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An undead teenage girl befriends a blind boy that she meets in a forest she haunts and hunts in. Both have been victims of unimaginable abuse, and each finds solace in the other. There may be a chance of light at the end of their tunnel, but it will come with a body count.Read More »
Shortly after WW2, a military transport plane carrying an assortment of passengers crashes into the South China Sea forcing the survivors to await their rescue into a life-raft.Read More »
Leading very separate lives, Christy and her boyfriend Buddy live together in her parent’s basement with their baby Mikey. As Christy, a waitress and aspiring writer, and Buddy, a plumber’s apprentice, struggle with the realities of their lives, questions are formed about obligations, consequences, and all the identities we employ to get through the day.Read More »
Review (Geraldine Bloustien, ‘Jane Campion: memory, motif and music’. Continuum)
Passionless Moments, although possibly one of Campion’s most whimsical pieces, has all
the hallmarks of her later films. It is concerned with the insignificant, unsolicited
moments of daydreaming when one is caught almost unawares. The film consists of ten
self-contained vignettes of the sudden thoughts of ten very different individuals.
Classical Hollywood cinema concerns itself with the heightened moments of passion of
individuals with whom we identify in some way because of their bravery, humour, innocence,
heroic qualities and so on. In traditional feature films and documentaries we are usually
introduced to the characters’ backgrounds, motives and problems. However, in Passionless
Moments the characters serve only to illustrate some quirky aspect of human nature and
relationships.Read More »
Jonathan Rosenbaum wrote:
The first sound film by Boris Barnet, one of the least seen and appreciated masters of the Russian cinema, this 1933 feature follows the impact of World War I on a village. Barnet takes nothing for granted, using sound as no one else had before or since and in the process reinventing the way we experience silence as well as sound. His view of war is expressed in uncanny emotional registers: scenes that begin tragically end comically and vice versa, and one of the more touching story lines involves a woman who falls in love with a German prisoner. Adapted by Barnet and Konstantin Finn from Finn’s novel, this is strong and indelible.Read More »
The South of France. Internationally famous pianist Aurore collapses one night during a performance, over-exhausted from too many concerts. Tired of music, she believes she no longer has anything to offer her public. Then she meets Jean, an electrician who installs residential security systems. Despite their differences, they immediately fall in love and plan a new life together. Jean intends to leave his long-time partner, Dolorès, but she will stop at nothing to keep him.Read More »
Without having met, a famous orchestra conductor and a beautiful woman seem destined to be together. They see one another’s faces in their dreams, reflected in mirrors, and in crowded streets before finally meeting in person.Read More »
Quote:
In “Evil”, the stories and lives of the characters intertwine as a web, where in the center we engage in the relationship of Cathy and Peter. Cathy is Irish, Catholic and from a very young age she’s attracted by the great struggle for social ideals holding a huge sense of justice, in the work with illegal immigrants. Has for Pedro an excessive love. Submissive-dependent, and is not aware of his changes over time. Peter is a respected lawyer who has set aside the ideals of youth. Its success is the result of involvement in “lobbying” economic and political. Obsessed with sex, it engages in assiduous and constant extra-marital relationships, consciously cheating Cathy, although still loving her.Read More »
