Synopsis
In 2013, former Chadian dictator Hissein Habré’s arrest in Senegal marked the end of a long combat for the survivors of his regime. Accompanied by the Chairman of the Association of the Victims of the Hissein Habré Regime, Mahamat Saleh Haroun goes to meet those who survived this tragedy and who still bear the scars of the horror in their flesh and in their souls. Through their courage and determination, the victims accomplish an unprecedented feat in the history of Africa: that of bringing a Head of State to trial.Read More »

Quote:
Dominique Cabrera is a french film maker who was born in Algeria. After Algeria gained independence from France, the European-descended people had to leave the country. It was 1962 when Dominique was 4 or 5 years old.

Tonight, at Harvard Visual and Environmental Studies Center’s artist talk series, she started by telling this early childhood experience and how it had shaped her experience of feeling exiled all life and the feeling of a lost country. She showed clips of her movies for the audiences to get a feel.Read More »

Exploring the life-affirming process of creating and interpreting a work of performance art, this film chronicles one of the most powerful and influential dances of the late 20th century. Renowned dancer and choreographer Bill T. Jones had lost his partner in life and onstage, Arnie Zane, when D-Man in the Waters premiered in New York City in 1989. The AIDS pandemic was exacting a terrible cost, especially among creatives, but remained largely taboo until Jones openly and unapologetically addressed it through that work. A new generation of student dancers tasked with interpreting the piece and led by Rosalynde LeBlanc—an original member of the Jones/Zane Company and codirector of the film—comes to understand responsibility through dance, recognizing that shared struggle is at the core of any living community. Can You Bring It integrates the standard elements of talking heads, archival footage, and performance documentation with rehearsal videos for the revival. (Rosalynde LeBlanc and Tom Hurwitz, 2020, 93 minutes)Read More »

Synopsis:
Hiroshi Inagaki’s acclaimed Samurai Trilogy is based on the novel that has been called Japan’s Gone with the Wind. This sweeping saga of the legendary seventeenth-century samurai Musashi Miyamoto (powerfully portrayed by Toshiro Mifune) plays out against the turmoil of a devastating civil war. The Trilogy (whose first part won an Academy Award) follows Musashi’s odyssey from unruly youth to enlightened warrior. In the second and most violent installment, Duel at Ichijoji Temple, Musashi beats a samurai armed with a chain and sickle and is later set upon by eighty samurai disciples—orchestrated by the sinister Kojiro—while the two women who love him watch helplessly.Read More »

Synopsis:
Hiroshi Inagaki’s acclaimed Samurai Trilogy is based on the novel that has been called Japan’s Gone with the Wind. This sweeping saga of the legendary seventeenth-century samurai Musashi Miyamoto (powerfully portrayed by Toshiro Mifune) plays out against the turmoil of a devastating civil war. The Trilogy (whose first part won an Academy Award) follows Musashi’s odyssey from unruly youth to enlightened warrior. In the third installment, Duel at Ganryu Island, Musashi reunites tragically with the women who love him, and battles for samurai supremacy in a climactic confrontation with his lifelong nemesis.Read More »

Plot Synopsis: Anselme, a fussy, retired grocer has borne the brunt of abuse from Victor, a despotic and infantile tyrant whom he has known for forty years, and with whom he shares lodgings. Victor humiliates Anselme at a society gathering and the latter plots a cruel joke that will drive the former insane. (BFI)Read More »

From IMDB
Oliver Reed and Michael Crawford play two brothers who are always trying to find some way to succeed with cleverness rather than simple drudgery. Crawford is constantly living in his brother’s shadow as the one who gets caught. After Crawford is forced to resign from the army after an episode of unappreciated cleverness, the two decide their careers would go better if there was a large amount of publicity, so they decide to steal the crown jewels from the tower of London. Bombs, misdirection, disguises and acting allow them to enter the tower with all of the alarms turned off.Read More »

Synopsis
Sol Glass’s clothing business is losing sales because the “customer girls,” the women employed to entertain buyers from out of town, are not friendly enough. Salesman Tommy Nelson suggests using stenographers to entertain buyers, who he believes are tired of gold diggers. When his fiancée, Florence Denny, wants to participate in the program, however, Tommy refuses to let her. Birdie, one of the other stenographers, becomes a very successful customer girl, closing many sales, and Tommy, too, succumbs to her charms. One night, when he has a date with Birdie, Tommy suggests that Florence go out with buyer Daniel Drew. She is surprised, but agrees in order to earn a commission for Tommy so that they can afford to get married. Read More »

Quote:
In the bombed-out ruins of post-Taliban Kabul, Noqreh (Agheleh Rezaie) lives with her conservative father (Abdolgani Yousefrazi) and her sister-in-law, Leylomah (Marzieh Amiri), in temporary refuge buildings. Although her father insists that she go to the religious school, Noqreh sneaks into a secular school for girls. Her teacher encourages her to run for class president, and she finds support from a refugee poet (Razi Mahebi), who introduces her to the work of Garcia Lorca. Noqreh dreams about becoming president of Afghanistan, and she bases her political ideals on former Pakistani president Benazir Bhutto.Read More »