Set during China’s Three Kingdom’s era (AD 220-280). The story of a great king and his people, who will be expelled from their homeland and will aspire to claim it. The king, violent and ambitious, of mysterious methods and motives; his general, a visionary who yearns to win the final battle but needs to prepare his plans in secret; the women of the palace, who struggle to find redemption in a world where they have no place; and a commoner called “Lord of all the world”, will be the characters around who turn the inexorable forces of this story.Read More »

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18 years after Kurt Kren produced his third film, he shot his masterpiece 37/78: Tree Again (1978). 18 years after I created my third darkroom film, I embarked on Train Again. This film is an homage to Kurt Kren that simultaneously taps into a classic motif in film history. My darkroom ride took a few years, but we finally arrived: All aboard. —Peter TscherkasskyRead More »

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Takechi’s third film, The Dream of the Red Chamber or Crimson Dream (Kokeimu, 1964), was released less than two months after Daydream. The film depicts the lurid and violently erotic dreams of a writer, his wife and his sister, after having spent a night out drinking and visiting sex shows. The Dream of the Red Chamber underwent extensive censorship before the government would allow it to be released. About 20% of the film’s original content was cut by Eirin, rendering the film virtually incoherent, and this footage is now considered lost.Read More »

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The German painter and cabaret artist Heino Jaeger was once a celebrated radio star. The radio recordings “Fragen Sie Dr. Jaeger/ Ask Dr. Jaeger” achieved cult status in the 70s. Nevertheless, this popularity seemed to “hurt” Jaeger as a painter. After ten years, he abruptly discontinued his broadcasting work and began to drink.
Weight down by a trauma from World War II and characterized by anarchic madness, but far being an eccentric, arrogant artist, Heino Jaeger died in a psychiatric ward in 1997 at the early age of 59. He spent his last twelve years there as an alcoholic schizophrenic. His paintings are very precise, ambiguous and contain a special irony. Read More »

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Waiting for coke from the Silesian mines is the “Szczecin” steelworks, and with it the cities and grand constructions of People’s Poland. Steam locomotive drivers undertake not to allow any train delay, and give a letter of guarantee – the railroad’s watchword.Read More »

From IMDB:
A woman in her thirties is a single mother of a teenager daughter, and both are in love with the same young soldier. Mother sacrifices herself for Maricchia’s marriage, but ultimately falls to her own passion, leading to family disruption.Read More »

Genre guru Ulli Lommel (THE BOOGEYMAN, BTK KILLER) directs this horror film about the infamous Zodiac killer. Though decades have passed since the multiple murderer held the state of California hostage with fear, the mystery of his identity has never been solved.Read More »

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Beyond a film, Icebreaker is in 1987 the first media composition, construction of 3 original works made on the Swedish icebreaker Frej, and involving the main means of expression. “Bateau Givre” by Jean Rouch (35′), carries the principles of direct cinema. Rouch discovers in his camera, without the artifice of a commentary, without the help of a third language, the work and the days of the icebreaker and the men who serve it. “Hans Majestäts Statsisbrytaren Frej” by Titte Törnroth (20′), offers a second approach, where the characters, who have acquired a mysterious presence with Rouch, evoke their work, their emotions, in their activities as well as in their moments of relaxation. This film answers the questions left unanswered in the previous one. Raoul Ruiz’s “Tales of Ice” (34′); when the viewer thinks he has gone around a reality that has become familiar, makes it tip over into a profusion of fictions; three stories weave together in this fantastic film where ice plays the central role, where the icebreaker becomes a strange vessel wandering on the edge of the world.Read More »

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Shinzaburo flees an unwanted marriage with his brother’s widow and lives quietly as a teacher distanced from his family. On the night of the summer Obon festival, he meets a beautiful courtesan named Otsuyu, whom he doesn’t recognize as a ghost. But his interactions with her are leaving him weakened. Because she has a much more obviously ghostly attendant, Shinzaburo becomes frightened & visits Kiku, the temple priest, for an exorcism.Read More »