In 2010, Jimmy and Cherie fell in love in the back alleys of Hong Kong. In 2012, they each found a new love in a new city, but they ultimately chose to stay together. In 2017, Cherie and Jimmy will brave the stormy seas and save their relationship. Can Cherie and Jimmy overcome their seven-year itch? The path to finding out the answer is filled with laughs and tears.Read More »
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Belmonte paints forests full of trees, naked men in strange positions, submarine fantastic scenes, men/animals hybrid creatures, gravediggers characters, well-built men going up stairs to the leap, love scenes below trees. All of his work, sometimes full of colors, shows loneliness and melancholy, but also beauty and attraction to the human body. Even though Belmonte shows himself distant to some of his family members, he is an emotional man who needs affection all the time; he is especially dedicated to his daughter, Celeste. When Celeste isn’t around Belmonte is kind of lost. There’s a new and important exhibition upcoming at the National Museum of Montevideo but Belmonte is thinking more about the changes inside his family: his ex-wife got pregnant by another man, and he feels Celeste is going to spend less time with him. Belmonte negotiates with his ex-wife about the amount of days he should live with Celeste, he wants more, he needs more days; but is not easy….Read More »
Cows enter a milking parlour in the early morning. As their milk is sucked away, a cataclysmic storm builds on the horizon. Under the onslaught of wind and rain, summer disappears. A meteorologist investigates the bizarre shift in the weather. He follows his equipment through the dark and wintry landscape and arrives at the farm where the cows were milked, but nothing remains of the animals. He begins a more precise investigation, but the results are inconclusive. In such miserable and remorseless weather, how can he measure reality?Read More »
Edna May Oliver’s success in this film helped convince RKO to cast her in The Penguin Pool Murder as Hildegarde Withers, which led to a brief series.
Plot Synopsis:
Edna May Oliver portrays a society dowager called for jury duty on a murder trial wherein a pretty young woman is accused of killing her older husband. She takes her job quite seriously, and soon is playing both “prosecutor” and “DA” with judge and witnesses alike. In this unorthodox but highly entertaining fashion, Ms. Oliver gets to the truth and exposes the genuine murderer before the final fade-out. Incidentally, despite the title, there are gentlemen on the jury, but all eyes are on the formidable Ms. Oliver. Ladies of the Jury was remade in 1937 as We’re on the Jury, with Helen Broderick in the Edna May Oliver role. by Hal EricksonRead More »
From Hong Kong International Film Festival:
Bernal’s impressive debut feature confirmed him as a prominent filmmaker who was not only capable of orchestrating a striking narrative, but also one that revealed the hypocrisy permeating the carnivalesque affairs of filmmaking. The story follows Ching, a stripper, who performs to the lustful stares of her patrons. Discovered by an idealistic film director, she rises to stardom and takes her lover Pinggoy, a taxi driver, into show business. Scrambling to the top, they reap fame and forture only to find tragedies awaiting. Bernal has made startlingly accurate observations of the dichotomies facing Philippine cinema and society, winning Best Film of the Decade in the country’s prestigious Gawad Urian Awards.Read More »
Five years after their summer together in Barcelona, Xavier, William, Wendy, Martine and Isabelle reunite.
MUBI wrote:
Five years after their adventures in Barcelona in The Spanish Apartment, many of the exuberant flatmates are reunited, including Xavier who is soon thirty and struggles as a writer. He commutes to London for a job co-writing TV with Wendy and ghostwrites an autobiography for a model in Paris.Read More »
Alain, “a young wolf”, elegant and racy, is maintained by the princess Linzani. At the same time, he goes out with a girl of his age, Sylvie, who despite her bold attitude has never had a lover.Read More »
Two Vietnam deserters go their separate ways, become criminals and are eventually reunited.Read More »
Israeli filmmaker Nadav Lapid shows no signs of slowing down in this shattering follow-up to his bat-out-of-hell Synonyms. A film of radical style and splenetic anger, Ahed’s Knee accompanies a celebrated but increasingly dissociated director (Avshalom Pollak) to a small town in the desert region of Arava for a screening of his latest film. Already anguished by the news of his mother’s fatal illness (Lapid’s film was made soon after the death of his own mother, who had worked as his editor for many years), he grows frustrated with a speech-restricting form he is encouraged to sign by a local Ministry of Culture worker (Nur Fibak). The confrontation ultimately sends him into a spiral of rage aimed at what he perceives as the censorship, hypocrisy, and violence of the Israeli government. This boldly shot and conceived work, which won the Grand Jury Prize at this year’s Cannes Film Festival, feels as though it has welled up from the depths of its maker’s soul.Read More »