
In order to settle a business dispute, a mob leader murders one of his own teenage sons. The surviving son vows to avenge his brother’s death, and organizes his own gang of teenage killers to destroy his father’s organization.Read More »

In order to settle a business dispute, a mob leader murders one of his own teenage sons. The surviving son vows to avenge his brother’s death, and organizes his own gang of teenage killers to destroy his father’s organization.Read More »

Synopsis:
“The title character (Tatiana Samojlova) is a dutiful wife to Karenin (Nikolai Gritsenko), a minor political functionary, and mother to a young son, when she meets a dashing young military man, Count Vronsky (Vassily Lanovoy). Something sparks between them, and soon they are madly and passionately in love. But such an illicit relationship is very much frowned upon in polite Russian society, and there are numerous consequences to their love. But by the same token they find themselves unable to live without each other, and so their relationship is subject to severe stresses as they try to live their lives in peace.”Read More »

Capsule by Jonathan Rosenbaum
From the Chicago Reader
Except for The Red Shoes, this shot-by-shot rethinking of a dance performance by the Emile Dubois Dance Group, choreographed by Jean-Claude Gallotta and directed by Raul Ruiz, could be the greatest dance film ever made. Running only 65 minutes, the 1986 film is as much a sensual workout as Ruiz’s Life Is a Dream is an intellectual one; its celebration of pure physicality and movement is as exciting for film lovers as it is for dance enthusiasts. Read More »

Quote:
Twenty years after David Cronenberg prophesised the dark side of the Internet age in Videodrome, acclaimed French filmmaker Olivier Assayas (Irma Vep) updated it for the New Millennium in his startlingly prescient Demonlover, a chilling exploration of the nexus between sex and violence available at the click of a button.Read More »


from Film Society of Lincoln Center:
Money, sex, and football: the three cornerstones of American life spell doom in Tourneur’s tough, subversive anti-marriage melodrama. Victor Mature is a star quarterback with a fatal heart condition who’s willing to risk death on the field to give his power-hungry wife (Lizabeth Scott) the life she wants, even as she pursues a sordid affair with a Wall Street sugar daddy. Co-starring Lucille Ball—who delivers some of the film’s most memorable moments as a hard-nosed working girl spouting world-weary cynicisms—Easy Living is a Sirkian sports movie with a dark noir undercurrent.Read More »


Synopsis:
General Dennis of the US Force in England in World War II finds that he must order his planes deeper and deeper into Germany to prevent the production of military jet planes that will turn the tide of battle to the Germans. He must fight congressmen, and his own chain of command to win the political battle before he can send his planes out. His problem is complicated by a very narrow window of good weather necessary to allow his effort to be successful. Adapted from a stage play, it attempts to look at the challenges of command in the political arena.Read More »
Quote:
Not-so-grieving widow Claire Marrable is horrified to hear that her supposedly wealthy husband has apparently left her penniless. But, being a practical (and resourceful) type, she hits on a scheme to keep her in the comfort to which she wishes to become accustomed. Relocating to the Arizona desert, she hires elderly housekeepers with no known relatives (but tidy nest eggs) and sends them to their rewards a bit sooner than they planned. And their remains become mulch for the widow’s growing garden as each is buried under a quickly flourishing sapling.Read More »


The noir city in all its desperate foreboding: a dancing sign flashes in an angel’s face. An angel innocent and afraid yet ventures into the seething labyrinth with a stranger, her husband, running from capture into the city of entrapment.
You trust no-one, fear the worst, and blunder from one dead-end into another. Dark faces and sharp dressers in sinister doorways. Share a cab with a bawling waif, a dying woman on borrowed time, and a suspicious driver. Stop! Get out! Onto dark streets, smoke-filled dives, cafés on the edge of purgatory, and hellish rooms for rent. A young girl in pig-tails as likely to betray you as the mother with arms folded in menace then her cold hand out for payment in advance. Nowhere left to run. The rented room a cell you can’t leave.
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The film revolves around the lives of teenagers in Soviet Lithuania. The protagonists of the film are fans of rock’n’roll music which is banned in the USSR and are interested in the hippie movement, secretly listening to the Luxembourg radio. They all live in a house which was formerly a hotel, called “America”. Events of Kaunas’ spring affect them as they are involved. After their attempt to send a letter to the Luxembourg radio, teenagers would become suspects to the KGB.Read More »