Based on the scandalous memoirs of a pseudonymous French model Joy Laurey.Read More »
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Sergio Bergonzelli – Joy (1983)
1981-1990CanadaDramaEroticaSergio Bergonzelli -
Beatriz Flores Silva – En la puta vida AKA In This Tricky Life (2001)
2001-2010Beatriz Flores SilvaComedyDramaUruguayQuote:
Montevideo, Uruguay. In this comedic drama, Elisa, 27, dreams of opening her own hairdressing salon in one of the rich districts of the Uruguayan capital. A bit of a rebel, one day Elisa moves out of her mother’s house with her two children and breaks up with Garcia, her boss and lover who has infuriated her by not wanting to get married. So, in the space of twenty-four hours, Elisa finds herself without a roof over her head, without a man, without a job and without money. Her best friend Loulou finds her a job – in the brothel run by Dona Jacqueline. And without really being aware of it, Elisa slides into prostitution, which leads her to Barcelona. She falls in love, she is exploited, she gets involved in transvestite gang wars, and meanwhile just dreams of earning enough money for her little beauty salon back home.Read More » -
Tomás Gutiérrez Alea – Cartas del parque AKA Letters from the Park (1988)
1981-1990ArgentinaDramaRomanceTomás Gutiérrez AleaMatanzas, Cuba, 1913. Two young people who are in love communicate through letters written by penman. When the young man leaves town, to become a pilot, the girl discovers she is really in love with the one who wrote the letters.Read More »
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Jeremy Weisfeld – Deep Crates 2: Documentary Film Dedicated to Beatdiggin’ Culture [+Extras] (2007)
Documentary2001-2010CanadaJeremy WeisfeldQuote:
Deep Crates 2 documents the history behind diggin’ for samples and creating beats. The 2nd Deep Crates DVD installment takes you back to the origins of sampling records with some of the culture’s founding pioneers. Worldwide diggin’ spots are exposed from the USA to Canada to Japan. From first impressions, Deep Crates 2 appears to be a step up from the crude shooting and editing of the original Deep Crates. With a shorter list of featured producers, one can expect longer interviews with more potency. Features in studio footage and exclusive anecdotes from some of the most famous crate diggers on earth.Read More » -
Robert Smithson – Spiral Jetty (1970)
USA1961-1970ArchitectureDocumentaryExperimentalRobert Smithson
Standing apart along the northeast shore of the Great Salt Lake is a huge earthworks project, boulders and potholes, clinging brine and mirrored sky, which the film documents, as it moves back geologically to dinosaur history.Read More »
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Jean Epstein – Le tempestaire (1947)
1941-1950ArthouseFranceJean EpsteinShort FilmQuote:
Despite her protestations and concerns over ominous signs, a young woman’s lover leaves for the sea to fish for sardines, but while he is out a terrible storm strikes. However, she finds out about Le Tempestaire, or Tempest Master, who has the power to speak to the wind and subdue it.Read More » -
Robert Breer – Jamestown Baloos (1957)
USA1951-1960Amos Vogel: Film as a Subversive ArtExperimentalRobert BreerShort FilmAn experimental short film from Robert Breer with animated and live-action scenes cut together.Read More »
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Robert Breer – Time Flies (1997)
1991-2000ExperimentalRobert BreerShort FilmUSAPersonal photos are interspersed with fragmentary drawings and flashes of colour, observed and/or remembered everyday events – all of which add to a general sense of reminiscence. Sometimes a hand appears (Breer’s own) on top of a photo, reminding us that the photo is but an object in the film, not the film itself.Read More »
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Danièle Huillet & Jean-Marie Straub – Toute révolution est un coup de dés AKA Every Revolution Is a Throw of the Dice (1977)
1971-1980ArthouseDanièle Huillet and Jean-Marie StraubFranceShort FilmQuote:
Straub and Huillet invited friends to recite Stéphane Mallarmé’s 1897 poem “A Throw of the Dice Will Never Abolish Chance,” with its radically modern use of free verse, in a park alongside the wall in Père Lachaise cemetery where the last 147 men and women of the Paris Commune were lined up and shot dead in 1871.It is not hard to understand why these ambitious filmmakers were drawn to Mallarme’s late-19th-century poem, which casts readers adrift in a sea of elusive meanings, a playfully and hermetically cubist constellation of words that can assume myriad visual, aural, and symbolic forms.Read More »








