnings to her mother. But her wages barely cover the grocer’s bill and cannot provide for decent clothing. With only cardboard to patch the holes in the soles of her shoes, Eva’s life becomes harder with each rainy day and every splinter. In constant pain and with no solution in sight, the disheartened girl considers the uninvited advances of Charlie, a cad with clearly dishonorable intentions.
So begins Lois Weber’s SHOES, perhaps her finest masterpiece and one of the great feminist films in the history of cinema.Read More »
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After Calderón and Proust, Comédie de l’innocence is another literary adaptation, this time from the little-known Italian surrealist Massimo Bontempelli. Updated from the last fin de siècle to this more recent time of uncertainty, Comédie de l’innocence’s plot is small but perfectly formed. With Aristotelian rigour it moves from the opening conundrum (a child torn between two mothers), through the complication (the confrontation between the mothers and Ariane’s brother Serge), to a satisfying conclusion. Ruiz, who takes a co-credit as scriptwriter with Françoise Dumas, keeps up the tension, however, with laconic and enigmatic dialogue. When Ariane visits the empty flat of Isabella, a nosy neighbour remarks: ‘I really don’t want to know.’ Ariane replies: ‘There is nothing to know.’Read More »
Synopsis:
Joni (Nicholas Saputra) is obsessed with film, and he’s not the only one, as he points out in a pre-credit sequence, in which we hear various Jakarta residents comparing their own lives to the movies that they love. Joni has made the movies his life, even if it’s just as a delivery man, using his motorbike to bring film reels from one theater in the city to the next, so that the canny exhibitors can save money on prints. Joni prides himself on always getting to his destination in time for the reel changes, so the screenings aren’t interrupted. Read More »