“The summer of 1939. Marie, at 13, goes with her parents to visit her grandmother in a small town near Avignon. Although rumors of war reach the countryside, it’s an idyllic place. Marie’s parents are constantly making love. Surrounded by sexual frankness, Marie fancies herself a woman and develops a crush on Alexander, the town’s young Jewish doctor. She’s despondent when he treats her as if she were a child. After Marie’s father abruptly leaves for a few weeks to assist with a relative’s harvest, Marie’s mother and the doctor disappear into the woods for hours at a time. Marie tries to spy on them. When dad returns, what will the family and the doctor do?”Read More »

“When things are really crap, they will generally get much worse…”

Mokhtar, unable to find work, leaves his wife and child to find employment in more distant lands. After seeing him onto a train we pick up with another man, Marhab, at the end of his journey. The dislocation is such that it takes a while to realise that Marhab has arrived in the same area that Mokhtar has just left. Marhab is also struggling to find and keep work, but still manages to get married in a short space of time – to Mokhtar’s wife (whose former husband is believed dead).Read More »

It is French Colonial Vietnam in 1929. A young French girl from a family that is having some monetary difficulties is returning to boarding school. She is alone on public transportation when she catches the eye of a wealthy Chinese businessman. He offers her a ride into town in the back of his chauffeured sedan, and sparks fly. Can the torrid affair that ensues between them overcome the class restrictions and social mores of that time? Based on the semi-autobiographical novel by Maugerite Duras.Read More »

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Michael Laemie (played by Brian Madorsky) is a young boy living in a typical 1950’s suburbanite home… except for his bizarre and horrific nightmares, and continued unease around his parents. Especially his father, Nick Laemie (played by Randy Quaid). Young Michael begins to suspect his parents are cooking more than just hamburgers on the grill outside.Read More »

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An abridged award-winning television adaptation of a famous play about an aging travelling salesman who’s on the verge of a nervous breakdown. His job is gone, and his family hates him for never being there. He tries mending things with them.Read More »

“Don’t be scared,” he’d whisper, “There’s nothing to be scared of. It’s just the hollow people.” Peter Nestler has made a film based on Israeli author and scriptwriter Etgar Keret’s short story “The Hollow Men”. a man’s memories of his childhood, marked by the fear of bodiless voices and masks. A beautiful and terrible miniature at the same time.Read More »

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David Gladwell is perhaps best-known for his celebrated work as editor on Lindsay Anderson’s If…. and O Lucky Man! Requiem for a Village, along with the four exquisite and startling short films also included in this BFI Flipside Dual Format Edition, reveal him to be an unfairly overlooked director of ground-breaking work.

The idyllic, rural past of a Suffolk village rises to life in Requiem for a Village (1975) through the memories of an old man who tends a country graveyard. With influences that range from the poet TS Eliot to the artist Stanley Spencer, and using real village residents as amateur actors, the film powerfully suggests that history and memory are ever-present in our lives, regardless of the unrelenting drive towards modernisation.Read More »

Flight of the Red Balloon (Le Voyage du Ballon Rouge), first part in a new series of films produced by Musée d’Orsay, tells the story of a French family as seen through the eyes of a Chinese student. The film was shot in August and September 2006 on location in Paris. This is Hou Hsiao-Hsien’s first western film. It is based on the classic French short The Red Balloon directed by Albert Lamorisse. Flight of the Red Balloon is one of those movies where nothing much happens. It’s a simple, relatively peaceful film, notable in part because director Hou Hsao-Hsien is shooting outside Asia for the first time. Hou’s starting point–dictated by Paris’s Musee d’Orsay, which commissioned the film–is La Ballon Rouge, the 1956 Albert Lamorisse film about a little boy and his companion in the streets of Paris, a floating red balloon.Read More »

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A young photographer Dimda is shot in the open courtyard surrounded by high-rise buildings who lived there in a communal apartment. Murder investigation at the same time is also becoming a psychological research.Read More »