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On 23 August 1994, the K Foundation (Bill Drummond and Jimmy Cauty) burnt one million pounds sterling in cash on the Scottish island of Jura. This money represented the bulk of the K Foundation’s funds, earned by Drummond and Cauty as The KLF, one of the United Kingdom’s most successful pop groups of the early 1990s. The duo have never fully explained their motivations for the burning.

The incineration was recorded on a Hi-8 video camera by K Foundation collaborator Gimpo. In August 1995, the film “Watch the K Foundation Burn a Million Quid” was toured around the British Isles, with Drummond and Cauty engaging each audience in debate about the burning and its meaning. In November 1995, the duo pledged to dissolve the K Foundation and to refrain from public discussion of the burning for a period of 23 years.Read More »

Mustafa (Osman Inan) is a hard-working and ambitious agricultural merchant who is cold and austere towards his family. One day he has a brain hemorrhage on a business trip and goes into a coma after the operation. Guler (Ayten Tokun) is suspicious of her husband having an affair. Veysel (Harun Ozuag), their teenage son, wants to leave the military academy and study business administration. Ali (Tayfun Gunay), their 10-year-old son, has to cope both with his bully classmate and the chewing gums he has to sell. Hasan (Taner Birsel), Mustafa’s younger brother, chose to live a life in solitude after getting a divorce, and has always been an outsider to the family. But now, with his brother in coma, he finds himself involved in family affairs. Hasan has to solve the mystery about Mustafa’s mistress and the money lost during his trip. (IMDb)Read More »

Starring Ahmed Zaki and Mervat Amin, the film’s importance comes from it’s storyline written by Raouf Tawfik, it discusses a bold and sensitive subject for Middle Eastern societies, the concept of power and it’s relationship with the individual. The films that have discussed this subject in earnest are rare and in between especially in Egyptian cinema, because of censorship and intimidation, and even the films that have previously discussed the issue of authority and power abuse have only touched it from a political view, ignoring the psychological aspects.
The wife of an Important man stands in opposition to this school of thought.
In the film, we are shown two of the most important characters in Khan’s filmography.Read More »

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1938, in a French African colony. Lucien Cordier is the cop of this village, populated with blacks and a few whites (usually racialist and lustful). He is a washout, everyone (including his wife Huguette) humiliates him. He never arrests anyone and looks at elsewhere when a dirty trick occurs. But one day, he turns into a Machiavellian exterminating angel.Read More »

From Amos Vogel’s Film as a Subversive Art:
One of the very few Brakhage films to have a plot and be acted, this bitter and wise polemic pits an actor who constantly confesses his role against an unseen audience. He sarcastically mocks our belief in filmic truth, disclaiming the omnipotence we ascribe to him and the director and insists on the falsehood and artificiality of the art work. This is a very modern film of ambiguity, mixed tenses, skepticism, and ultimately, anguish at the realization that the artist is both con-man and magician, impotently straining for unattainable perfection yet inevitably being taken seriously by an audience panting to be duped.Read More »

Miguel, the arrogant newspaper columnist at the center of “Madrid, 1987,” has spent decades building up a tough outer shell. Pompous, calloused, dismissive, he’s a parade float begging for a hole to be poked in it. That comes in the form of a would-be acolyte, Angela, and a malfunctioning door lock in this sweet, sometimes dull and certainly overlong film, written and directed by David Trueba. Miguel (José Sacristán) has been spouting literary analogies and trite aphorisms long enough that he believes them; Mr. Sacristán gives him equal measures of confidence and tediousness. But Miguel is lovably smug: when an autograph seeker interrupts his squiring of Angela (María Valverde), he signs her paper, “For Sonia, who has lousy timing.” Before long, he and Angela retreat to an apartment nearby, where the faulty door traps them in the bathroom, disrobed but not entangled.Read More »

Synopsis:
A drama with underlying humor about the shame and despair that 30 year old boy feels on his way to losing virginity.Read More »

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LUMINOUS MOTION is a dreamlike and erotically charged thriller from critically acclaimed director Bette Gordon (Variety). Deborah Kara Unger (The Game) stars as an unnamed hustler who seduces and robs gullible men while criss-crossing the country with her ten-year-old son Phillip (Eric Lloyd, The Santa Clause). Phillip grows accustomed to this outlaw life on the road, but his world is turned upside-down when his mother settles in the suburbs with a carpenter named Pedro (Terry Kinney). Desperate to reclaim his mom’s attentions, Phillip plots Pedro’s violent end, hoping for a return to the road. But this Oedipal dream turns into a nightmare as they are pursued by ghosts from their past, including Phillip’s menacing father (Jamey Sheridan, Spotlight), who seems to be intent on reclaiming his place at the head of this deteriorating family.Read More »

One of the Best Films of 2008 –Entertainment Weekly, Time Out NY, NY Post

modestly scaled movie with a heart the size of the Ritz – New York Times
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