• María Novaro – Sin dejar huella aka Without a Trace (2000)

    1991-2000DramaMaría NovaroMexico

    Quote:
    Ana, an educated art historian, and Aurelia, lone mother of two, are two women in trouble, one with the law and the other with drug trafficking thugs. Their paths cross as Ana asks if she can get a ride with Aurelia to Cancun as both attempt to escape their pasts. This is in the backdrop of a vicious serial killer that has murdered over 250 women and haunts all women in Mexico. Without a Trace is a wonderful road movie about the two women as they try to change their lives on their own in the shadow of a patriarchal society. Novaro creates a motherly environment as mother Aurelia breast feeds and nurtures her little baby, but also a tough femme fatale atmosphere with the women drinking beer in different bars. These two aspects of the women are brought to the screen with strong drama and comedy as the women venture for something better. In the end, Novaro creates a wonderful cinematic experience that both entertains and enlightens the audience.Read More »

  • Kim Longinotto – The Day I Will Never Forget (2002)

    2001-2010DocumentaryKim LonginottoUnited Kingdom

    Documentary filmmaker Kim Longinotto (Divorce Iranian Style) directs The Day I Will Never Forget, a personal look at the hotly debated issue of female genital mutilation. Longinotto presents several different Kenyan women with the opportunity to speak out about their experiences. Nine-year-old Fouzia stands in a white dress to recite The Day I Will Never Forget, an autobiographical story she wrote about her mother forcing her to go through with a traditional circumcision. Read More »

  • William C. Thomas – They Made Me a Killer (1946)

    1941-1950CrimeFilm NoirUSAWilliam C. Thomas

    All Movie Guide Review:
    This Pine-Thomas Production was scripted by Geoffrey Homes (aka Daniel Mainwaring), best known as the author of the novel upon which the “film noir” classic Out of the Past was based. Robert Lowery plays victim-of-circumstance Tom Durling, in the wrong place at the wrong time when a bank robbery occurs. As the only witness to the crime, Durling is sought after by June Reynolds (Barbara Britton), who wants to prove that her brother, killed in the holdup, was innocent of complicity. Trouble is, the police have fingered Durling as their primary suspect, so he naturally wants to remain scarce. By film’s end, however, Durling and June have taken it upon themselves to track down the villains. Unusual for its time was the film’s depiction of its policeman characters, who are shown to be reasonable and intelligent rather than conclusion-jumping and dull-witted.Read More »

  • Richard Thorpe – Above Suspicion (1943)

    1941-1950DramaRichard ThorpeThrillerUSA

    Quote:
    If you believe all-American Fred MacMurray as an Oxford don, you’ll probably swallow the rest of Above Suspicion. Newly married to Joan Crawford, MacMurray goes on a honeymoon in prewar Germany. Actually it’s more business than pleasure: they are secret agents for the British, attempting to smuggle back information about a new superweapon being developed by the Nazis. Evil, mean, cruel and also wicked German officer Basil Rathbone imprisons and tortures Crawford (though she still looks like a million bucks), but McMurray comes to the rescue, paving the way for a suspenseful race-to-the-border climax. Read More »

  • Armando Bo – Furia infernal AKA The Hot Days (1973)

    1971-1980ArgentinaArmando BoDramaErotica

    Barbara is a sexy stripper, but she is dedicated to her husband. When a rich and above-the-law land-owner orders the murder of her husband to get her, she plans, and conducts, deadly revenge. She starts by intriguing between the rich man and his sons, who also had abused her, so that he has two of them killed, and then she sets out against the actual killers, shooting them herself, and leaving the old lecher and his older son to the last. The final confrontation has some surprises, though.Read More »

  • Amando de Ossorio – El buque maldito aka The Ghost Galleon (1974)

    1971-1980Amando de OssorioExploitationHorrorSpainSpanish cinema under Franco

    Two young girls travel in a newly constructed boat at sea. This event should make a propaganda for this new construction. The wireless radio contact breaks suddenly. The search expedition comes across an old sail ship populated by bloody zombies. It seems there is no escape from the undead templars…Read More »

  • Rubén Gámez – La Fórmula secreta AKA The Secret Formula (1965)

    1961-1970Amos Vogel: Film as a Subversive ArtArthouseMexicoRubén GámezShort Film

    IMDB comments say:
    This is one of the best Mexican short movies ever. You could probably imagine the Mexican idiosyncrasy, read some history books, but you will find a big difference and experience the feeling of the post-revolutionary age of Mexico with this film.

    Labor unions, the invasion of large scale and global foreign companies, the mother’s love, the Mexican habits descriptions are part of this master piece.

    Adding the emotion of Jaime Sabine’s narration voice in all the allegoric signs and metaphors.Read More »

  • Yevgeni Bauer – Posle smerti AKA After Death (1915)

    1911-1920DramaSilentThe Birth of CinemaUSSRYevgeni Bauer

    Posle Smerti [After Death]
    A titan of the early Russian cinema, Evgenii Bauer was born in Russia in 1865. His father was a renowned zither-player, while his sisters became actresses. Bauer graduated from the Moscow Institute of Painting, Sculpture and Architecture. Over the years, he was an amateur actor, a caricaturist for magazines, a newspaper satirist, a theatrical impresario, and an artistic photographer. He was especially recognized for designing sets for theatrical productions, a talent that eventually brought him into the cinema when he designed the sets for Drankov and Taldykin’s commemorative historical film, Trekhsotletie Tsarstvovaniya Doma Romanovykh (The Tercentenary of the Rule of the Romanov Dynasty), released in 1913. Encouraged by Drankov and Taldykin, Bauer, then 48 years of age, graduated to directing for their company. Read More »

  • Miklós Jancsó – Égi bárány AKA Agnus Dei (1971)

    1971-1980DramaHungaryMiklós Jancsó

    Quote:
    Alegory of the suppression of the 1919 revolution and the advent of fascism in Hungary; in the countryside, a unit of the revolutionary army spares the life of father Vargha, a fanatical priest. He comes back and leads massacres. A new force, represented by Feher, apparently avanges the people, but only to impose a different, more refined and effective kind of repression. Written by Francisco BaezRead More »

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