The village artist Jangarh Singh Shyam left home and became a well-known contemporary painter. He committed suicide in 2001. Through his art, places and stories, the filmmaker explores the traces he left on his path.Read More »

Quote:
How do the vicissitudes of contemporary notions of nationhood alter our relationship with cultural patrimony? It’s a question obliquely suggested by Amit Dutta’s latest film. As a camera explores the architecture of a museum, we hear a description of a painting we never see. Eventually, we leave the building behind and examine the remains of a temple, exposed to weather and war. Sensual and rigorous, THE GAME OF SHIFTING MIRRORS reaffirms Dutta’s place as India’s most accomplished experimental filmmaker. (Michael Sicinski)Read More »

Tensions rise between restless teenager Julija and her oppressive father Ante when an old family friend arrives at their Croatian island home. As Ante attempts to broker a life-changing deal, their tranquil yet isolated existence leaves Julija wanting more from this influential visitor, who provides a taste of liberation over a weekend laid bare to desire and violence.Read More »

Synopsis:
Judith Hearn is a middle aged spinster earning a living by giving piano lessons in the Dublin of the 1950’s. She falls in love with a shady hotel owner who, in turn, decides to exploit her as far as he can.Read More »

A trio of robbers, two brothers and their twisted genius leader, invade a lightship, but don’t reckon on the crew fighting back.Read More »

Quote:
Structures within the time frame of empirical perspectives have a tendency to unknowingly look in the wrong direction. Michael Cimino’s The Deer Hunter (1978) overcomes this problem by focusing on an intensely felt portrayal of the characterisation within a closed community that allows us to see the universality of a doom-inflected generation that blindly followed the path shown by the state. Time allows the peaceful reign to negate the demand for instantaneous discourse and the setting up of ideological walls that soon become entrenched. Over 30 years since it was first released, The Deer Hunter has become what it always was: a deep-rooted immersion into American blue-collar life.Read More »

A con man (Piotr Fronczewski) gets out of jail and is soon up to his old tricks. He starts small, but his grifts quickly grow more elaborate and far-reaching, until he’s entangled all manner of local politicians and government ministers in his chicanery, culminating with his grand impersonation of an Austrian diplomat. Miroslaw Bork’s dry-witted Polish comedy won the Best Director award at the San Sebastian International Film Festival in 1989.Read More »

A woman poses. A man with a camera zeros in on her and takes a picture. But very soon, the shoot degenerates. Each click of the camera sounds like a machine gun. No-one speaks; the editing is disrupted, and with it, the images, the spaces and the timing. The woman escapes. In an abandoned building, a man, as mute as she is, shrinks from her gaze. It is he that the film now follows: he explores a museum exhibiting the history of Africa, its suffering and its external interferences.Read More »

Franco Sereni, a captain of carabiniers, is dismissed from service for being the proponent of “the law of the gun”. He is asked to hold a private investigation of several cases of blackmailing wealthy women. Soon Sereni finds out that there is much more then just blackmailing.Read More »