Based on Takiji Kobayashi’s 1929 novel “Kanikosen”.
Quote: Aboard the Japanese crab ship ‘Kanikosen’ equipped with a cannery facility, workers are forced to labor under pitiful conditions at minimum wages. Some even die of cruel labor and malnutrition. And to top it off, the factory superintendent Asakawa (Hidetoshi Nishijima) is the most brutal sort who does not treat the workers as human beings.Read More »
In an audacious investigation, Freightened will reveal the mechanics and perils of freight shipment; an all-but-visible industry that holds the key to our economy, our environment and the very model of our civilisation.Read More »
Synopsis Welcome to Alang, India, the site of a gargantuan scrap yard where oceangoing ships come to die. Forty thousand Indians live and work here, dismembering and scavenging the hulks of 400 vessels every year. Shipbreakers is an extraordinary documentary that chronicles the lives of the people who work here, from the men who take apart these giant ships with their bare hands to the bosses, who ignore environmental and health concerns for fear of losing the business to other developing nations. It may be the world’s most dangerous job. One worker a day, on average, dies on the job, evaporated in explosions, crushed by falling steel, cut in half by cables or broken up from falls. Of the remainder, one in four will contract cancers caused by asbestos, PCBs and other toxic substances. Vividly capturing both the haunting beauty of the ships and the deplorable conditions of the workers, Shipbreakers is an international story of greed, survival, Third World labor, and environmental neglect.Read More »
Ichiro (Chiba) is a scrappy little sport in a big car and funny hat always looking for some fun and some extra cash on the side. He and his friends get themselves involved in some shady business dealings involving a kidnapping.Read More »
SYNOPSIS: “Harvey’s transition from editor to director is a brilliantly spare, edgy adaptation of LeRoi Jones’ play, basically a two-hander set on a New York subway train: a grim duel between cat and mouse as a rangily sexy white woman (Shirley Knight) circles a young black (Al Freeman Jr.) sitting alone, deliberately teasing, taunting, flaunting herself in a perverse attempt to break his control. Resentment and attraction crackle through the dialogue (and the superb performances) in an almost orgiastic expression of provocation and desire, until she wins and the black is goaded into retaliation. It ends, of course, in violence: a devastating acknowledgment that this is just about the only ground on which black and white can meet. The film’s one minor flaw is when the camera eventually pulls back from the duo to reveal that the carriage has filled with commuters studiously minding their own business; true to life, perhaps, but it comes over as a facile trick.”Read More »
Weedy office worker Cheung is sent to a remote village to secure property rights for his real estate company. Two martial artists run the village’s teahouse, which was once the kung-fu school of their teacher Master Law. Law is in fact lying unconscious upstairs in a three decades-long coma, but he awakes when gym boss and local landlord Pong attempts to secure the teahouse for redevelopment. Law mistakes Cheung for a former student and starts training him in preparation for a martial-arts tournament at Pong’s gym that will decide all their fates.Read More »
Synopsis An unnamed man wanders into a mysterious basement, only to find his own corpse laying among rusty metal. The two lock eyes, a gloved killer appears.Read More »
A Machine to Live In is a hybrid documentary linking the cosmic power structures of the state to the mystical architecture of cults and utopian cities in the remote hinterlands of Brazil.Read More »
auteur-réalisateur Alice Diop • image Blaise Harrison • son Pascale Mons • montage Amrita David • montage son et mixage Ludovic Escallier • étalonnage Eric Salleron
Steve a 25 ans, la dégaine d’un « loulou des quartiers » ceux-là même qui alimentent les faits-divers sur la violence des banlieues. Il faut dire que « petite racaille », il l’était encore il y a quelques mois. Avec ses potes, compagnons d’infortunes, il « tenait les barres » de sa cage d’escalier, rêvant d’une vie meilleure entre les vapeurs des joints qu’ils se partageaient entre amis.Read More »